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Mythologies

Mythologies

by Roland Barthes 1957 160 pages
4.09
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Key Takeaways

1. Myth is a type of speech that transforms meaning into form

Myth is a type of speech.

Myth as communication. Barthes defines myth not as a specific object or concept, but as a mode of signification - a way of communicating messages. This broadens the scope of mythical analysis beyond traditional stories to encompass all forms of cultural expression, including images, objects, and practices.

Transformation of meaning. The key function of myth is to transform complex historical and cultural meanings into simplified, naturalized forms. This process strips away context and contingency, presenting ideological constructs as self-evident truths. For example:

  • A photo of a black soldier saluting the French flag becomes a symbol of French imperial unity
  • The idea of the "good French wine" obscures the economic and social realities of wine production

2. Semiology reveals the structure of myth as a second-order sign system

Myth is a peculiar system, in that it is constructed from a semiological chain which existed before it: it is a second-order semiological system.

Semiological analysis. Barthes applies the linguistic concepts of signifier, signified, and sign to analyze how myth operates. In myth, an existing sign (with its own signifier and signified) becomes the signifier for a new, mythical signified.

Layers of meaning. This second-order system allows myth to appropriate existing cultural signs and infuse them with new meanings:

  • First-order sign: A black soldier saluting (signifier) = A specific military gesture (signified)
  • Second-order mythical sign: The same image (signifier) = The concept of French imperial unity (signified)

By understanding this structure, we can deconstruct how myth manipulates existing meanings to convey ideological messages.

3. Myth naturalizes history and transforms culture into nature

The function of myth is to empty reality: it is, literally, a ceaseless flowing out, a haemorrhage, or perhaps an evaporation, in short a perceptible absence.

Depoliticization of meaning. Myth's primary function is to strip away the historical and political context of cultural phenomena, presenting them as natural, inevitable, and universal. This process of naturalization makes contingent social constructions appear timeless and unquestionable.

Erasure of complexity. Myth simplifies complex realities by:

  • Removing traces of human agency and social struggle
  • Presenting cultural norms as biological imperatives
  • Obscuring power relations and social inequalities

Examples:

  • The "eternal feminine" myth erases the historical construction of gender roles
  • The myth of "French wine" conceals labor practices and economic structures in viticulture

4. The bourgeoisie uses myth to depoliticize and universalize its ideology

The bourgeoisie is defined as the social class which does not want to be named.

Bourgeois ex-nomination. Barthes argues that the bourgeoisie maintains its power by making its particular class interests appear universal and natural. This process of "ex-nomination" (un-naming) allows bourgeois values to permeate society without being explicitly identified as such.

Universalization strategies:

  • Appealing to "common sense" and "human nature"
  • Presenting bourgeois cultural practices as the norm
  • Using abstract concepts like "the nation" to mask class distinctions

The result is a society where bourgeois ideology becomes invisible, functioning as an unquestioned background to everyday life.

5. Myth on the Left is inessential and poverty-stricken compared to bourgeois myth

Left-wing myth is always an artificial myth, a reconstituted myth: hence its clumsiness.

Limited scope of leftist myth. Barthes argues that while the Left does produce myths, they are less pervasive and effective than bourgeois myths. This is because:

  • Left-wing ideology aims to transform reality, not preserve it
  • The language of the oppressed is more direct and less prone to mythification

Characteristics of leftist myths:

  • Often tactical rather than strategic
  • Limited to specific political concepts
  • Less able to proliferate and adapt

Barthes suggests that true revolutionary language resists mythification by maintaining a direct, transformative relationship to reality.

6. Myth on the Right is expansive, pervasive, and central to bourgeois culture

Statistically, myth is on the right. There, it is essential; well-fed, sleek, expansive, garrulous, it invents itself ceaselessly.

Ubiquity of bourgeois myth. Right-wing or bourgeois myth permeates all aspects of social life, from politics and morality to aesthetics and consumer goods. This expansiveness allows it to shape the entire cultural landscape.

Characteristics of right-wing myth:

  • Highly adaptable and self-regenerating
  • Able to incorporate and neutralize potential challenges
  • Deeply embedded in everyday language and practices

Barthes argues that this pervasiveness makes bourgeois myth particularly insidious and difficult to challenge, as it becomes the "common sense" background of society.

7. Everyday objects and practices can become vehicles for mythical speech

Everything can be a myth provided it is conveyed by a discourse.

Mundane mythologies. Barthes extends mythical analysis to everyday objects and practices, revealing how they carry ideological messages. This approach shows how myth operates not just in grand narratives, but in the minutiae of daily life.

Examples of everyday myths:

  • Soap powders and detergents signifying purity and moral cleanliness
  • The "Blue Guide" travel books promoting a particular vision of national culture
  • Wrestling as a spectacle of moral conflict and justice

By analyzing these seemingly trivial phenomena, Barthes demonstrates the pervasive nature of mythical thinking in modern society.

8. Literature and art can both perpetuate and challenge mythical thinking

True, it is not any type: language needs special conditions in order to become myth.

Artistic engagement with myth. Barthes explores how literature and other art forms interact with mythical structures, sometimes reinforcing them and sometimes subverting them.

Approaches to myth in art:

  • Perpetuation: Some works uncritically reproduce mythical thinking
  • Deconstruction: Others expose and challenge the mechanisms of myth
  • Artificial mythologies: Some artists create deliberate "counter-myths" to critique dominant ideologies

Examples:

  • Flaubert's "Bouvard et Pécuchet" as a critique of bourgeois mythology
  • The way certain films naturalize historical and social realities

Barthes argues for a critical approach to art that recognizes its potential to both reinforce and challenge mythical structures.

9. Myth operates through specific rhetorical devices and figures

One must understand here by rhetoric a set of fixed, regulated, insistent figures, according to which the varied forms of the mythical signifier arrange themselves.

Mythical rhetoric. Barthes identifies specific rhetorical strategies that myth employs to naturalize its messages and make them appear self-evident.

Key rhetorical devices of myth:

  • Identification: Conflating distinct concepts (e.g., nation and bourgeois interests)
  • Tautology: Circular reasoning that avoids explanation
  • Neither-norism: False balance that obscures real alternatives
  • Quantification of quality: Reducing complex phenomena to simple metrics

By understanding these rhetorical moves, we can better recognize and critique mythical speech in its various forms.

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FAQ

What's "Mythologies" by Roland Barthes about?

  • Collection of Essays: "Mythologies" is a collection of essays by Roland Barthes that explores the myths and symbols present in everyday life and popular culture.
  • Cultural Critique: Barthes examines how cultural myths shape our understanding of the world, often revealing hidden ideologies and power structures.
  • Semiological Analysis: The book uses semiology, the study of signs and symbols, to dissect various cultural phenomena, from wrestling to advertising.
  • Historical Context: Written in the mid-20th century, it reflects on the cultural and political climate of post-war France, offering insights into the bourgeois society of the time.

Why should I read "Mythologies" by Roland Barthes?

  • Understanding Cultural Myths: The book provides a framework for understanding how myths influence our perceptions and beliefs, making it relevant for anyone interested in cultural studies.
  • Insight into Semiotics: Barthes' work is foundational in the field of semiotics, offering valuable insights into how meaning is constructed and communicated.
  • Critical Thinking: Reading "Mythologies" encourages critical thinking about everyday objects and practices, prompting readers to question the status quo.
  • Influential Work: As a seminal text in cultural theory, it has influenced a wide range of disciplines, including literature, media studies, and sociology.

What are the key takeaways of "Mythologies" by Roland Barthes?

  • Myth as Speech: Barthes defines myth as a type of speech, a system of communication that transforms history into nature.
  • Depoliticization: Myths depoliticize speech by stripping away historical context, making cultural phenomena appear natural and eternal.
  • Bourgeois Ideology: The book critiques bourgeois society for using myths to maintain power and control, often through subtle and pervasive means.
  • Semiological Framework: Barthes provides a semiological framework for analyzing myths, focusing on the relationship between the signifier, signified, and signification.

How does Roland Barthes define myth in "Mythologies"?

  • Type of Speech: Barthes defines myth as a type of speech, a form of communication that conveys cultural messages.
  • Second-Order System: Myth is a second-order semiological system, where the sign of the first system becomes the signifier of the second.
  • Form and Concept: In myth, the form (signifier) and concept (signified) combine to create a signification that appears natural.
  • Depoliticized Speech: Myths transform historical and cultural phenomena into depoliticized, naturalized narratives.

What is the significance of semiology in "Mythologies"?

  • Study of Signs: Semiology, or semiotics, is the study of signs and symbols, which Barthes uses to analyze cultural myths.
  • Decoding Myths: It provides a method for decoding the hidden meanings and ideologies embedded in cultural phenomena.
  • Framework for Analysis: Barthes' semiological framework involves examining the relationship between the signifier, signified, and signification.
  • Cultural Critique: By applying semiology, Barthes critiques how myths shape societal norms and values, often reinforcing power structures.

How does Barthes explore the concept of depoliticization in "Mythologies"?

  • Naturalization of Culture: Barthes argues that myths depoliticize speech by making cultural phenomena appear natural and eternal.
  • Stripping Historical Context: Myths remove the historical and political context of cultural objects, presenting them as self-evident truths.
  • Bourgeois Ideology: This process serves bourgeois ideology by masking the constructed nature of social norms and power relations.
  • Myth as Innocent Speech: Myths present themselves as innocent, neutral narratives, obscuring their role in maintaining the status quo.

What are some examples of myths analyzed in "Mythologies"?

  • The World of Wrestling: Barthes examines wrestling as a theatrical spectacle that conveys moral narratives and societal values.
  • The New Citroën: He analyzes the Citroën car as a symbol of modernity and technological progress, reflecting bourgeois ideals.
  • Soap-powders and Detergents: Barthes explores how advertising creates myths around cleanliness and purity, linking them to social status.
  • The Brain of Einstein: He discusses how Einstein's brain becomes a myth, symbolizing the intersection of genius and machine.

How does Barthes critique bourgeois society in "Mythologies"?

  • Ideological Control: Barthes argues that bourgeois society uses myths to maintain ideological control, presenting its values as universal.
  • Ex-nomination: The bourgeoisie avoids naming itself, creating an illusion of neutrality and naturalness in its cultural representations.
  • Cultural Hegemony: Myths serve to reinforce bourgeois cultural hegemony by depoliticizing and naturalizing social norms.
  • Critique of Power Structures: Barthes' analysis reveals how myths perpetuate existing power structures, often at the expense of marginalized groups.

What is the role of the mythologist according to Barthes in "Mythologies"?

  • Deciphering Myths: The mythologist's role is to decipher and demystify cultural myths, revealing their hidden ideologies.
  • Critical Distance: Barthes emphasizes the need for critical distance, allowing the mythologist to analyze myths without being influenced by them.
  • Political Act: Deciphering myths is a political act, as it challenges the naturalized narratives that support the status quo.
  • Ethical Responsibility: The mythologist has an ethical responsibility to expose the ways in which myths shape and distort reality.

What are the best quotes from "Mythologies" and what do they mean?

  • "Myth is depoliticized speech." This quote encapsulates Barthes' argument that myths strip away historical and political context, presenting cultural phenomena as natural.
  • "Myth transforms history into nature." Barthes highlights how myths make historical events and social constructs appear timeless and universal.
  • "Myth is a type of speech." This foundational statement defines myth as a form of communication that conveys cultural messages and ideologies.
  • "The function of myth is to empty reality." Barthes argues that myths distort reality by removing its complexity and presenting it as simple and self-evident.

How does Barthes' "Mythologies" relate to contemporary culture?

  • Enduring Relevance: The concepts in "Mythologies" remain relevant for analyzing contemporary culture, as myths continue to shape societal norms and values.
  • Media and Advertising: Barthes' analysis of advertising and media can be applied to modern marketing strategies and the construction of consumer identities.
  • Cultural Critique: The book provides tools for critiquing how contemporary myths reinforce power structures and social hierarchies.
  • Understanding Ideology: "Mythologies" offers insights into how ideology operates in today's world, making it a valuable resource for cultural studies.

What impact has "Mythologies" by Roland Barthes had on cultural theory?

  • Foundational Text: "Mythologies" is considered a foundational text in cultural theory, influencing a wide range of disciplines, including semiotics, media studies, and sociology.
  • Influence on Semiotics: Barthes' work has significantly contributed to the development of semiotics, providing a framework for analyzing signs and symbols in culture.
  • Critical Approach: The book has inspired critical approaches to understanding how cultural myths shape perceptions and reinforce ideologies.
  • Legacy in Academia: "Mythologies" continues to be studied and referenced in academic settings, highlighting its enduring impact on the study of culture and communication.

Review Summary

4.09 out of 5
Average of 16k+ ratings from Goodreads and Amazon.

Mythologies by Roland Barthes is a collection of essays analyzing popular culture and everyday phenomena through a semiotic lens. Readers appreciate Barthes' witty and insightful deconstruction of myths in French society, finding his work still relevant today. The book's accessible style and diverse topics, from wrestling to wine, make it engaging. Some readers find the dated references challenging, but many praise Barthes' ability to expose hidden ideologies and challenge naturalized cultural assumptions. The final essay, "Myth Today," provides a theoretical framework for understanding myths in modern society.

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About the Author

Roland Gérard Barthes was a French literary theorist, philosopher, and semiotician who significantly influenced various fields of study. Born in 1915, Barthes applied semiology to literary and social criticism, examining signs and symbols in culture. His work spans structuralism, post-structuralism, and New Criticism, exploring topics such as literature, photography, and popular culture. Barthes' ideas have had a lasting impact on disciplines including anthropology, design, and critical theory. His writing style is noted for its accessibility and wit, making complex ideas approachable. Barthes' innovative approach to cultural analysis continues to inspire scholars and critics long after his death in 1980.

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