John Seabrook is a staff writer at The New Yorker since 1993 and the author of several books.
He has taught narrative nonfiction writing at Princeton University.
Seabrook's work often explores popular culture and technology, with "The Song Machine" being his deep dive into the world of pop music production.
His writing style combines journalistic reporting with cultural analysis, offering readers insider perspectives on various industries.
Based in Brooklyn, New York, Seabrook's articles and books have garnered attention for their ability to unpack complex subjects in an engaging manner, making him a respected voice in contemporary journalism and nonfiction writing.
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