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The Art of Fiction

The Art of Fiction

Notes on Craft for Young Writers
by John Gardner 1991 240 pages
3.99
6k+ ratings
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Key Takeaways

1. Fiction as a Vivid and Continuous Dream

In good fiction, the dream engages us heart and soul; we not only respond to imaginary things—sights, sounds, smells—as though they were real, we respond to fictional problems as though they were real: We sympathize, think, and judge.

Immersive experience. Good fiction creates a vivid and uninterrupted dream in the reader's mind. This dream-like state allows readers to fully engage with the story, characters, and fictional world. The writer's job is to maintain this dream by providing concrete details that appeal to all senses, not just the visual.

Emotional engagement. Readers should respond to fictional events and problems as if they were real. This emotional investment is crucial for the story's impact. Writers achieve this by creating believable characters, realistic conflicts, and relatable situations that resonate with the reader's own experiences and emotions.

Continuous flow. To maintain the fictional dream, writers must avoid anything that might disrupt it. This includes clumsy writing, unnecessary explanations, or authorial intrusions that remind readers they're reading a constructed story. The goal is to keep the reader fully immersed in the fictional world from beginning to end.

2. The Importance of Authenticity in Writing

Circus knife-throwers know that it is indeed possible to be perfect, and one had better be. Perfection means hitting exactly what you are aiming at and not touching by a hair what you are not.

Striving for excellence. Writers should aim for perfection in their craft, just as circus knife-throwers must be precise in their performances. This means carefully choosing every word, sentence, and detail to create the desired effect.

Authenticity over imitation. While it's important to learn from other writers, true artistry comes from finding one's own unique voice and perspective. Writers should draw from their own experiences, observations, and emotions to create authentic narratives that resonate with readers.

Continuous improvement. Achieving authenticity and excellence in writing is an ongoing process. Writers must constantly hone their skills, experiment with different techniques, and push themselves to explore new ideas and forms of expression.

3. Mastering the Elements of Fiction

The writer's characters must stand before us with a wonderful clarity, such continuous clarity that nothing they do strikes us as improbable behavior for just that character, even when the character's action is, as sometimes happens, something that came as a surprise to the writer himself.

Character development. Creating believable, multi-dimensional characters is crucial for engaging fiction. Characters should have consistent personalities, motivations, and behaviors that feel authentic and true to their nature.

Plot and setting. A well-crafted plot should arise naturally from the characters' actions and motivations. The setting should be vividly realized and integral to the story, not just a backdrop.

Dialogue and narrative voice. Effective dialogue should reveal character, advance the plot, and sound natural. The narrative voice should be consistent and appropriate for the story being told.

4. The Power of Imitation and Vocabulary in Writing

For centuries, one of the standard ways of learning techniques has been imitation, as when, in the eighteenth century, the student took some classical model—for example, the Pindaric hymn or the Horatian ode—and wrote, in Greek, Latin, or English, an original work in imitation of that model.

Learning through imitation. Studying and imitating great writers can help develop one's own skills and techniques. This doesn't mean copying, but rather understanding and adapting successful literary strategies.

Expanding vocabulary. A rich vocabulary allows for more precise and expressive writing. Writers should continually work to expand their vocabulary, not just with fancy words, but with specific, concrete terms that bring vivid detail to their writing.

Finding one's voice. Through imitation and vocabulary expansion, writers can eventually develop their own unique style and voice. This process involves experimenting with different techniques and finding what works best for their own storytelling.

5. Crafting Effective Sentences and Rhythm

Good prose differs in only one way from good contemporary verse—by which one means, mainly, free verse (unrhymed and metrically irregular). Verse slows the reader by means of line breaks; prose does not.

Sentence variety. Effective prose uses a mix of sentence structures and lengths to create rhythm and maintain reader interest. This includes using short, punchy sentences for emphasis and longer, more complex sentences for elaboration.

Rhythm and flow. Good prose has a natural rhythm that enhances the reading experience. Writers should pay attention to the cadence of their sentences, using techniques like alliteration, assonance, and consonance to create pleasing sound patterns.

Poetic techniques in prose. While prose doesn't use line breaks like poetry, it can employ many poetic devices to enhance its impact. This includes metaphors, similes, imagery, and careful attention to the sound and rhythm of language.

6. Understanding Point of View and Psychic Distance

By psychic distance we mean the distance the reader feels between himself and the events in the story.

Choosing the right perspective. The choice of point of view (first person, third person limited, omniscient, etc.) significantly impacts how readers experience the story. Each perspective has its strengths and limitations.

Controlling psychic distance. Writers can adjust the level of intimacy or detachment readers feel from the story by manipulating psychic distance. This can be done through word choice, sentence structure, and the amount of internal character thoughts revealed.

Consistency and purpose. Whatever point of view and psychic distance a writer chooses, it should be maintained consistently unless there's a specific reason for changing it. Shifts in perspective or psychic distance should serve the story's purpose.

7. The Art of Plotting in Fiction

Plotting, then—however childish and elementary it may seem in comparison with the work of surgeons, philosophers, or nuclear physicists—must be the first and foremost concern of the writer.

Causal relationships. A strong plot is built on a series of causally related events. Each event should logically lead to the next, creating a sense of inevitability while still allowing for surprises.

Conflict and tension. Effective plots revolve around central conflicts that drive the story forward. These conflicts can be external (between characters or with the environment) or internal (within a character's own mind).

Pacing and structure. The arrangement of events in a plot should create a satisfying rhythm of tension and release. This includes building to climactic moments and providing necessary resolution.

8. Exploring Different Forms: Short Story, Novella, and Novel

The novella can be defined only as a work shorter than a novel (most novellas run somewhere between 30,000 and 50,000 words) and both longer and more episodic than a short story.

Short story focus. Short stories typically concentrate on a single event, character, or theme, aiming for a powerful, concise impact. They often build to a single climactic moment or revelation.

Novella structure. Novellas allow for more complexity than short stories but maintain a tighter focus than novels. They often explore a single theme or conflict through a series of connected episodes.

Novel complexity. Novels provide space for multiple plot lines, deeper character development, and more extensive exploration of themes. They often have a more complex structure with interweaving storylines and subplots.

9. The Role of Theme and Symbolism in Fiction

Theme, it should be noticed, is not imposed on the story but evoked from within it—initially an intuitive but finally an intellectual act on the part of the writer.

Organic theme development. Themes should arise naturally from the story's events and characters, rather than being forcefully imposed. Writers often discover their themes through the process of writing and revision.

Symbolism and imagery. Effective use of symbols and recurring images can reinforce themes and add depth to the story. These elements should be subtly integrated, not heavy-handed.

Universal significance. Strong themes often connect the specific events of the story to broader human experiences or universal truths. This gives the story relevance beyond its immediate plot.

10. Avoiding Common Pitfalls: Sentimentality, Frigidity, and Mannerism

Sentimentality, in all its forms, is the attempt to get some effect without providing due cause.

Avoiding sentimentality. Writers should earn emotional responses from readers through well-developed characters and situations, not through manipulation or cliché. Genuine emotion comes from authentic storytelling.

Guarding against frigidity. Writers must maintain genuine engagement with their characters and story. Detachment or lack of empathy can result in cold, unengaging narratives.

Steering clear of mannerism. While developing a unique style is important, writers should avoid self-conscious or showy writing that draws attention to itself rather than serving the story.

Last updated:

Review Summary

3.99 out of 5
Average of 6k+ ratings from Goodreads and Amazon.

The Art of Fiction receives mixed reviews. Some praise Gardner's depth of knowledge and insightful advice on writing technique, while others find his tone condescending and elitist. Readers appreciate his emphasis on crafting vivid, uninterrupted fictional worlds and his practical tips on sentence construction and plotting. However, his focus on literary classics and dismissal of genre fiction irks some. The book is seen as more suitable for advanced writers rather than beginners. Despite its flaws, many consider it a valuable resource for serious writers seeking to improve their craft.

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About the Author

John Champlin Gardner Jr. was an American novelist and writing instructor born in Batavia, New York. Raised in a literary household, Gardner's life and work were profoundly affected by the accidental death of his younger brother in 1945, for which he felt responsible. This tragedy influenced much of his fiction and criticism. Gardner became a controversial figure in American literature, known for his novel Grendel and his strong opinions on writing. As a university professor, he taught creative writing and was renowned for his critical approach to fiction. His book The Art of Fiction, though divisive, remains an influential text on writing craft.

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