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Faking It

Faking It

The Quest for Authenticity in Popular Music
by Hugh Barker 2007 400 pages
3.67
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Key Takeaways

1. Authenticity in music: A complex and evolving quest

"The Beatles had a foot in both camps for most of their career, something that would become more difficult for later artists to achieve."

Origins of authenticity. The quest for authenticity in popular music emerged in the early 20th century, driven by a desire to distinguish "real" music from commercial imitations. This pursuit was influenced by:

  • Folk music collectors like John Lomax, who sought "pure" expressions of cultural traditions
  • The rise of blues and country music, which were perceived as more authentic than mainstream pop
  • The folk revival of the 1950s and 60s, which emphasized social consciousness and personal expression

Evolving perceptions. As popular music developed, ideas about authenticity became more complex:

  • Rock music in the 1960s and 70s prized artistic integrity and self-expression
  • Punk and hip-hop challenged established notions of musical skill and professionalism
  • Electronic and dance music introduced new questions about the role of technology in authentic expression

2. The birth of autobiographical songwriting

"By the early 1970s, with the maturity of the 'singer-songwriter' genre, everyone was singing autobiography."

Pioneers of personal expression. Autobiographical songwriting emerged as a powerful form of authenticity in popular music:

  • Jimmie Rodgers' "T.B. Blues" (1931) marked an early example of a performer singing about their own life experiences
  • Woody Guthrie further developed the autobiographical approach in folk music
  • Bob Dylan's confessional style in the 1960s set a new standard for personal storytelling in song

Impact on popular music. The rise of autobiographical songwriting had far-reaching effects:

  • It became a hallmark of the singer-songwriter movement in the 1970s
  • Personal authenticity became a key criterion for judging artistic merit
  • The line between public and private life for musicians became increasingly blurred

3. Elvis Presley: Redefining authenticity through performance

"Elvis could imitate anybody. He could do Hank Snow, Dean Martin, Mario Lanza, Eddy Arnold, the Ink Spots, anybody."

Performative authenticity. Elvis Presley challenged traditional notions of authenticity through his unique approach to performance:

  • He combined elements of white country and black R&B music, creating a new sound
  • His stage presence and vocal style were highly theatrical, yet perceived as genuine
  • Presley's ability to embody different musical personas challenged the idea of a fixed, authentic self

Cultural impact. Elvis's approach to authenticity had lasting effects on popular music:

  • It paved the way for more theatrical and performative styles in rock music
  • It challenged racial and cultural boundaries in American popular culture
  • It demonstrated that authenticity could be created through skillful performance rather than adherence to tradition

4. Disco and the challenge to rock's authenticity paradigm

"Disco was in this respect a subversive style, using simple dance music as a vessel for complex messages about identity and automation."

Disco's revolution. Disco music in the 1970s presented a significant challenge to rock's dominance and its claims to authenticity:

  • It prioritized rhythm and dance over lyrics and personal expression
  • It embraced artificiality and glamour rather than gritty realism
  • It provided a space for marginalized communities, particularly LGBTQ+ and people of color

Backlash and legacy. The disco era highlighted tensions in popular music culture:

  • Rock fans and critics often dismissed disco as inauthentic and commercialized
  • The "Disco Demolition Night" of 1979 symbolized the intensity of anti-disco sentiment
  • Despite the backlash, disco's influence continued in dance music and pop production techniques

5. Punk's paradoxical relationship with authenticity

"Call us synthetic because, dammit, we are!"

Punk's authenticity paradox. The punk movement of the late 1970s had a complex relationship with authenticity:

  • It claimed to reject artifice and embrace raw, unfiltered expression
  • Many punk performers adopted theatrical personas and stage names
  • Punk's DIY ethic promoted authenticity through amateurism and immediacy

Evolution and impact. Punk's approach to authenticity had lasting effects on popular music:

  • It influenced the development of alternative and indie rock scenes
  • It challenged the music industry's control over production and distribution
  • It inspired new forms of political and social engagement through music

6. World music and the commodification of cultural authenticity

"Rather than importing the music that Cubans were listening to at the time (most Cubans have never heard the record, and would probably not care for it if they did), Cooder attempted to re-create something that sounds (but isn't) more authentic, less 'commodified.'"

The world music phenomenon. The rise of world music in the 1980s and 90s raised new questions about cultural authenticity:

  • Western musicians and producers sought to package "authentic" non-Western music for global audiences
  • Projects like Ry Cooder's Buena Vista Social Club created idealized versions of traditional music
  • The world music industry often prioritized "exotic" sounds over contemporary global pop

Critiques and complexities. The world music trend highlighted issues of cultural appropriation and representation:

  • Some argued that world music projects exploited non-Western musicians
  • Others saw world music as a way to preserve and promote endangered musical traditions
  • The line between cultural exchange and exploitation remained contentious

7. The ongoing relevance of authenticity in modern music

"Even at its most superficial, contemporary pop music embraces the idea of confession and therapy through music."

Persistent quest. Despite challenges to traditional notions of authenticity, it remains a significant concern in popular music:

  • Hip-hop culture places a strong emphasis on "keeping it real"
  • indie and alternative scenes continue to value DIY ethics and personal expression
  • Even mainstream pop stars like Taylor Swift and Beyoncé emphasize authenticity in their public personas

New frontiers. The digital age has introduced new dimensions to the authenticity debate:

  • Social media has created new ways for artists to connect directly with fans
  • Sampling and remixing technology has blurred lines between creation and appropriation
  • The rise of AI-generated music raises questions about the role of human creativity in authentic expression

Evolving perspectives. As music continues to change, so do ideas about what constitutes authentic expression:

  • Some artists embrace artificiality and constructed personas as forms of authenticity
  • Others seek to transcend traditional categories altogether
  • The ongoing debate about authenticity reflects broader cultural conversations about identity, technology, and globalization

Last updated:

FAQ

What’s Faking It: The Quest for Authenticity in Popular Music by Hugh Barker and Yuval Taylor about?

  • Exploration of authenticity: The book investigates how the concept of authenticity has shaped popular music, examining why some music is considered “real” and others “fake.”
  • Historical and cultural analysis: It traces the evolution of authenticity across genres and decades, from early blues and folk to disco, punk, and electronic music.
  • Case studies and examples: Through pivotal moments and artists, the authors show how musicians and audiences negotiate the idea of authenticity in music.
  • Impact on music culture: The book reveals how the quest for authenticity influences musical canons, listener preferences, and the boundaries of genre and identity.

Why should I read Faking It: The Quest for Authenticity in Popular Music by Hugh Barker and Yuval Taylor?

  • Comprehensive perspective: The book offers a nuanced, in-depth look at authenticity in music, moving beyond simple praise or condemnation of “real” versus “fake.”
  • Cultural and historical insight: Readers gain an understanding of how authenticity is intertwined with race, commerce, technology, and social change.
  • Critical thinking: It challenges common assumptions, encouraging readers to question how authenticity is constructed and valued in music.
  • Relevance to today: The book addresses contemporary issues like reality TV, sampling, and the commercialization of music, making it pertinent for modern audiences.

What are the key takeaways from Faking It: The Quest for Authenticity in Popular Music?

  • Authenticity is complex: The book shows that authenticity is not a fixed quality but a dynamic, contested process shaped by cultural, personal, and commercial factors.
  • Multiple forms of authenticity: It distinguishes between representational, cultural, and personal authenticity, each with its own implications for artists and audiences.
  • Authenticity can inspire and limit: The pursuit of authenticity has led to groundbreaking music but also reinforced boundaries and limited innovation.
  • Performance and mediation matter: The authors highlight how technology, performance, and public image complicate the quest for authenticity in music.

What are the best quotes from Faking It: The Quest for Authenticity in Popular Music and what do they mean?

  • “Authenticity is a quest, not a state.” This quote encapsulates the book’s central argument that authenticity is something musicians strive for, rather than a quality they can fully possess.
  • “Faking it can be as creative as keeping it real.” The authors suggest that artifice and performance are integral to music, challenging the idea that only “real” music is valuable.
  • “The search for the ‘real thing’ often leads us to ignore the complexities and contradictions of music and culture.” This highlights the dangers of oversimplifying authenticity and missing the richness of hybrid or commercial music.
  • “Every act of authenticity is also an act of performance.” The book emphasizes that even the most sincere music is shaped by choices, context, and presentation.

What are the main concepts of authenticity discussed in Faking It: The Quest for Authenticity in Popular Music by Hugh Barker and Yuval Taylor?

  • Representational authenticity: Music that is what it claims to be, without deception or pretense.
  • Cultural authenticity: Music that reflects a specific cultural tradition or social context, often linked to race or ethnicity.
  • Personal authenticity: Music that expresses the artist’s own life, emotions, or persona, often through autobiographical songwriting.
  • Authenticity as a process: The book stresses that authenticity is an ongoing negotiation, shaped by audience expectations, industry pressures, and artistic choices.

How does Faking It: The Quest for Authenticity in Popular Music explain the impact of technology on authenticity in music?

  • Recording technology’s influence: Advances in recording and production have introduced new layers of artificiality, challenging traditional ideas of live, unmediated performance.
  • Embracing or resisting technology: Artists like Kraftwerk embraced mechanization, while others sought to minimize mediation for a more “authentic” sound.
  • Genre transformation: Genres like disco and electronic music used technology to create new forms of expression, subverting older notions of authenticity.
  • Audience perception: The book explores how listeners respond to technological mediation, sometimes valuing rawness and imperfection as signs of authenticity.

How does Faking It: The Quest for Authenticity in Popular Music address the tension between commercial pop and authentic rock?

  • Diverging musical paths: The book contrasts commercial pop, which prioritizes entertainment and mass appeal, with rock music’s emphasis on self-expression and artistic integrity.
  • Stigma and value: Rock musicians are expected to write and perform their own songs, while pop acts are often dismissed as inauthentic, despite their cultural impact.
  • Manufactured acts: The success of acts like the Archies and boy bands challenges the idea that commercial success and authenticity are mutually exclusive.
  • Changing industry standards: The rise of singer-songwriters and bands like the Beatles shifted expectations, making authenticity a key currency in rock.

What role did John and Alan Lomax play in shaping ideas of authenticity in American folk and blues music, according to Faking It: The Quest for Authenticity in Popular Music?

  • Folk music collectors: The Lomaxes were instrumental in archiving American folk and blues, especially African American music, through field recordings in the 1930s.
  • Racialized authenticity: Their search for “primitive” black music reflected both preservationist and paternalistic attitudes, idealizing certain performers as “authentic.”
  • Selective preservation: They favored music that fit their vision of authenticity, often ignoring more complex or integrated styles and reinforcing racial boundaries.
  • Lasting influence: Their work shaped later musical canons and revival movements, but also codified a narrow, sometimes problematic, understanding of authenticity.

How does Faking It: The Quest for Authenticity in Popular Music analyze the rise of singer-songwriters and autobiographical song?

  • Shift to self-expression: The Beatles and Bob Dylan popularized the idea that artists should write and perform their own songs, linking authenticity to personal creativity.
  • Emotional intimacy: Singer-songwriters brought confessional lyrics and vulnerability to the forefront, changing audience expectations for authenticity.
  • Autobiographical innovation: Songs like Jimmie Rodgers’s “T.B. Blues” marked a turning point, making personal storytelling a valued element in popular music.
  • Ongoing tension: The book notes the balance between genuine self-revelation and the theatricality or artifice involved in songwriting.

What paradoxes of authenticity does Faking It: The Quest for Authenticity in Popular Music identify in punk music, especially regarding John Lydon and the Sex Pistols?

  • Authenticity vs. performance: Punk celebrated “being yourself” but relied on theatrical personas, assumed names, and exaggerated behavior.
  • Glamorization of failure: The movement often glorified incompetence and nihilism, creating contradictions in its pursuit of authenticity.
  • John Lydon’s struggle: Lydon’s post-Sex Pistols career reflects the difficulty of maintaining personal authenticity amid audience expectations and punk’s legacy.
  • Complex legacy: Punk’s paradoxes highlight the blurred lines between realness and simulation in music.

How does Faking It: The Quest for Authenticity in Popular Music discuss the recreation of cultural authenticity in world music, focusing on Ry Cooder and the Buena Vista Social Club?

  • Hybrid and nostalgic creation: Ry Cooder’s project with Cuban musicians evoked a romanticized past rather than replicating “authentic” Cuban music.
  • Ethnographic and commercial tensions: The album was both a sincere homage and a commercial product, raising questions about exploitation and representation.
  • Western perceptions: The book critiques how Western audiences often idealize rural, acoustic, and “pure” music, overlooking contemporary hybrid forms.
  • Challenging conservationism: It warns against ossifying cultures in the name of authenticity, which can limit musicians’ creative freedom.

What insights does Faking It: The Quest for Authenticity in Popular Music offer about authenticity in contemporary music, including artists like Moby and the KLF?

  • Sampling and borrowed authenticity: Moby’s use of old field recordings on Play lent emotional depth to electronic music, blending authenticity with commercial appeal.
  • Deconstructing celebrity: The KLF’s absurd performances and rejection of the music business forced fans to confront the artificiality of pop culture.
  • Listener engagement: The book argues that modern listeners appreciate the interplay of real and fake, treating authenticity as a game rather than a fixed value.
  • Embracing complexity: It encourages openness to theatricality, hybridity, and the multifaceted nature of musical experience beyond simple authenticity judgments.

Review Summary

3.67 out of 5
Average of 100+ ratings from Goodreads and Amazon.

Faking It: The Quest for Authenticity in Popular Music explores the concept of authenticity in music, challenging preconceptions about what makes music "real." Reviewers found it thought-provoking, praising its examination of various artists and genres. Some criticized its structure and occasional bias, while others appreciated its historical insights. The book discusses how authenticity is often manufactured or misunderstood, covering topics like blues, folk, punk, and world music. Readers generally found it engaging, though some felt certain areas could have been explored more thoroughly.

Your rating:
4.22
28 ratings

About the Author

Hugh Barker and Yuval Taylor co-authored "Faking It: The Quest for Authenticity in Popular Music." Barker is a writer and former music industry professional, while Taylor is an editor and writer specializing in music and cultural history. They collaborated on this book to examine the complex relationship between authenticity and popular music. Their work draws on extensive research and analysis of various musical genres and artists throughout the 20th century. The authors' backgrounds in the music industry and cultural studies provide them with unique insights into the topic, allowing them to critically examine the concept of authenticity from multiple perspectives.

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