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Freeing the Natural Voice

Freeing the Natural Voice

Imagery and Art in the Practice of Voice and Language
by Kristin Linklater 2006 381 pages
4.13
500+ ratings
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Key Takeaways

1. The Natural Voice: Unleashing Your Authentic Vocal Potential

The natural voice is transparent, it reveals, not describes, inner impulses of emotion and thought, directly and spontaneously. The person is heard, not the person's voice.

Liberation through awareness. The natural voice is capable of expressing a full range of emotions and thoughts across a two-to four-octave pitch range. However, tensions acquired through living often diminish its efficiency. The key to freeing the natural voice lies in removing physical and psychological blocks, rather than developing a skillful musical instrument.

Psychophysical approach. This method emphasizes:

  • Developing body awareness and relaxation
  • Reconnecting breath with emotion
  • Freeing the channel (jaw, tongue, soft palate)
  • Exploring the full resonating potential of the body

By addressing both physical and psychological aspects, this approach aims to produce a voice that is in direct contact with emotional impulses, shaped by the intellect but not inhibited by it.

2. Breath as the Foundation: Connecting Emotion and Voice

Blocked emotions are the fundamental obstacle to a free voice.

Breath-emotion connection. The breathing process is intimately linked to our emotional state. By reconnecting with natural breathing patterns and exploring various breathing exercises, we can tap into a deeper well of emotional expression.

Key aspects of breath work include:

  • Observing natural breathing rhythm
  • Exploring the "sigh of relief" as a tool for release
  • Developing breath capacity without tension
  • Connecting breath to impulse and emotion

Breathing musculature. Understanding the three main components of breathing muscles is crucial:

  1. Diaphragm: Primary breathing muscle and emotional center
  2. Intercostals: Responsible for breath capacity
  3. Inner abdominal muscles: Connected to instinctive impulses

By working with these muscle groups, actors can develop a more responsive and expressive voice that is directly connected to their emotional impulses.

3. Freeing the Channel: Relaxing Jaw, Tongue, and Soft Palate

To free the voice is to free the person, and each person is indivisibly mind and body.

Removing obstacles. The voice's channel – comprising the jaw, tongue, and soft palate – often holds tension that inhibits free expression. By focusing on relaxation and awareness exercises for these areas, we can create a more open and responsive vocal pathway.

Key exercises include:

  • Jaw awareness and relaxation techniques
  • Tongue stretching and loosening
  • Soft palate flexibility exercises

Mind-body connection. As we work on freeing the channel, it's essential to remember that physical tension often reflects psychological blocks. By addressing both aspects simultaneously, we can achieve a more holistic and lasting freedom in our vocal expression.

4. The Resonating Ladder: Amplifying Your Voice's Range

The resonators are a series of cavities going from big and broad at the base and gradually getting smaller and narrower toward the top—like a certain type of ladder.

Exploring resonance. The resonating ladder concept helps actors understand and utilize the full range of their vocal resonators, from the chest to the skull. By systematically exploring each "rung" of the ladder, actors can develop a richer, more varied vocal palette.

The main resonating areas include:

  1. Chest
  2. Mouth
  3. Teeth
  4. Sinuses
  5. Nasal cavity
  6. Skull

Exercises for range and flexibility. Through targeted exercises, actors can learn to access and blend different resonators, creating a more dynamic and expressive voice. This work not only increases vocal range but also enhances the actor's ability to convey subtle emotional nuances through sound.

5. Articulation: Balancing Clarity with Emotional Truth

Muddy thinking is the fundamental obstacle to clear articulation.

Clear thinking, clear speech. Articulation is not just about mechanical precision but about the clear expression of thought and emotion. By developing a strong connection between mind and articulators (lips, tongue, soft palate), actors can achieve both clarity and emotional truth in their speech.

Key aspects of articulation work:

  • Exploring the physical sensations of consonants and vowels
  • Developing flexibility and precision in the articulators
  • Connecting articulation to breath and emotional impulse
  • Balancing technical skill with spontaneity and authenticity

Beyond "correct" speech. The goal is not to achieve a standardized form of speech but to develop the ability to express the full range of human experience through language, adapting to the needs of different texts and characters.

6. From Body to Voice: Integrating Physical and Vocal Expression

Communication is a by-product of desire, intention, and freedom.

Holistic approach. True vocal freedom comes from integrating voice work with physical expression. By exploring the connections between body movement, breath, and sound, actors can develop a more organic and powerful means of communication.

Exercises for integration include:

  • Exploring vowel and consonant sounds through movement
  • Using physical actions to stimulate vocal release
  • Developing awareness of the body-voice connection in performance

Embodied imagination. This integrated approach helps actors translate mental images and emotions into physical and vocal expression, creating a more vivid and authentic performance.

7. Text and Acting: Bringing Words to Life on Stage

A text is a tapestry of ideas woven with words. The actor must translate the written tapestry into a spoken story through voice, and the art of acting lies in the actor's ability to intuit the feeling behind the idea that is expressed in words.

From page to stage. The ultimate goal of voice work for actors is to bring written text to life. This requires a deep engagement with the language, moving beyond intellectual analysis to a visceral understanding of the words.

Approaches to text work:

  • Exploring the sensory and emotional qualities of individual words
  • Connecting text to breath and physical impulse
  • Allowing time for nonverbal images and feelings to emerge
  • Balancing technical skill with spontaneity and discovery

Organic connection. By integrating voice work with acting technique, actors can develop a more authentic and powerful means of communicating the playwright's intentions while also expressing their own creative impulses.

Last updated:

Review Summary

4.13 out of 5
Average of 500+ ratings from Goodreads and Amazon.

Freeing the Natural Voice receives mixed reviews, with many praising its comprehensive approach to voice training for actors and singers. Readers appreciate the detailed exercises and potential for personal growth, noting improved communication skills and emotional connection. However, some find it overly complex, time-consuming, and difficult to follow without guidance. Critics argue it's less suitable for casual readers seeking quick improvements. Overall, reviewers acknowledge its value for serious performers but caution about the significant time investment required to see results.

Your rating:

About the Author

Kristin Linklater is a renowned voice teacher and author specializing in voice production techniques for actors and speakers. Her approach focuses on freeing the natural voice by releasing tension and connecting breath, body, and emotions. Kristin Linklater's methods emphasize the importance of physical awareness, relaxation, and visualization exercises to develop a more expressive and authentic vocal presence. Her work has been widely influential in theater and voice training programs worldwide. Linklater's teaching style is described as passionate and no-nonsense, with a focus on long-term, gradual improvement rather than quick fixes. Her techniques aim to help individuals discover their full vocal potential and overcome habitual limitations.

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