Plot Summary
Midnight Minds Meet
The unnamed narrator, a thoughtful but unremarkable man, meets the eccentric and brilliant Auguste Dupin in a Paris bookshop. Both are drawn to rare books and, after a silent contest over a volume, strike up a friendship. Dupin, from a noble but impoverished family, lives simply and values intellect above all. The two men decide to share a gloomy, shuttered house, living by night and reading by day, forming a bond based on mutual respect and a shared love of mental challenge. Dupin's uncanny ability to read the narrator's thoughts—demonstrated through a chain of observations starting with an apple-seller—cements his reputation as a man of extraordinary analytical power.
The Apple-Seller's Insight
During a nocturnal walk, Dupin stuns the narrator by recounting his exact train of thought, tracing it from a near stumble over a street vendor to musings on a failed playwright. Dupin explains his method: by observing minute details and understanding the natural flow of thought, he can reconstruct another's mental process. This demonstration of "ratiocination"—reasoning from effect to cause—foreshadows the analytical approach Dupin will later apply to a far more serious mystery.
Screams in the Night
The tranquility of Paris is shattered by horrific screams from a fourth-floor apartment in the Rue Morgue. Neighbors and police break in to find a scene of chaos: Madame L'Espanaye is found decapitated in the yard, her daughter Camille's body stuffed up a chimney. The room is locked from the inside, windows fastened, and the carnage is inexplicable. The only clues: a bloodied razor, handfuls of strange hair, and two bags of gold left untouched. The city is gripped by fear and confusion.
Locked Room, Broken Lives
The police and public are mystified by the locked-room nature of the murders. The only entrance was locked from within, and the windows are nailed shut. The violence is extreme—bones broken, throats slashed, bodies hidden. The gold remains, ruling out robbery as a motive. The brutality and apparent impossibility of escape lead to wild speculation, but no answers. The police arrest Adolphe Le Bon, a bank clerk who delivered the gold, but his guilt is unconvincing.
Witnesses and Wild Voices
A parade of witnesses describes hearing two voices during the murders: one deep and French, the other high-pitched and foreign. Yet no two agree on the language—some say Spanish, others Italian, German, English, or Russian. None recognize any actual words. The confusion is total, and the police are stymied. The only consensus is that the shrill voice was not human, or at least not comprehensible.
The Gold That Stayed
Despite the presence of a fortune in gold, the murderer(s) left it behind. This detail, which the police overlook, is crucial to Dupin. He reasons that a true thief would not abandon such wealth, suggesting that the motive was not robbery. This clue, combined with the savagery of the crime, points to a different kind of perpetrator.
The Police's Blind Spot
Dupin criticizes the police for their lack of imagination and overreliance on routine. They focus on obvious details but fail to see the larger picture. Dupin, motivated by a sense of justice and intellectual challenge, decides to investigate himself, convinced that the solution lies in the very strangeness of the case.
Dupin's Method Unveiled
Dupin explains his approach: rather than asking "what happened?" he asks "what happened that has never happened before?" He believes the uniqueness of the crime is the key to its solution. By reconstructing the scene and considering every detail, he seeks to find the extraordinary cause behind the extraordinary effect.
The Impossible Escape
Dupin and the narrator visit the crime scene. Dupin inspects the windows and discovers a hidden spring mechanism that allows one window to be opened and closed from the outside, despite the appearance of being nailed shut. He deduces that the murderer escaped through this window, using the lightning-rod and the unusual, latticed shutters for access—an acrobatic feat beyond ordinary human ability.
Clues in the Shadows
Dupin collects further clues: a handful of orangey-brown hair, marks on the victim's neck too large for any human hand, and the broken furniture. He reasons that the murderer must be incredibly strong and agile, with a non-human voice and no human motive. The evidence points away from any ordinary criminal or madman.
The Inhuman Hand
Dupin compares the marks on Camille's neck to a human hand and finds them impossibly large. He produces the strange hair and a book describing the orangutan, an ape from the East Indies, matching the physical evidence exactly. The realization dawns: the murderer is not a man, but a beast.
The Orangutan Theory
Dupin theorizes that an escaped orangutan, brought to Paris by a sailor, committed the murders in a fit of panic and confusion. The animal's strength, agility, and incomprehensible cries explain the violence, the impossible escape, and the foreign voice. The presence of a sailor's ribbon at the scene supports this theory.
The Sailor's Secret
Dupin places an advertisement in the newspaper, offering the return of a captured orangutan. A nervous sailor responds, and Dupin, after assuring him of safety, elicits the full story: the sailor's orangutan escaped, armed with a razor, and he pursued it to the Rue Morgue. The sailor witnessed the murders but was powerless to intervene. The animal, frightened and confused, killed the women and fled.
The True Murderer Revealed
With the sailor's confession, the truth is clear: the orangutan, not any human, committed the murders. The sailor is innocent of any crime except perhaps negligence. The police release Adolphe Le Bon, and the case is closed, though the inspector is chagrined at being outwitted by an amateur.
Justice for the Innocent
Dupin's intervention saves an innocent man from wrongful conviction. The sailor sells the orangutan and leaves Paris. The city breathes a sigh of relief, but the episode leaves a lingering sense of the unpredictable and the limits of human understanding.
The Limits of Logic
Dupin's success demonstrates the power of analytical reasoning, but also its dependence on imagination and empathy. The case is solved not by brute force or routine, but by the ability to think differently—to see the extraordinary in the ordinary.
The Birth of Detection
The Rue Morgue case marks the emergence of the detective as a new kind of hero: one who solves mysteries through intellect, observation, and logic. Dupin's methods set the template for all future fictional detectives, from Sherlock Holmes onward.
Characters
Auguste Dupin
Dupin is a reclusive, impoverished aristocrat whose greatest pleasure is the exercise of his mind. He is introspective, eccentric, and almost preternaturally observant, able to reconstruct others' thoughts and actions from the smallest clues. His relationship with the narrator is one of mentor and friend, and he is motivated by both intellectual curiosity and a sense of justice. Psychologically, Dupin is both detached and empathetic, able to enter the minds of others while remaining emotionally reserved. His development in the story is less about change than about the demonstration of his unique abilities, which lay the groundwork for the modern detective archetype.
The Narrator
The unnamed narrator serves as the reader's surrogate, providing a lens through which Dupin's brilliance is revealed. He is intelligent but conventional, often baffled by Dupin's insights. His role is to ask questions, express doubt, and provide emotional context. Psychologically, he is humble, curious, and loyal, and his admiration for Dupin borders on awe. Through his eyes, the reader experiences both the terror of the crime and the wonder of its solution.
Madame L'Espanaye
Madame L'Espanaye is an elderly woman living quietly with her daughter. She is described as reclusive and possibly wealthy, but her life is marked by isolation. Her brutal murder serves as the catalyst for the story, and her character represents the vulnerability of ordinary people to forces beyond their understanding or control.
Camille L'Espanaye
Camille, the younger victim, is similarly isolated and unremarkable except for her tragic fate. Her death, particularly the indignity of her body being stuffed up a chimney, underscores the senselessness and horror of the crime. She is a symbol of innocence destroyed by chaos.
Adolphe Le Bon
Le Bon is a bank clerk who becomes the police's prime suspect simply because he delivered gold to the victims. He is passive, bewildered, and entirely innocent, representing the dangers of superficial investigation and the ease with which justice can go astray.
The Sailor
The unnamed sailor owns the orangutan and is indirectly responsible for the tragedy. He is portrayed as rough but not malicious, motivated by fear and self-preservation. His guilt is psychological rather than legal, and his confession is an act of conscience. He embodies the unpredictability of fate and the limits of human control.
The Orangutan
The orangutan is both literal animal and symbolic wildness. Its actions are not evil but instinctual, a reminder of the thin line between civilization and savagery. The creature's strength, agility, and incomprehensible cries make it the perfect "impossible" murderer, challenging human assumptions about crime and motive.
The Police Inspector
The inspector represents officialdom: hardworking, methodical, but ultimately limited by conventional thinking. He is frustrated by Dupin's success and defensive about his own failures. Psychologically, he is proud, rigid, and resistant to new ideas, embodying the limitations of institutional logic.
Parisian Witnesses
The various witnesses—neighbors, shopkeepers, workers—provide a cacophony of conflicting testimony. Their inability to agree on the language or nature of the second voice highlights the unreliability of perception and the challenges of assembling truth from partial, subjective accounts.
The City of Paris
Paris is more than a setting; it is a living, breathing entity, full of shadows, secrets, and contradictions. The city's labyrinthine streets and hidden corners mirror the complexity of the mystery and the workings of the human mind.
Plot Devices
Locked Room Mystery
The central device is the "locked room" scenario: a murder committed in a sealed space, with no apparent means of entry or exit. This structure creates suspense and invites the reader to solve the puzzle alongside the detective. The impossibility of the crime is both a challenge and a clue, forcing a reconsideration of what is possible.
Analytical Reasoning (Ratiocination)
Dupin's method is to reason backward from effect to cause, using observation, logic, and imagination. This approach, new to literature at the time, transforms the detective into a kind of scientist or philosopher, and the story into an intellectual game.
Red Herrings and Misdirection
The story is filled with misleading clues: the gold, the conflicting witness statements, the arrest of Le Bon. These red herrings distract both the police and the reader, making the eventual solution more surprising and satisfying.
Foreshadowing and Symbolism
Early demonstrations of Dupin's deductive skill foreshadow his later triumph. The recurring motif of windows, shutters, and hidden mechanisms symbolizes the need to look beyond appearances. The orangutan itself is a symbol of the unpredictable and the unknown.
Narrative Framing
The use of the narrator as a stand-in for the reader creates intimacy and allows for the gradual revelation of clues. The story unfolds as a shared journey of discovery, heightening engagement and suspense.
Analysis
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Review Summary
The Murders in the Rue Morgue is considered the first modern detective story, introducing Auguste Dupin as the original analytical detective. Readers appreciate Poe's innovative approach, intricate plot, and suspenseful narrative. Some find the introduction lengthy and the ending unsatisfying, but most acknowledge its historical importance in establishing the genre. The story's influence on later detective fiction, including works by Arthur Conan Doyle and Agatha Christie, is widely recognized. Critics praise Poe's vivid writing style and ability to build tension, though some find the resolution far-fetched.
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