Worms Beneath the Skin

Melissa cares for her ailing grandmother, who insists worms crawl beneath her skin. As Melissa juggles work, family, and the responsibility of tending ancestral graves, she's haunted by the sense that the dead are restless and demanding. The boundaries between reality and delusion blur as bruises appear on Melissa's body, echoing her grandmother's complaints. The family's rural Southern home is a place of obligation and suffocation, where the living and the dead both make claims on Melissa's future. When the ghosts become physically aggressive, Melissa is forced to choose between staying trapped by her family's legacy or escaping with the help of Shelly, a girl who offers her a way out. Ultimately, Melissa chooses to leave, breaking the cycle of generational haunting and grief.

Haunted by the Sea

Poppy, a recent high school graduate, takes a summer nanny job in a seaside house infamous for its curse. The house's history is littered with sickness and misfortune, and Poppy is determined to save enough money to escape her small town for university abroad. As she cares for the children, the house's supernatural presence grows: dolls move on their own, the sea seems to encroach nightly, and Poppy is physically attacked by unseen forces. The house manipulates her, both wanting her to stay and to leave, reflecting her own ambivalence about her future. In the end, Poppy resists the house's attempt to claim her, breaking free before she can be "trimmed" like an overgrown poppy, and escapes the fate of those who stayed too long.

The Headless Protector

Jenna and her friends, bored in their rural Pennsylvania town, are attacked by intruders in her supposedly haunted house. The legend of Barbara, a headless woman murdered centuries ago, becomes real when her ghost intervenes to save Jenna and her friend Jase, but not before their friend Lee is killed. Barbara's presence is both terrifying and redemptive, embodying the pain of women erased by violence and history. Jenna survives, but is forever changed by the knowledge that the dead can save the living, even when the living cannot save the dead.

Bridge of Broken Friendships

Jules and her friends, on the cusp of adulthood, test the legend of a haunted bridge that feeds on human weakness. Their ritual, fueled by anger and secrets, awakens a supernatural force that magnifies their worst traits. The group fractures under the weight of betrayal, jealousy, and unresolved pain. When the bridge's monster demands a sacrifice, Jules is forced to confront her own rage and claim ownership of it, refusing to let the supernatural or her friends define her. She survives by refusing to be consumed, but the experience leaves her changed, aware of the thin line between victim and monster.

Ghosts in the Water

Maud, paralyzed by the loss of her best friend June, seeks closure at a haunted Texas lake where the dead are said to return. When June's ghost appears, Maud is drawn into a cycle of longing and self-destruction, unable to let go. The haunting is revealed to be a predatory spirit, the Lady of the Lake, feeding on Maud's grief and guilt. Only by accepting the truth of June's death and choosing to live does Maud break free, finding unexpected kinship with Carolina, another girl marked by loss. The story explores how grief can become a haunting in itself, and how letting go is both painful and necessary.

Forest's Hungry Roots

Dhara, a member of the Children of the Aspen, lives in a Colorado town where the forest is alive and vengeful. After surviving childhood trauma and witnessing the harm outsiders bring, Dhara and her friends lure Jackson, a predatory newcomer, into the petrified woods. The forest, animated by the spirits of those wronged, consumes Jackson, turning him into a tree. The story is a reckoning with cycles of abuse, colonization, and the power of community to protect its own, even through violence.

The Witch's Third Fire

Charlie, ostracized for attempting to burn down her town's church, is haunted by visions and a mysterious girl, Elle. Amberville is cursed to burn three times, each by a girl who doesn't fit the town's mold. Charlie learns she is the third in this lineage, pressured by the ghosts of past outcasts to finish what they started. The story is a meditation on the cost of conformity, the pain of exclusion, and the power of claiming one's own narrative—even if it means destroying the place that never accepted you.

Reflections of Trauma

A group of friends, seeking thrills, play Bloody Mary and unleash a supernatural force that manifests their deepest traumas. Each is confronted by a personal demon: abuse, illness, or guilt. The haunting is not just supernatural but psychological, forcing them to face the pain they carry. In the end, they fight back, destroying the mirrors and the monster within, forging a pact to protect each other from the darkness that lingers in both the world and themselves.

Tunnels of Choice

Sienna and Dillon, caught in a toxic, undefined relationship, enter a set of supernatural tunnels that demand a sacrifice. The tunnels force Sienna to choose between clinging to a love that hurts her or leaving it behind. Through a series of dares and truths, Sienna realizes that Dillon will never give her what she needs. She chooses herself, closing the door on Dillon and the pain he represents, and emerges changed, if not entirely healed.

The Burning Hunger

Lov-lay, a supernatural being living above a mountain, is drawn to the world below and to a boy named Elias. As she succumbs to her hunger and the pull of human connection, she discovers the violence and cruelty of the people below. Betrayed and enraged, Lov-lay's true nature emerges, and she devours Elias, fulfilling the warning that nothing good comes from below. The story is a dark fable about desire, otherness, and the monstrousness that can be born from longing and betrayal.

Family Ties and Curses

Across the anthology, family—both blood and chosen—serves as both a source of strength and a trap. Characters are bound by the expectations, traumas, and legacies of those who came before them. Whether it's tending graves, inheriting curses, or avenging the wronged, the stories explore how the past shapes the present, and how breaking free often means confronting the ghosts of family and history.

Monsters Made, Not Born

The anthology's monsters—ghosts, witches, vengeful forests, cursed houses—are not just supernatural threats but mirrors of human failings: grief, anger, abuse, longing, and the desire to belong. The true horror is often not the monster itself, but what it reveals about the people it haunts. The stories ask whether monsters are born or made, and whether survival means becoming monstrous oneself.

Characters

Melissa

Melissa is a seventeen-year-old girl trapped by familial duty in a decaying Southern home. She cares for her grandmother, whose delusions of worms under her skin mirror the family's deeper rot. Melissa's psychological struggle is between loyalty and the desperate need for escape. Her development is marked by the realization that she cannot save everyone, and that sometimes survival means leaving the dead—and the living—behind.

Poppy

Poppy is a recent graduate determined to escape her small town for a bigger life. Her job as a nanny in a cursed house becomes a metaphor for the ways ambition and fear can both trap and propel us. Poppy's psychological arc is about resisting the seductive pull of comfort and the dangers of staying where one does not belong.

Jenna

Jenna is a young woman whose skepticism about her town's ghost stories is shattered by real violence. Her relationship with her friends is complex, marked by both affection and rivalry. Jenna's encounter with the headless ghost Barbara is transformative, teaching her about the power of the forgotten and the necessity of remembering those erased by history.

Jules

Jules is defined by her anger—at betrayal, at her friends, at the world. The haunted bridge amplifies her worst traits, forcing her to confront the destructive potential of her emotions. Her journey is about learning to own her anger without letting it consume her, and about the dangers of letting others—or supernatural forces—define her worth.

Maud

Maud is paralyzed by the loss of her best friend June, unable to move forward. Her psychological torment is externalized by the Lady of the Lake, a spirit that feeds on her grief. Maud's development is about accepting loss, recognizing the difference between love and obsession, and choosing life over the seductive pull of the dead.

Dhara

Dhara is a member of a marginalized community with a deep connection to the land. Her trauma—being lost as a child, surviving abuse—fuels her alliance with the forest's supernatural power. Dhara's arc is about reclaiming agency, using the forest's hunger to protect herself and her community from those who would harm them.

Charlie

Charlie is a girl marked by her town's suspicion and her own sense of not belonging. Haunted by visions and the ghost of a witch, she is pressured to fulfill a curse that will destroy the town that rejected her. Charlie's struggle is between the desire for acceptance and the need to claim her own power, even if it means becoming the monster the town fears.

Sienna

Sienna is caught in a relationship defined by ambiguity and pain. The supernatural tunnels force her to confront the truth about herself and Dillon, the boy she cannot let go. Sienna's journey is about choosing herself over a love that diminishes her, and about the courage it takes to leave the past behind.

Lov-lay

Lov-lay is a supernatural creature torn between the safety of her mountain home and the allure of the world below. Her relationship with Elias is marked by desire, difference, and eventual betrayal. Lov-lay's transformation into a monster is both literal and symbolic, a commentary on the dangers of longing for what cannot be safely possessed.

The Monster/Barbara/Elle

Across the anthology, supernatural entities—whether ghosts, witches, or monsters—serve as avatars of unresolved trauma, injustice, and the desire for retribution. They are both threats and protectors, reflecting the psychological wounds of the living and the ways in which the past refuses to stay buried.

Plot Devices

Folk Horror as Mirror of Trauma

The anthology uses folk horror tropes—haunted houses, vengeful forests, cursed objects, ancestral ghosts—to make visible the psychological and social traumas of its characters. The supernatural is never just for scares; it is a way of exploring grief, abuse, anger, and the longing for belonging. The stories often blur the line between reality and delusion, using ambiguity to heighten both horror and empathy.

Cycles and Inheritance

Many stories hinge on cycles: generational curses, repeated hauntings, inherited trauma. Characters are often forced to confront the legacies of those who came before, whether through literal ghosts or the weight of family and community expectations. Breaking the cycle—by leaving, by fighting back, by choosing oneself—is a recurring motif.

Choice and Sacrifice

Characters are repeatedly faced with choices that demand sacrifice: stay or leave, save oneself or others, confront the past or be consumed by it. The supernatural often serves as a crucible, forcing characters to make decisions that reveal their deepest fears and desires. The cost of survival is never cheap, and the stories refuse easy answers.

Ambiguity and Unreliable Reality

The anthology frequently employs ambiguity—are the ghosts real, or are they manifestations of guilt and grief? Is the monster outside, or within? This uncertainty not only increases suspense but also invites readers to empathize with characters whose realities are fractured by trauma.

Analysis

The Gathering Dark reimagines folk horror for a contemporary audience, using the genre's traditional motifs—curses, haunted places, vengeful spirits—to explore the psychological and social wounds of its characters. Each story is a confrontation with the past: the dead who refuse to rest, the traumas that shape identity, the legacies that bind and suffocate. The anthology's true horror lies not in its monsters, but in the ways pain, grief, and longing can become monstrous when left unaddressed. Yet, the stories also offer hope: the possibility of breaking cycles, of choosing oneself, of forging new paths even in the shadow of the past. The Gathering Dark is ultimately a collection about survival—not just of the body, but of the self, in a world where the dead and the living are never entirely separate.

Last updated: May 13, 2025