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The Psychology of Twilight

The Psychology of Twilight

by E. David Klonsky 2011 272 pages
4.52
2k+ ratings
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Key Takeaways

1. Love and Attraction are Rooted in Biology

Bubbling below our conscious awareness are the rapid firings of neurons and swirling mixes of hormones that drive and shape our desires, thoughts, and behaviors.

Evolutionary forces. Our attractions aren't random; they're driven by biological systems shaped by evolution. Hormones, pheromones, and evolved preferences play a significant role in who we find desirable. These systems are designed to help us find mates who will produce healthy and robust offspring.

Scent of attraction. Body odor is a powerful source of attraction, containing information about hormone levels, fertility, and underlying genes. Studies show that people are attracted to the scents of symmetrical individuals and those with different MHC genes, indicating genetic compatibility. Edward's keen sense of smell allows him to detect these qualities in Bella.

Testosterone and masculinity. Women are often drawn to men who display traits associated with testosterone, such as muscularity. Jacob's toned body is a clear signal of masculinity, triggering evolved preferences in Bella's brain. However, Edward's initial series of dangerous and arousing events with Bella helped forge their love.

2. Evolutionary Psychology Explains Mate Selection

When we compare Edward and Jacob, it seems that Bella made a poor choice in picking Edward.

Mate selection criteria. Evolutionary psychology suggests that both sexes use instinctual criteria to select mates who maximize their ability to survive, reproduce, and care for offspring. Men typically seek physically attractive women who display signs of fertility, while women look for signs of strength, resources, and social status.

Jacob's advantages. Jacob possesses many qualities that make him an ideal mate from an evolutionary perspective. He is physically strong, a natural leader, and unfailingly loyal. He also has the ability to procreate, unlike Edward.

Bella's choice. Despite Jacob's advantages, Bella chooses Edward. This may be due to Edward's charm, mysteriousness, and the resources he offers. However, Bella's decision may also be influenced by her own insecurities and a tendency to make rash choices.

3. Prejudice Shapes Perceptions in Twilight

Just as there are good and bad vampires, there are also good and bad werewolves.

Implicit prejudice. Prejudice often operates beneath our conscious awareness, influencing our perceptions and behaviors in subtle ways. This implicit prejudice can be seen in the way characters in Twilight are associated with colors and animals.

Color associations. Vampires, typically associated with darkness, are instead linked to whiteness and purity in Twilight. Werewolves, on the other hand, are associated with darkness and animality. These associations reflect cultural stereotypes about race and morality.

Breaking stereotypes. Despite these associations, Meyer challenges stereotypes by portraying both good and bad vampires and werewolves. She also subverts the typical associations between black and white, making vampires cold and detached while werewolves are warm and protective.

4. Shared Goals Can Reduce Prejudice

With the simple introduction of a common foe, prejudices are set aside and historical enemies suddenly find themselves fighting side by side, vampires with werewolves, Edward with Jacob.

Competition for resources. Prejudice often arises from competition for scarce resources, such as land, money, or jobs. This can be seen in the historical conflict between vampires and werewolves in Twilight.

Superordinate goals. Prejudice can be reduced when opposing groups are forced to work together to achieve a common goal. In Eclipse, vampires and werewolves set aside their differences to defeat a shared enemy.

Team Edward vs. Team Jacob. The rivalry between Team Edward and Team Jacob fans demonstrates how easily groups can form based on minimal distinctions. This rivalry can even lead to hostility and prejudice.

5. Attachment Styles Influence Relationships

The behavioral changes that the main characters exhibit in the Twilight Saga support many key findings from attachment theory.

Attachment theory. Attachment theory suggests that early relationships with caregivers shape how we relate to others in adulthood. Securely attached individuals tend to have trusting and open relationships, while anxiously attached individuals may be clingy and insecure, and avoidant individuals may be distant and emotionally unavailable.

Edward's secure attachment. Edward's upbringing with the Cullens fostered a secure attachment style, characterized by trust and openness. However, his vampire nature sometimes leads to avoidant behavior.

Jacob's secure attachment. Jacob also has a secure attachment style, stemming from his loving relationship with his father and the wolf pack. However, his werewolf transformation also leads to periods of avoidant behavior.

6. Unreliable Behavior Fuels Passionate Love

So Edward’s secret dopamine-inspiring power could boil down to something remarkably simple: his sheer unreliability.

Dopamine and desire. Dopamine, a brain chemical associated with reward and motivation, plays a key role in attraction and love. It is released in response to rewarding experiences and cues that signal the arrival of something desirable.

Unpredictability and dopamine. Unpredictable behavior can increase dopamine responses, making the object of desire even more appealing. Edward's unreliability and mixed signals keep Bella on tenterhooks, fueling her intense longing for him.

The dopamine trap. This cycle of unpredictability and reward can create a perpetual state of longing, trapping individuals in relationships where they are never fully satisfied. Bella's brain becomes addicted to Edward, and the less she can have him, the more she wants him.

7. Fear and Arousal Intensify Attraction

The appeal of our favorite vampire is that, despite all of his bloodthirsty impulses and potential to be straight-up scary, his superhuman prefrontal cortex is capable of keeping his inhuman passions in check.

Misattribution of arousal. Arousal from fear or excitement can be misattributed to attraction, intensifying feelings of love. Bella's constant exposure to danger and Edward's protective actions fuel her attraction to him.

Novelty and arousal. Novel and arousing activities can also increase feelings of passionate love. Edward and Bella's relationship is constantly filled with exciting and extraordinary scenarios, keeping their love alive.

The appeal of control. Edward's ability to control his bloodthirsty impulses is also a source of attraction. The pairing of calming prefrontal activity with lustful dopamine spurting makes him tantalizing.

8. Dopamine Drives Desire and Longing

In short, our minds are programmed to want what is difficult to get, and Edward is superlatively unattainable.

The desire chemical. Dopamine is released in response to rewarding experiences and cues that tell us that something we previously found rewarding is on its way, nudging us to stop what we’re doing and chase after the delight-producing object.

Edward's unreliability. Bella is never sure how he will act toward her. In the first book he changes from minute to minute—first angry, then tender; disdainful, then fawning; disgusted, then flirtatious; guarded, then open, sensitive, even.

The ultimate act of capriciousness. In New Moon, Edward commits the ultimate act of capriciousness, abandoning Bella in a misguided attempt to save her soul. A well-meaning but inept experimental psychologist, he assiduously removes all the cues (books, CDs, tickets) that he thinks would remind her of him.

9. Self-Regulation is Key to Overcoming Temptation

He trades in short-term satisfaction for long-term happiness.

Self-regulation defined. Self-regulation is an invisible force within one’s personality structure that protects against excess. It dictates how one processes and reacts to information; if corralled effectively, self-regulation can help create the life one desires by significantly impacting how one thinks, feels, and behaves.

Edward's self-control. Edward is a master of self-control, able to resist his bloodthirsty impulses and protect Bella. He strengthens his self-regulatory capacity through mindfulness, graded exposure, and other techniques.

Bella's impulsivity. In contrast, Bella is often impulsive, driven by her emotions and desires. This impulsivity puts her in danger and complicates her relationship with Edward.

10. Risky Behavior Can Serve Protective Functions

Rather, many of these seemingly dangerous behaviors may actually help support and protect Bella through a psychologically difficult time.

Adolescent risk-taking. Risk-taking is common among teenagers, driven by developmental increases in reward-seeking and novelty-seeking. These behaviors can be adaptive, helping adolescents gain independence and skills.

Social benefits. Bella's risky behavior, such as riding motorcycles, allows her to deepen her friendship with Jacob and escape social isolation. Friendships provide emotional support, guidance, and increased self-worth.

Emotional benefits. Bella's risky behavior also helps her escape emotional pain and feel alive. It provides a distraction from her depression and a sense of control over her environment.

11. Family Dynamics Shape Individual Choices

In all cultures, the family imprints its members with selfhood.

Family systems theory. Family systems theory suggests that people learn how to interact with others within their families of origin, and these interaction patterns are repeated in relationships outside of the family.

The Cullen family. The Cullen family has a healthy hierarchical structure, with Carlisle and Esme as the heads of the household. They also have clear boundaries and strong alliances within the spousal subsystem.

The Swan family. The Swan family has an unbalanced hierarchy, with Bella taking on a parentified role. This can lead to negative consequences, such as depression, anxiety, and lower self-esteem.

12. Social Media Amplifies Emotional Engagement

The interconnected social world has forever changed fans’ relationships to stories, characters, authors, and each other.

Media and social convergence. The advent of social media has transformed how people share, connect, and communicate. It has blurred the lines between author, audience, and fans.

The Twilight phenomenon. The Twilight Saga's success is due in part to its ability to tap into the power of social media. Fans connect with one another, share their passion, and create vibrant communities.

New rules of social media. Social media is built on respect, trust, and authenticity. Meyer's accessibility and engagement with her fans helped propel the Twilight Saga to monumental proportions.

Last updated:

Review Summary

4.52 out of 5
Average of 2k+ ratings from Goodreads and Amazon.

The Psychology of Twilight received mixed reviews, with an average rating of 4.52 out of 5. Many readers found it interesting and insightful, appreciating the psychological analysis of the Twilight saga. Some praised specific chapters on topics like relationships and social media. However, others felt it was cumbersome or pointless. Critics noted inconsistent quality across chapters and questioned the intended audience. Overall, fans of both psychology and Twilight generally enjoyed the book, while others found it less engaging or relevant.

About the Author

E. David Klonsky is the author of "The Psychology of Twilight." He is likely a psychologist or academic with expertise in psychology, given the book's focus on analyzing the Twilight series through a psychological lens. Klonsky served as the editor for this collection of essays, bringing together various professionals to examine different aspects of the Twilight phenomenon. His work in compiling and editing these perspectives suggests an interest in popular culture and its intersection with psychology. While specific details about Klonsky's background and other works are not provided, his role in creating this book indicates a willingness to explore unconventional applications of psychological concepts to contemporary media.

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