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Documentary Storytelling

Documentary Storytelling

Creative Nonfiction on Screen
by Sheila Curran Bernard 2010 368 pages
3.99
100+ ratings
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Key Takeaways

1. Documentary storytelling brings visual and literary narratives together

"Documentary storytelling has become commonplace since this book was first published in 2003; it describes the powerful merging of visual and literary narrative devices to enable media makers to reach and engage audiences with nonfiction content."

Visual and literary fusion. Documentary storytelling combines the power of visual imagery with the depth of literary narratives. This unique blend allows filmmakers to create compelling nonfiction content that engages audiences on multiple levels. By leveraging both visual and literary techniques, documentarians can:

  • Capture real-life events and people in a visually striking manner
  • Develop complex characters and storylines
  • Explore abstract concepts through concrete imagery
  • Use narration and dialogue to provide context and depth

Audience engagement. The merging of visual and literary elements enables filmmakers to create a more immersive experience for viewers. This approach helps to:

  • Hold audience attention for extended periods
  • Convey complex information in an accessible format
  • Evoke emotional responses and personal connections
  • Encourage critical thinking and reflection on the subject matter

2. Story basics: Structure, character, and tension drive audience engagement

"A story is the narrative, or telling, of an event or series of events, crafted in a way to interest the audience members, whether they are readers, listeners, or viewers."

Key elements of storytelling. Effective documentary storytelling relies on three fundamental components:

  1. Structure: A well-crafted narrative arc that guides the audience through the story
  2. Character: Compelling individuals or entities that the audience can connect with
  3. Tension: Conflict or challenges that create interest and drive the story forward

Audience engagement techniques. To maintain viewer interest, documentarians can:

  • Develop a clear beginning, middle, and end to the story
  • Introduce relatable characters with defined goals and motivations
  • Create and resolve conflicts throughout the narrative
  • Use pacing and reveals to build suspense and anticipation
  • Incorporate emotional highs and lows to keep the audience invested

3. Finding the story: Research thoroughly and focus on compelling narratives

"Armed with an understanding of story, how do you find one within a chosen subject for a documentary?"

Research and exploration. Finding a compelling story for a documentary requires:

  • Thorough investigation of the subject matter
  • Identifying unique angles or perspectives
  • Seeking out interesting characters or situations

Narrative potential. When evaluating potential stories, consider:

  • The presence of conflict or challenges
  • Character development and growth opportunities
  • Themes that resonate with a broader audience
  • Visual potential and access to key elements

Story selection criteria:

  • Relevance: Does the story connect to current issues or universal themes?
  • Originality: Does it offer a fresh perspective or new information?
  • Feasibility: Can the story be effectively told within the constraints of your production?
  • Emotional impact: Will it engage viewers on an emotional level?

4. Story structure: Use acts, sequences, and scenes to build a cohesive narrative

"Structure works in response to the audience's built-in expectations. It's human nature to try to make sense of patterns and arrangements, to work at filling in the blanks and guessing what happens next."

Three-act structure. Many documentaries follow a basic three-act structure:

  1. Act One: Introduction of characters, setting, and main conflict (25% of runtime)
  2. Act Two: Development of the story, escalating challenges (50% of runtime)
  3. Act Three: Climax and resolution (25% of runtime)

Building blocks of structure:

  • Scenes: Individual moments or events that convey specific information
  • Sequences: A series of related scenes that form a cohesive unit
  • Acts: Larger segments of the story that drive the overall narrative arc

Audience engagement through structure:

  • Create anticipation and suspense by carefully revealing information
  • Use turning points and reversals to maintain interest
  • Develop a clear narrative throughline that connects all elements of the story

5. Time on screen: Organize events for maximum impact, not strict chronology

"Filmmaking, from shooting through editing, is a process of expanding and/or collapsing real time."

Chronology vs. impact. Documentaries don't need to follow strict chronological order. Instead, organize events to:

  • Create the most compelling narrative arc
  • Highlight key moments and themes
  • Build tension and maintain audience interest

Techniques for manipulating time:

  • Flashbacks and flash-forwards
  • Parallel storylines
  • Montages and time-lapse sequences
  • Juxtaposition of past and present

Ethical considerations. When rearranging events, ensure that:

  • The overall truth of the story is maintained
  • Cause and effect relationships are not distorted
  • Context is provided for any non-chronological elements

6. Creative approach: Develop a unique perspective and visual style

"Give any group of filmmakers the same general subject—even the same general story—and you'll still end up with films that are very different in style, tone, point of view, focus, and more."

Defining your approach. Consider the following elements when developing your creative approach:

  • Point of view: Who is telling the story and from what perspective?
  • Visual style: What cinematography techniques and visual elements will you use?
  • Tone: Serious, humorous, investigative, or a combination?
  • Use of archival material, reenactments, or animation
  • Incorporation of interviews, narration, or observational footage

Balancing creativity and truth. While developing a unique approach:

  • Ensure that creative choices serve the story and don't distort facts
  • Use stylistic elements to enhance understanding and emotional impact
  • Consider how your approach affects the audience's perception of the subject

7. Planning and selling: Craft effective pitches and treatments

"A pitch is the core statement of your film's story, stated clearly and succinctly."

Effective pitching. Craft a compelling pitch that:

  • Clearly communicates the essence of your story
  • Highlights what makes your project unique and important
  • Demonstrates your passion and knowledge of the subject

Key elements of a strong pitch:

  • A hook that grabs attention
  • A clear description of the main characters or subjects
  • The central conflict or question driving the story
  • The potential impact or relevance of the film

Developing treatments. Create a detailed treatment that:

  • Outlines the structure and key scenes of your film
  • Describes your visual approach and style
  • Provides background information on the subject matter
  • Includes a budget estimate and production timeline

8. Shooting with story in mind: Capture key moments and visual elements

"Shooting with the story in mind means being prepared to get all the visuals you need to tell the story you think you want to tell, and being prepared for those surprises that are likely to make a good documentary even better."

Pre-production planning. Before shooting:

  • Develop a shot list based on your story outline
  • Identify key moments and visual elements to capture
  • Plan for potential unexpected developments

On-set storytelling. While filming:

  • Remain flexible and open to new story possibilities
  • Capture a variety of shots (wide, medium, close-up) for editing options
  • Look for visual metaphors and symbolic imagery

Building scenes. When constructing individual scenes:

  • Establish the setting and context
  • Capture character interactions and reactions
  • Document the progression of events

9. Editing: Shape the narrative through careful selection and arrangement

"Editing is very collaborative. A producer or director coming into the editing room to watch a cut in progress can often see links and transitions that the editor may not have seen, or he or she may see something in what the editor has assembled that will spark a realization that additional material—a piece of artwork, a fragment of music, a different interview excerpt—is needed."

Collaborative process. Editing involves:

  • Reviewing and organizing footage
  • Selecting the most impactful and relevant material
  • Arranging scenes and sequences to create a cohesive narrative

Storytelling through editing:

  • Establish a clear narrative arc
  • Use pacing to maintain audience engagement
  • Create emotional highs and lows
  • Incorporate visual and auditory transitions

Refining the cut:

  • Screen rough cuts for feedback
  • Be willing to make significant changes if necessary
  • Ensure that every element serves the overall story

10. Narration and voice-over: Enhance the story without overshadowing it

"Narration should add information to picture, not simply describe it. Above all, narration should advance the story."

Effective use of narration:

  • Provide context and background information
  • Bridge gaps in the visual storytelling
  • Offer insights or perspectives not evident in the footage

Writing for the ear:

  • Use clear, concise language
  • Avoid redundancy with visual information
  • Create a natural, conversational tone

Balancing narration and visuals:

  • Use narration sparingly, allowing visuals to tell the story when possible
  • Time narration to complement and enhance on-screen action
  • Consider using multiple voices or perspectives if appropriate

11. Ethics in documentary filmmaking: Balance creativity with truthfulness

"The power of documentary films comes from the fact that they are grounded in fact, not fiction. This is not to say that they're 'objective.'"

Ethical considerations:

  • Represent subjects and events accurately
  • Avoid manipulation of footage or facts to fit a predetermined narrative
  • Respect the privacy and rights of subjects

Balancing creativity and truth:

  • Use creative techniques to enhance understanding, not distort facts
  • Be transparent about reenactments or manipulated sequences
  • Consider the potential impact of your film on subjects and audiences

Maintaining credibility:

  • Fact-check rigorously
  • Provide context for potentially controversial material
  • Be willing to present multiple perspectives on complex issues

Last updated:

Review Summary

3.99 out of 5
Average of 100+ ratings from Goodreads and Amazon.

Documentary Storytelling receives mixed reviews. Some readers find it helpful for understanding documentary filmmaking and storytelling techniques, while others find it boring or difficult to follow. The book is praised for its examples and insights into nonfiction storytelling, but criticized for its dry writing style and occasionally confusing content. Some reviewers suggest it would be better as a video lecture. The interview with Ric Burns in chapter 17 is highlighted as particularly valuable. Overall, the book is recommended for those new to documentary filmmaking or interested in visual storytelling.

Your rating:

About the Author

Sheila Curran Bernard is an Emmy and Peabody Award-winning filmmaker, author, and educator specializing in nonfiction narrative. Her book "Documentary Storytelling" is in its 5th edition and has been translated into seven languages. Bernard has authored other books on storytelling and archival use in filmmaking. Her film credits include "Slavery by Another Name" and series like "I'll Make Me a World" and "Eyes on the Prize II," all broadcast on PBS. Her latest book, "Bring Judgment Day," explores Lead Belly's truths and Jim Crow's lies. Bernard's work demonstrates her expertise in creative nonfiction across various media.

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