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Impro

Impro

Improvisation and the Theatre
作者 Keith Johnstone 1979 208 页数
4.23
3k+ 评分

重点摘要

1. 地位是人类互动的基本方面,可以教授

“地位对我来说似乎是一个有用的术语,前提是理解你所处的地位和你扮演的地位之间的差异。”

理解地位交易: 地位不是关于社会等级,而是关于我们在任何特定时刻如何与他人互动。它通过身体语言、语音语调和行为中的微妙线索表达。通过识别和操控这些线索,演员和即兴表演者可以创造出更具活力和真实感的场景。

教授地位: 地位可以通过各种练习教授:

  • 让学生扮演地位略有差异的场景
  • 练习与高低地位相关的不同身体姿势和语音语调
  • 探索场景中的地位逆转

地位意识在戏剧之外也有实际应用,帮助人们更有效地应对社交场合,并理解人际关系中的潜在动态。

2. 自发性对创造力至关重要,可以通过特定练习培养

“当我解释说理智是互动的问题,而不是个人的心理过程时,学生们常常笑得前仰后合。”

克服心理障碍: 许多人由于害怕评判或想显得聪明而在自发性上挣扎。Johnstone认为,真正的创造力来自于接受和表达我们的第一想法,而不是审查它们。

培养自发性的练习:

  • 词语联想游戏
  • 胡言乱语练习
  • “是的,并且”即兴表演
  • 不自我编辑的限时写作

通过练习这些技巧,个人可以学会绕过内心的批评者,获得更直接、真实的表达形式。这不仅增强了表演,还可以在生活的各个方面带来更大的创造力。

3. 叙事技能可以通过理解故事结构和再融入来发展

“即兴表演者必须像一个倒退行走的人。他看到他走过的地方,但不关注未来。”

故事结构: Johnstone强调理解基本叙事元素的重要性:

  • 建立常规
  • 打破常规
  • 再融入早期元素

再融入技巧: 这涉及将早期的想法、角色或物品重新引入故事中。它为观众创造了一种连贯和满足感。

实际练习:

  • 成对创作故事,一个人提供不相关的元素,另一个人将其连接
  • “一次一个词”讲故事游戏
  • 在即兴场景中练习“打破常规”

通过掌握这些技能,即兴表演者和作家可以创造出更具吸引力和满足感的叙事,无论是在表演中还是在纸上。

4. 面具和恍惚状态揭示个性隐藏的方面并增强表演

“面具是一种将个性驱逐出身体并让灵魂占据它的装置。”

面具的力量: 面具在各种文化中被使用了几个世纪,以促进转变和进入改变的意识状态。在戏剧中,它们可以帮助演员超越通常的限制,完全体现新的角色。

面具的类型及其效果:

  • 半面具:允许更具表现力,通常是喜剧表演
  • 全面具:创造静止和悲剧感,需要精确的身体表现
  • 中性面具:帮助演员发现没有个人习惯的基础状态

恍惚状态: Johnstone描述了戴面具如何诱发表演者的恍惚状态,使他们能够进入更深层次的创造力和表达。这一概念与各种文化实践相关,并可应用于现代戏剧训练中,以增强表演和角色发展。

5. 即兴技巧可以应用于生活和艺术的各个方面

“受到启发的艺术家是显而易见的。他没有做任何决定,没有权衡一个想法与另一个想法。他接受他的第一想法。”

超越戏剧: 即兴表演的原则可以应用于:

  • 写作
  • 问题解决
  • 人际关系
  • 商务谈判
  • 教育

关键即兴原则:

  • 接受并建立在提供的基础上
  • 活在当下
  • 拥抱失败作为学习机会
  • 信任自己的直觉

通过采用这些原则,个人可以在生活的各个领域变得更具适应性、创造性和有效性。即兴表演教授了许多有价值的技能,如积极倾听、协作和快速思考,这在许多专业和个人环境中都很有益。

6. 打破常规和接受提议是动态叙事的关键

“阻挡是一种攻击形式。”

打破常规: Johnstone强调有趣的故事来自于打破既定模式或期望。这创造了紧张感并吸引观众。

接受提议: 在即兴表演中,“接受提议”意味着接受并建立在场景伙伴提出的想法上。这一原则可以通过以下方式应用于叙事:

  • 融入意想不到的元素
  • 跟随看似随机的想法
  • 避免“阻挡”或否定故事的新方向

实际应用:

  • 在写作中:探索意想不到的情节转折或角色决定
  • 在即兴表演中:练习说“是的,并且”以协作构建场景
  • 在生活中:对新体验和观点持开放态度

通过接受这些原则,讲故事者和即兴表演者可以创造出更具吸引力和惊喜的叙事。

7. 全面具和半面具创造不同的表演体验并需要不同的方法

“在某种程度上,我们可以说半面具或喜剧面具是低地位的,而全面具是高地位的。”

半面具:

  • 仅覆盖面部的上半部分
  • 允许更具表现力,通常是喜剧表演
  • 倾向于创造孩子气、冲动的角色

全面具:

  • 覆盖整个面部
  • 创造静止和悲剧感
  • 需要精确的身体表现和控制

面具工作的方法:

  • 半面具:专注于自发性、肢体喜剧和语音游戏
  • 全面具:强调静止、刻意的动作和非语言交流

理解这些差异使表演者能够适当地调整他们的技巧,创造出更强大和真实的面具表演。对比的方法也为不同风格的表演和角色发展提供了见解,即使不使用面具。

最后更新日期:

FAQ

What's Impro: Improvisation and the Theatre about?

  • Focus on Improvisation: The book delves into the art of improvisation in theatre, highlighting the significance of spontaneity and creativity. Keith Johnstone shares his techniques and exercises to help actors unlock their imaginative potential.
  • Four Main Sections: It is divided into four key areas: Status, Spontaneity, Narrative Skills, and Masks and Trance, each offering practical exercises and insights into effective improvisation.
  • Personal Journey: Johnstone shares his transformation from a struggling writer to a successful improvisation teacher, illustrating the power of embracing spontaneity in creative expression.

Why should I read Impro: Improvisation and the Theatre?

  • Enhance Creativity: The book is essential for boosting creativity in acting, writing, or other artistic endeavors, encouraging readers to break free from conventional thinking.
  • Practical Techniques: It offers a wealth of exercises applicable in various contexts, making it valuable for educators, actors, and public speakers to foster spontaneity and originality.
  • Insightful Philosophy: Johnstone provides a unique perspective on creativity and the importance of play, challenging traditional educational norms that often stifle imagination.

What are the key takeaways of Impro: Improvisation and the Theatre?

  • Embrace Spontaneity: Spontaneity is crucial for creativity, with Johnstone emphasizing that one is not imaginatively impotent until they are dead, only frozen up.
  • Status Transactions: Understanding status and its impact on interactions is vital for improvisation, as every sound and posture implies a status.
  • Accepting Offers: The book highlights the importance of accepting offers in improvisation, teaching that the improviser's first skill lies in releasing their partner's imagination.

What specific methods does Keith Johnstone recommend for fostering spontaneity?

  • Status Exercises: Johnstone suggests exercises to explore status dynamics, such as adjusting one's status slightly above or below a partner's to enhance scene authenticity.
  • Blind Offers: He introduces making blind offers, where actors perform actions without intention, allowing for organic interactions and creative responses.
  • Overaccepting: Johnstone advocates for overaccepting offers in a scene, encouraging actors to accept and block in a way that keeps the action flowing.

How does Keith Johnstone define status and its importance in improvisation?

  • Definition of Status: Status is the implicit power dynamics in every interaction, with every inflection and movement implying a status that can shift throughout a scene.
  • Impact on Performance: Understanding and manipulating status is crucial for engaging and authentic performances, allowing actors to explore deeper character relationships.
  • Practical Application: Johnstone provides exercises to help actors become aware of their own and their partners' status, leading to more nuanced performances.

What role does spontaneity play in Keith Johnstone's teaching methods?

  • Core Principle: Spontaneity is foundational in Johnstone’s approach, encouraging actors to embrace their first instincts and overcome inhibitions.
  • Overcoming Inhibition: His methods help students overcome traditional educational inhibitions, promoting a playful and open mindset.
  • Fostering Creativity: By encouraging spontaneity, Johnstone helps actors tap into their natural creativity, creating a safe environment for expression without judgment.

How does Impro address the relationship between education and creativity?

  • Critique of Traditional Education: Johnstone critiques traditional education for stifling creativity, arguing it often leads to a loss of spontaneity and imaginative thinking.
  • Encouragement of Play: The book advocates for a playful learning approach, where creativity is nurtured rather than suppressed.
  • Reclaiming Imagination: Johnstone encourages readers to reclaim their imaginative abilities, emphasizing the importance of being imaginative and playful regardless of age.

What insights does Keith Johnstone provide about narrative skills in improvisation?

  • Understanding Structure: Effective improvisation relies on understanding narrative structure, focusing on what happens rather than what characters say.
  • Spontaneous Storytelling: Johnstone encourages focusing on spontaneous storytelling, accepting that improvisation reveals one's innermost self.
  • Character Dynamics: He highlights the importance of character dynamics, particularly how status affects relationships, creating engaging narratives.

How can I apply the concepts from Impro in my own creative practice?

  • Practice Status Exercises: Incorporate status exercises to explore power dynamics, affecting storytelling and character development.
  • Embrace Spontaneity: Trust your instincts and embrace first ideas, often leading to original and engaging outcomes.
  • Collaborate with Others: Engage in collaborative improvisation to practice accepting offers and building on ideas, enhancing artistic expression.

What role do Masks play in improvisation according to Keith Johnstone?

  • Transformative Tools: Masks allow actors to step outside their identities, exploring different characters and emotions, enhancing creativity.
  • Encouraging Vulnerability: Wearing a Mask provides security in expressing emotions, allowing exploration of a wider range of feelings.
  • Facilitating Character Development: Masks help actors develop characters by providing a physical representation, leading to more authentic performances.

How does Keith Johnstone suggest overcoming performance anxiety?

  • Create a Supportive Environment: Emphasizes fostering a safe atmosphere for performers, reducing anxiety and encouraging risk-taking.
  • Focus on the Process: Shifting focus from results to the creative process alleviates pressure, promoting exploration and experimentation.
  • Use of Games and Exercises: Engaging in playful exercises builds confidence, promoting spontaneity and comfort with creativity.

How can educators apply Keith Johnstone’s methods in their teaching?

  • Incorporate Improvisational Exercises: Use Johnstone’s exercises to encourage creativity and spontaneity, helping students develop confidence and communication skills.
  • Foster a Safe Learning Environment: Create a supportive atmosphere for risk-taking, encouraging exploration and expression without fear of judgment.
  • Encourage Collaboration: Emphasize collaboration to promote teamwork and cooperation, enhancing the learning experience through group activities and games.

评论

4.23 满分 5
平均评分来自 3k+ 来自Goodreads和亚马逊的评分.

《Impro》因其对即兴创作、创造力和人类行为的深刻见解而备受推崇。读者称赞约翰斯通在教育、地位动态和自发性方面的独特视角。书中的练习被认为有助于提高讲故事和人际交往能力。许多人认为这本书改变了生活,其应用超越了戏剧领域。“地位”一章尤其受到赞赏。有些人批评最后一章关于面具的内容过时或令人困惑。总体而言,读者欣赏这本书在激发创造力和理解社会互动方面的非传统方法。

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关于作者

基思·约翰斯通是即兴表演领域的知名权威,因创立了多种即兴表演形式,包括Theatresports™和The Life Game©而闻名。他撰写了两本关于戏剧和即兴理论的畅销书,以及戏剧和短篇小说。约翰斯通的理念吸引了从演员到心理治疗师的广泛专业人士。他在英国创立了Theatre Machine即兴表演团体,并在加拿大共同创立了The Loose Moose Theatre Company。约翰斯通的工作对戏剧教育产生了深远影响,并被改编应用于多个领域,包括商业管理和人文学科研究。他的书籍被翻译成多种语言,他的戏剧在全球范围内上演。

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