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The Practice of Poetry

The Practice of Poetry

Writing Exercises From Poets Who Teach
by Robin Behn 1992 300 pages
4.05
1k+ ratings
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Key Takeaways

1. Poetry writing is a craft that requires practice and experimentation

"Poetry, like any art, requires practice."

Dedicated practice is essential for developing poetic skills. This involves:

  • Regular writing exercises
  • Studying techniques of established poets
  • Experimenting with different forms and styles
  • Cultivating curiosity and openness to new ideas

Learning from others is a key aspect of poetic growth. This can be achieved through:

  • Workshops and writing groups
  • Reading widely across poetic traditions
  • Analyzing and imitating admired poems
  • Seeking feedback from peers and mentors

2. Accessing the unconscious mind fuels creative poetry writing

"Write down these signals from the unconscious. Writing is an intuitive process; we must trust our intuition."

Tapping into the subconscious can unlock unique poetic insights. Techniques include:

  • Free writing without self-censorship
  • Recording and exploring dreams
  • Using automatic writing exercises
  • Cultivating a state of receptive awareness

Overcoming creative blocks often involves embracing the unexpected. Strategies include:

  • Changing your environment or routine
  • Using random prompts or constraints
  • Exploring personal memories and associations
  • Allowing yourself to write "badly" without judgment

3. Imagery and metaphor are essential tools for powerful poetry

"Experience falls through language like water through a sieve."

Concrete imagery brings poetry to life by engaging the senses. This involves:

  • Using specific, vivid details
  • Appealing to multiple senses (sight, sound, touch, taste, smell)
  • Avoiding clichés and overused descriptions
  • Grounding abstract ideas in tangible experiences

Effective metaphors create new connections and insights. Techniques include:

  • Juxtaposing unexpected elements
  • Extending metaphors throughout a poem
  • Using similes to make comparisons explicit
  • Exploring personification and anthropomorphism

4. Developing a unique poetic voice through persona and subject exploration

"Maybe we should start with what we're afraid to write."

Experimenting with personas allows poets to explore diverse perspectives. This involves:

  • Writing dramatic monologues in different voices
  • Adopting historical or fictional characters
  • Exploring aspects of the self through masks
  • Challenging personal assumptions and biases

Finding meaningful subjects often requires looking beyond the obvious. Strategies include:

  • Mining personal experiences and memories
  • Engaging with current events and social issues
  • Exploring the intersection of the personal and political
  • Giving voice to the marginalized or overlooked

5. Embracing chance and non-rational elements enhances poetic creativity

"Accidents can help everyone, especially the verbose or verbally facile, begin to see the possibility of 'speaking' in images rather than in sentences or concepts."

Incorporating randomness can lead to surprising discoveries. Techniques include:

  • Cut-up methods (rearranging existing text)
  • Using found language from diverse sources
  • Employing chance operations (dice, cards, etc.)
  • Collaborating with others in unpredictable ways

Embracing the irrational opens new creative pathways. This involves:

  • Exploring surrealist techniques like automatic writing
  • Creating juxtapositions that defy logic
  • Allowing contradictions and paradoxes in your work
  • Trusting intuition over reason in the initial drafting process

6. Structure and form provide scaffolding for poetic expression

"A poem is a small or large machine made of words."

Traditional forms offer time-tested structures for poetic expression. Examples include:

  • Sonnets (14 lines with specific rhyme schemes)
  • Villanelles (19 lines with repeating lines)
  • Haiku (3 lines with 5-7-5 syllable pattern)
  • Ghazals (couplets with repeated words/phrases)

Inventing new forms allows for innovative expression. This can involve:

  • Creating personal constraints or rules
  • Adapting existing forms to new purposes
  • Exploring visual or multimedia elements
  • Developing forms inspired by other art forms or disciplines

7. Sound, rhythm, and lineation shape the musicality of poetry

"Poems begin where ordinary conversation leaves off."

Sound devices create aural texture in poetry. These include:

  • Alliteration (repeated consonant sounds)
  • Assonance (repeated vowel sounds)
  • Consonance (repeated consonant sounds at the end of words)
  • Onomatopoeia (words that sound like their meaning)

Rhythm and meter give poetry its musical quality. This involves:

  • Understanding stressed and unstressed syllables
  • Exploring traditional meters (iambic pentameter, etc.)
  • Using free verse with attention to natural speech rhythms
  • Employing repetition and variation for emphasis

Lineation shapes how a poem is read and understood. Considerations include:

  • Line breaks for emphasis or surprise
  • Enjambment (continuing sentences across lines)
  • Stanza structure and white space
  • Visual arrangement on the page

8. Revision is a crucial part of the poetic process

"Revision—the choosing, and shaping, looking backward and forward, the sense of materiality and the sense one is working on something that already has its own shape and exists and can be altered—is something that confronts us moment to moment in writing as composition, as vision."

Approaching revision requires a balance of distance and engagement. Strategies include:

  • Setting work aside for a period before revisiting
  • Reading aloud to catch rhythmic or tonal issues
  • Seeking feedback from trusted readers
  • Experimenting with radical alterations

Specific revision techniques can target different aspects of a poem:

  • Cutting unnecessary words or lines
  • Strengthening imagery and metaphors
  • Refining sound and rhythm
  • Clarifying meaning and emotional impact
  • Ensuring coherence and unity of the whole poem

Last updated:

Review Summary

4.05 out of 5
Average of 1k+ ratings from Goodreads and Amazon.

The Practice of Poetry receives mostly positive reviews, with readers praising its diverse collection of writing exercises and prompts. Many find it helpful for sparking creativity, improving their craft, and overcoming writer's block. Teachers appreciate its classroom applications. Some readers note its focus on the technical aspects of poetry writing rather than theory. While a few criticize the lack of finished poem examples, most agree it's a valuable resource for poets at all levels, offering unique perspectives from various instructors and encouraging continuous practice.

Your rating:

About the Author

Robin Behn is an American poet and educator known for her contributions to poetry education. She co-edited "The Practice of Poetry: Writing Exercises From Poets Who Teach," which has become a widely respected resource in the field. Behn's approach emphasizes the importance of regular practice and experimentation in developing poetic skills. Her work focuses on providing practical tools and exercises for poets to hone their craft, drawing from her experience as both a poet and teacher. Behn's methods encourage writers to explore various techniques, forms, and styles, fostering creativity and personal growth in poetry writing. Her emphasis on the "practice" of poetry underscores her belief in the continuous development of poetic skills through deliberate, guided exercises.

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