Plot Summary
Blood on the Floorboards
Isabella's world is shattered when she finds her foster family slaughtered by Roman, the boy who once promised to protect her. Blood stains the kitchen, her abusers are dead or dying, and Roman—her childhood love and betrayer—stands before her, mask in hand, knife dripping. The trauma of her past and the horror of the present collide as Roman claims he's come to save her, but his methods are monstrous. Isabella is torn between relief and terror, unable to process the carnage or the return of the only person who ever made her feel safe. Roman's obsession is clear: he will never let her go again, no matter the cost.
Childhood Promises, Broken
Roman and Isabella's bond is forged in the fires of childhood neglect and abuse. Both are foster kids, shuttled from home to home, learning to survive in a world that doesn't want them. Roman, tough and angry, finds solace in Isabella's kindness, while she clings to his protection. Their friendship is a lifeline, but it's also fraught with the pain of abandonment and the scars of trauma. When Roman is suddenly taken away, Isabella is left defenseless, and the promise that they would always be together is broken, leaving wounds that never fully heal.
Reunion in Ruin
Three years after Roman's disappearance, he returns in a storm of violence, killing Isabella's abusers and dragging her from the only life she's managed to build. The lines between savior and captor blur as Roman's obsession with Isabella becomes clear—he's not just rescuing her, he's claiming her. Isabella, traumatized and furious, fights him at every turn, but her body remembers the safety and longing she once felt. Roman's love is possessive, dangerous, and absolute; he will kill for her, and he will not let her go, even if she begs.
The Games We Play
Roman and Isabella's relationship is a constant game of predator and prey, echoing the childhood games they once played. Now, the stakes are deadly. Roman delights in chasing her, both literally and emotionally, while Isabella oscillates between fear, anger, and reluctant desire. Their connection is primal, rooted in shared pain and the thrill of the hunt. The violence that surrounds them becomes foreplay, and the boundaries between love and hate, pleasure and pain, are constantly tested.
Lost and Locked Away
When Roman is sent to prison for avenging Isabella's honor, both are left to navigate a world without each other. Isabella, abandoned and alone, learns to survive in a hostile environment, her heart hardening with each passing day. Roman, locked in a cell, writes her hundreds of letters that never reach her, his obsession growing with every unanswered word. Both are haunted by memories and the hope that one day, they'll find each other again.
Predator and Prey
Upon Roman's release, he stalks Isabella from the shadows, watching her every move, orchestrating her life from afar. When he finally reveals himself, it's with the same violence and intensity as before. Isabella is torn between the comfort of his protection and the terror of his possessiveness. Their dynamic is more dangerous than ever, as Roman's need to own her collides with Isabella's desperate desire for autonomy.
The Ties That Bind
Roman's love is suffocating, manifesting in physical restraint and psychological games. He ties Isabella up, both literally and figuratively, forcing her to confront the depth of his obsession. Yet, even as she fights him, she cannot deny the twisted comfort she finds in his arms. Their relationship becomes a battleground, with Isabella struggling to reclaim her agency and Roman determined to keep her by any means necessary.
Becoming Monsters
Roman's brutality is both a weapon and a love language. He kills without remorse for those who hurt Isabella, and she is forced to confront her own capacity for darkness. Together, they become monsters—each complicit in the other's sins. The world around them is unforgiving, and survival means embracing the parts of themselves they once feared. Their love is forged in blood, and neither can escape the consequences.
Letters Never Sent
The truth of Roman's absence is revealed: the letters he wrote from prison were stolen by Isabella's foster family, leaving her to believe he had abandoned her. The realization devastates them both, but it also brings clarity. Their suffering was not the result of indifference, but of cruelty and circumstance. The letters become a symbol of everything lost and everything that might still be salvaged.
The Price of Survival
On the run from the law and the criminal underworld, Roman and Isabella must navigate a world where violence is currency and trust is a liability. Roman enters underground fights to earn money, risking his life for their future. Isabella, caught between gratitude and resentment, struggles to reconcile the man she loves with the monster he's become. Every victory comes at a cost, and the line between survival and self-destruction grows ever thinner.
The Arena of Pain
When Isabella is kidnapped by a rival gang seeking revenge on Roman, the full weight of their choices comes crashing down. Roman's rage is unleashed, and he will stop at nothing to get her back. The rescue is brutal, and the aftermath leaves them both scarred—physically and emotionally. Isabella must decide whether she can forgive Roman for the danger he brings into her life, and Roman must confront the reality that his love may be as destructive as it is redemptive.
Running from the Past
Fleeing their enemies, Roman and Isabella embark on a journey across the country, living out of a caravan and trying to build a new life. The road is fraught with tension, old wounds reopening as they struggle to trust each other again. Yet, in the quiet moments, they rediscover the tenderness that once bound them. Their love, though battered, proves resilient, and together they begin to imagine a future free from the shadows of their past.
The Choice to Stay
Isabella, for the first time, is given the choice to leave. She runs, desperate to reclaim her life, but Roman finds her, and they are forced to confront the truth: they are each other's only home. The decision to stay is no longer about fear or obligation, but about love and agency. Isabella chooses Roman, not because she has to, but because she wants to. Their relationship, once defined by trauma and control, becomes a partnership built on mutual need and acceptance.
Love in the Shadows
In the safety of their new life, Roman and Isabella learn to love each other without violence or fear. They confront their demons together, finding solace in each other's arms. The sex is raw and cathartic, a way to reclaim their bodies and their power. Through vulnerability and honesty, they begin to heal, forging a bond that is unbreakable.
Forgiveness and Fireworks
Their journey culminates in a moment of joy and celebration, as Roman takes Isabella to Disneyland—the place of her happiest childhood memory. Surrounded by light and laughter, they dance beneath the fireworks, finally free from the ghosts that haunted them. Forgiveness is not easy, but it is possible, and together they choose to embrace the future.
Home Is a Moving Target
With new identities and a caravan as their home, Roman and Isabella travel the country, making a life for themselves on their own terms. They are fugitives, but they are also free—free to love, to fight, to dream. Their family is small but fierce, and together they carve out a place in the world where they belong.
The World Is Ours
In the epilogue, Roman and Isabella have found peace, if not safety. They are partners in every sense, their love forged in fire and tempered by forgiveness. The world remains dangerous, but they face it together, unafraid. Their story is not one of happily ever after, but of survival, resilience, and the enduring power of love.
Characters
Isabella (Bella)
Isabella is a product of the foster system, shaped by neglect, abuse, and the desperate need for connection. Her relationship with Roman is both her salvation and her curse—he is the only person who ever made her feel safe, but his love is as dangerous as it is comforting. Isabella is resilient, learning to survive in a world that wants to break her. She is fiercely protective of those she loves, especially her younger foster brother Jeremy, and her journey is one of reclaiming agency and learning to choose love on her own terms. Her psychological scars run deep, manifesting in anxiety, self-doubt, and a constant battle between longing and fear. Over the course of the story, Isabella transforms from a passive victim to an active participant in her own life, ultimately choosing Roman not out of necessity, but out of desire.
Roman Riviera (Mickey/Ares)
Roman is the embodiment of the antihero—traumatized, dangerous, and utterly devoted to Isabella. His childhood was marked by abuse and abandonment, leaving him with a deep-seated need to control and protect. Roman's love for Isabella is all-consuming, manifesting in violence against those who hurt her and a refusal to let her go. He is both her savior and her captor, blurring the lines between love and possession. Roman's psychological profile is complex: he is impulsive, prone to rage, and struggles with feelings of worthlessness. Prison hardens him, but his obsession with Isabella never wavers. He is capable of tenderness, especially in private moments, but his primary language is violence. Roman's journey is one of learning to temper his instincts, to love without destroying, and to accept that true connection requires vulnerability.
Jeremy
Jeremy is Isabella's younger foster brother, representing the innocence and hope that both she and Roman lost. He is a reminder of what they are fighting for—a chance at a better life, free from abuse. Jeremy's presence grounds Isabella, giving her purpose and a reason to survive. Though he is largely a background character, his safety and well-being are central to Isabella's decisions.
Marcus
Marcus is Isabella's foster brother and one of her primary abusers. His cruelty and entitlement are emblematic of the dangers Isabella faces in the foster system. Marcus's actions set the stage for Roman's return and the cycle of violence that follows. His death at Roman's hands is both justice and trauma, forcing Isabella to confront her own capacity for darkness.
Greg
Greg is the foster father, a functioning alcoholic who enables and participates in Isabella's abuse. He represents the failures of the system meant to protect vulnerable children. His murder by Roman is both retribution and a turning point, marking the end of Isabella's captivity and the beginning of her new life.
Millie
Millie, the foster mother, is a passive participant in Isabella's suffering. She is complicit through inaction, choosing survival over intervention. Millie's character highlights the complexities of abuse—she is both a victim and an enabler, trapped by her own fears and limitations.
Rico
Rico is Roman's cellmate in prison and later an ally in the underground world. He provides comic relief and a counterpoint to Roman's intensity, but he is also dangerous in his own right. Rico's relationship with Roman is one of mutual respect and rivalry, and his interactions with Isabella add levity and tension to the narrative.
Damien
Damien is a member of the Alvarez cartel and Roman's contact in the criminal underworld. He is pragmatic, resourceful, and largely amoral, helping Roman and Isabella out of self-interest as much as loyalty. Damien's presence underscores the dangers of the world Roman and Isabella inhabit, and his actions often force them to confront uncomfortable truths.
Connie
Connie is the forger who provides Roman and Isabella with new identities. She is fiercely independent, unapologetically abrasive, and a rare example of a woman in control of her own fate within the criminal world. Connie's role is brief but significant, representing the possibility of agency and self-determination.
Vargas
Vargas is the leader of the rival cartel, a constant threat to Roman and Isabella's safety. He is ruthless, cunning, and unrelenting, serving as the primary external antagonist. Vargas's pursuit forces Roman and Isabella to confront the consequences of their actions and the reality that violence begets violence.
Plot Devices
Dual Timeline and Flashbacks
The narrative structure alternates between the present-day chaos and formative flashbacks, gradually revealing the depth of Roman and Isabella's bond and the traumas that shaped them. This device builds suspense, deepens character motivation, and allows the reader to experience the cyclical nature of abuse, love, and survival. The flashbacks serve as both exposition and emotional anchor, making the present-day violence and obsession more poignant.
Letters as Unsent Communication
Roman's prison letters, stolen and never delivered, are a powerful plot device. They represent the pain of miscommunication, the agony of separation, and the hope that love can survive even when all seems lost. The eventual discovery of the letters is a turning point, reframing the narrative from one of abandonment to one of tragic misunderstanding.
Violence as Love Language
Violence is both a literal and metaphorical language in the novel. Roman's brutality is an expression of love, a way to reclaim power in a world that has taken everything from him. For Isabella, violence is both terrifying and comforting—a sign that someone is willing to fight for her, even as it endangers her. This device complicates the morality of the characters and forces the reader to question the nature of love and justice.
Predator-Prey Dynamic
The recurring motif of predator and prey—through games of tag, literal chases, and sexual encounters—serves as both a metaphor for their relationship and a means of exploring trauma bonding. The thrill of the chase becomes a stand-in for intimacy, and the boundaries between fear and desire are constantly negotiated.
Found Family and Chosen Home
The concept of home is a moving target for Roman and Isabella, both literally (as they travel in a caravan) and emotionally. The plot device of found family—choosing each other and, eventually, Jeremy—underscores the theme that belonging is not about place, but about connection and choice.
Redemption Through Agency
Isabella's journey from passive victim to active agent is mirrored in the plot structure. Her eventual choice to stay with Roman, not out of fear but out of love, is the ultimate act of agency and redemption. The narrative rewards her autonomy, suggesting that survival is not just about endurance, but about reclaiming the power to choose.
Analysis
Skin of a Sinner is a dark, unflinching exploration of trauma, obsession, and the messy, often violent ways love can manifest in broken people. Avina St. Graves crafts a narrative that refuses easy answers, instead immersing the reader in the psychological complexity of two survivors who find solace—and danger—in each other. The novel interrogates the boundaries between protection and possession, justice and vengeance, love and control. Through its dual timelines, unsent letters, and predator-prey dynamics, the story examines how childhood wounds shape adult relationships, and how healing is possible only when both parties confront their own darkness. Ultimately, the book is a testament to the resilience of the human spirit and the transformative power of agency: love, in its truest form, is not about saving or being saved, but about choosing each other, again and again, even when the world is against you.
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FAQ
Synopsis & Basic Details
What is Skin of a Sinner about?
- A dark romance of shattered pasts: Skin of a Sinner follows Isabella, a young woman whose life is upended when Roman Riviera, her childhood friend and protector from the foster system, returns after three years.
- Homecoming drenched in violence: Roman reappears amidst the brutal slaughter of Isabella's abusive foster family, claiming he is there to save her, but his methods are terrifying and possessive.
- A dangerous, inescapable bond: Dragged away from the only life she built without him, Isabella is forced to confront the monstrous man Roman has become and the intense, obsessive connection that still binds them, blurring the lines between savior and captor.
Why should I read Skin of a Sinner?
- Intense emotional depth and psychological complexity: The novel delves into the deep-seated trauma of its characters, exploring how childhood abuse shapes their adult relationships and coping mechanisms in raw, unflinching detail.
- A unique and controversial dark romance dynamic: Readers seeking morally gray characters and a challenging exploration of themes like obsession, control, and violence as a twisted form of love will find a compelling, albeit disturbing, narrative.
- Fast-paced plot with unexpected twists: Beyond the central romance, the story features elements of crime, suspense, and a journey of survival, driven by Roman's dangerous past and the enemies they make along the way.
What is the background of Skin of a Sinner?
- Exploration of the foster care system's impact: The story is deeply rooted in the shared trauma of Roman and Isabella's experiences within a neglectful and abusive foster care system, highlighting its systemic failures and lasting psychological scars.
- Setting in a gritty, unforgiving urban environment: The initial setting is a "less-than-safe neighborhood" and later industrial areas of Chicago, reflecting the harsh realities and dangers that shaped the characters and continue to pursue them.
- Incorporation of pop culture and literary allusions: The narrative weaves in references to Disney (Mickey Mouse, Minnie Mouse, Disneyland), Greek mythology (Ares, Hellhound), classic literature (Catullus, Romeo and Juliet), and contemporary media (Law & Order, Taylor Swift, Percy Jackson, Mad Max), often used by the characters to process or frame their experiences.
What are the most memorable quotes in Skin of a Sinner?
- "You're my favorite sin.": Roman's declaration to Isabella encapsulates his view of her as both irresistible temptation and a source of his darkest impulses, highlighting the novel's themes of forbidden desire and moral ambiguity.
- "We're forever, Princess, and nothing will ever come between us.": This promise, made by Roman in a flashback and repeated throughout the book, underscores his absolute possessiveness and unwavering commitment to Isabella, regardless of external obstacles or her own resistance.
- "I would rather die knowing you wish I were dead than for you to feel nothing toward me at all.": Roman's raw confession reveals the depth of his need for Isabella's emotional response, even negative, over indifference, illustrating the intensity of his obsession and fear of abandonment.
What writing style, narrative choices, and literary techniques does Avina St. Graves use?
- Dual first-person perspective: The story alternates between Isabella and Roman's points of view, providing intimate access to their internal thoughts, motivations, and emotional turmoil, though Roman's perspective is less frequent initially.
- Visceral and sensory language: The prose often employs strong sensory details, particularly related to violence, blood, and physical sensations, immersing the reader in the characters' intense experiences and emotional states.
- Integration of flashbacks and present action: The narrative structure fluidly moves between past and present, using childhood memories to illuminate current dynamics and character development, creating a cyclical feeling of trauma and connection.
Hidden Details & Subtle Connections
What are some minor details that add significant meaning?
- The specific belt used on Greg: Roman's choice to kill Greg with the same belt he used to abuse Isabella is a subtle but powerful act of symbolic justice, turning the instrument of her torment into the means of his demise.
- Isabella's consistent use of her inhaler around Roman: Despite her general neglect of her asthma medication, Isabella frequently reaches for her inhaler when Roman is present or when discussing stressful topics with him, subtly showing his continued impact on her physical state and underlying anxiety, even years later.
- Roman's collection of Isabella's drawings: The discovery of Roman's hidden stash of Isabella's artwork, spanning years and including pieces she thought were lost or insignificant, reveals the depth of his long-standing, secret obsession and how he has curated memories of her even when they were apart.
What are some subtle foreshadowing and callbacks?
- The childhood game of "Tag": The innocent game of tag played in childhood becomes a dark metaphor for their adult dynamic, with Roman as the relentless "chaser" and Isabella as the "prey," subtly foreshadowing the literal and emotional hunts that define their later relationship.
- Roman's early fascination with Isabella's "pretty pink lips": Mentioned in a flashback, this seemingly innocent observation foreshadows his later intense focus on her mouth during their first kiss and subsequent sexual encounters, linking his long-held desire to his eventual physical claiming of her.
- The recurring motif of Isabella's hair and Roman fixing it: From childhood pigtails to later braids, Roman consistently fixes Isabella's hair, a subtle callback to his protective, nurturing side and a symbolic act of him trying to "fix" or care for her, even amidst his violent tendencies.
What are some unexpected character connections?
- Roman's connection to Damien through prison and the cartel: The revelation that Roman's prison cellmate, Rico, is Damien's brother, and that Roman has a history of doing jobs for Damien's cartel, is an unexpected link that pulls Isabella into the dangerous criminal underworld, showing the far-reaching consequences of Roman's actions.
- Margaret, the child psychologist, as a recurring figure: Margaret, initially Roman's seemingly ineffective psychologist, reappears as the kind woman who takes in Jeremy, providing an unexpected thread of continuity and suggesting a subtle network of care (or at least, placement) within the foster system that touches both Roman and Isabella's lives.
- The connection between the Vargas cartel and Roman's prison sentence: The seemingly random attack on Roman by Vargas's men is revealed to be a direct consequence of Roman's actions in prison (finding and not reporting the cocaine), linking his past incarceration directly to the present danger Isabella faces, highlighting how his "justice" for her had unforeseen, dangerous repercussions.
Who are the most significant supporting characters?
- Jeremy, the symbol of lost innocence and hope: Isabella's younger foster brother, Jeremy, serves as her primary motivation for enduring her abusive home life and represents the possibility of a better future, grounding her decisions and highlighting the stakes of her escape with Roman.
- Damien, the pragmatic link to the criminal underworld: Damien provides Roman with resources (IDs, money, information) and opportunities (the fight club), acting as a crucial plot driver who pulls Roman and Isabella deeper into danger while also offering moments of unexpected assistance.
- Rico, the complex prison ally and source of information: Rico offers glimpses into Roman's life in prison, provides comic relief, and inadvertently reveals key information (like the tattoo and the letters), acting as a chaotic but ultimately loyal figure who highlights Roman's capacity for forming bonds, even in dark places.
Psychological, Emotional, & Relational Analysis
What are some unspoken motivations of the characters?
- Isabella's subconscious desire for Roman's control: Despite her conscious fear and anger, Isabella's body often betrays a deep-seated need for Roman's dominant touch and protective presence, stemming from years of feeling powerless and unsafe, suggesting a complex trauma response where control equals safety.
- Roman's need for validation through protecting Isabella: Roman's relentless pursuit of vengeance for Isabella and his insistence on her dependence are driven by an unspoken need to prove his worth and counteract the profound abandonment he experienced in childhood, making her safety and devotion his primary source of self-validation.
- Millie's passive complicity as a survival mechanism: Millie's inaction in the face of her family's abuse of Isabella is likely motivated by her own fear and learned helplessness within the abusive dynamic, an unspoken choice to prioritize her own (perceived) safety over protecting Isabella, highlighting the cyclical nature of trauma.
What psychological complexities do the characters exhibit?
- Trauma bonding and the blurring of love and abuse: The central relationship between Isabella and Roman is a prime example of trauma bonding, where shared traumatic experiences and cycles of abuse and protection create an intense, often unhealthy, attachment that is difficult to break, making their connection deeply complex and morally ambiguous.
- Dissociation and emotional numbing as coping strategies: Isabella frequently describes feeling detached or numb during traumatic events ("hollow heart," "mind refuses to comprehend"), illustrating dissociation as a psychological defense mechanism developed to survive overwhelming pain and horror.
- Impulse control disorder and rage as trauma responses: Roman exhibits significant issues with impulse control and explosive rage, particularly when Isabella is threatened or hurt, reflecting deep-seated trauma and a learned response of immediate, overwhelming violence to perceived threats.
What are the major emotional turning points?
- Isabella's confrontation with Roman after the murders: The initial encounter where Isabella expresses her raw anger and betrayal ("Fuck you, Roman. I hate you.") is a pivotal emotional turning point, marking the shift from passive victim to active expression of her pain and setting the stage for her struggle for agency.
- The discovery of Roman's unsent letters: Reading Roman's letters from prison is a major emotional climax for Isabella, transforming her perception of his absence from abandonment to tragic misunderstanding and allowing her to begin processing her grief and anger from a new perspective.
- Isabella's choice to return to Roman in Cheyenne: After running from him, Isabella's decision to willingly return to Roman, acknowledging her fear but choosing him anyway ("I won't come with you... It's fine... He's... a friend"), signifies a crucial emotional shift towards acceptance and agency, moving beyond forced compliance.
How do relationship dynamics evolve?
- From childhood protectors to adult captor/captive: The relationship transforms from a mutual bond of protection and solace in childhood to a complex dynamic of obsession, control, and reluctant dependence in adulthood, driven by Roman's trauma and Isabella's struggle for autonomy.
- The shift from miscommunication to painful honesty: After years of silence and misunderstanding caused by the stolen letters, their dynamic evolves towards brutal honesty, forcing them to confront painful truths about their pasts, motivations, and the impact they've had on each other.
- Developing a partnership amidst chaos: Despite the violence and danger, their relationship gradually evolves into a form of partnership, particularly as they navigate life on the run, relying on each other's unique skills (Roman's fighting/resourcefulness, Isabella's drawing/emotional intelligence) to survive and build a shared future.
Interpretation & Debate
Which parts of the story remain ambiguous or open-ended?
- The long-term safety from the Vargas Cartel: While Roman and Isabella escape Chicago and Vargas's immediate threat, the ending leaves ambiguous whether they are truly safe or if the cartel will continue to pursue them indefinitely, suggesting their life on the run may be permanent.
- The full extent of Roman's criminal activities before prison: The narrative hints at Roman doing "jobs" for Damien and the cartel before his incarceration, but the specific nature and frequency of these activities remain somewhat vague, leaving the reader to infer the depth of his involvement in the criminal underworld.
- The psychological resolution of Isabella's trauma: While Isabella makes significant strides in reclaiming her agency and processing her grief, the ending doesn't provide a definitive resolution to her deep-seated trauma, leaving open the question of whether she can fully heal from her past experiences.
What are some debatable, controversial scenes or moments in Skin of a Sinner?
- Roman's torture and murder of Marcus and Greg: The graphic depiction of Roman's brutal killings, particularly the dismemberment and prolonged suffering, is highly controversial, sparking debate about whether his actions constitute justified vengeance for Isabella or simply monstrous violence.
- The non-consensual sexual encounters: Scenes where Roman initiates sexual contact while Isabella is tied up or seemingly disoriented raise significant debate regarding consent, blurring the lines between dubious consent, consent-not-consent, and sexual assault within the context of a dark romance narrative.
- Isabella's eventual acceptance and desire for Roman: Isabella's journey from terror and resistance to developing desire for and ultimately choosing to stay with Roman is highly debatable, prompting questions about Stockholm Syndrome, trauma bonding, and the ethical implications of romanticizing such a dynamic.
Skin of a Sinner Ending Explained: How It Ends & What It Means
- Escape and a nomadic "home": The Skin of a Sinner ending sees Roman and Isabella escaping Chicago and the immediate threat of the Vargas Cartel, living under new identities (Alice and Michael) in a refurbished caravan, symbolizing their creation of a "found family" and a chosen home on the run.
- Acceptance of their complex love: Isabella chooses to stay with Roman not out of fear, but out of love and agency, acknowledging his flaws and the danger he brings but accepting that they are each other's home and support system, signifying a mutual choice despite their traumatic past.
- A hopeful but uncertain future: The epilogue depicts them finding moments of peace and happiness (like at Disneyland), but their life remains marked by Roman's past (his tattoos, continued need for outlets like punching, potential ongoing threat from Vargas), suggesting their "happy ending" is one of survival and choosing each other daily, rather than a traditional, conflict-free resolution.
Review Summary
Skin of a Sinner received mixed reviews, with ratings ranging from 1 to 5 stars. Many readers praised the obsessive male lead, Roman Riviera, and his intense devotion to the female protagonist, Bella. However, some found the plot lacking and criticized Bella's character development. The book's dark themes, including murder and kidnapping, were polarizing. Some readers enjoyed the childhood friends-to-lovers storyline and steamy scenes, while others found the writing cringeworthy and the characters unrealistic. Overall, the book seems to appeal to fans of dark romance with morally gray characters.
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