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Faking It

Faking It

The Quest for Authenticity in Popular Music
by Hugh Barker 2007 400 pages
3.66
100+ ratings
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Key Takeaways

1. Authenticity in music: A complex and evolving quest

"The Beatles had a foot in both camps for most of their career, something that would become more difficult for later artists to achieve."

Origins of authenticity. The quest for authenticity in popular music emerged in the early 20th century, driven by a desire to distinguish "real" music from commercial imitations. This pursuit was influenced by:

  • Folk music collectors like John Lomax, who sought "pure" expressions of cultural traditions
  • The rise of blues and country music, which were perceived as more authentic than mainstream pop
  • The folk revival of the 1950s and 60s, which emphasized social consciousness and personal expression

Evolving perceptions. As popular music developed, ideas about authenticity became more complex:

  • Rock music in the 1960s and 70s prized artistic integrity and self-expression
  • Punk and hip-hop challenged established notions of musical skill and professionalism
  • Electronic and dance music introduced new questions about the role of technology in authentic expression

2. The birth of autobiographical songwriting

"By the early 1970s, with the maturity of the 'singer-songwriter' genre, everyone was singing autobiography."

Pioneers of personal expression. Autobiographical songwriting emerged as a powerful form of authenticity in popular music:

  • Jimmie Rodgers' "T.B. Blues" (1931) marked an early example of a performer singing about their own life experiences
  • Woody Guthrie further developed the autobiographical approach in folk music
  • Bob Dylan's confessional style in the 1960s set a new standard for personal storytelling in song

Impact on popular music. The rise of autobiographical songwriting had far-reaching effects:

  • It became a hallmark of the singer-songwriter movement in the 1970s
  • Personal authenticity became a key criterion for judging artistic merit
  • The line between public and private life for musicians became increasingly blurred

3. Elvis Presley: Redefining authenticity through performance

"Elvis could imitate anybody. He could do Hank Snow, Dean Martin, Mario Lanza, Eddy Arnold, the Ink Spots, anybody."

Performative authenticity. Elvis Presley challenged traditional notions of authenticity through his unique approach to performance:

  • He combined elements of white country and black R&B music, creating a new sound
  • His stage presence and vocal style were highly theatrical, yet perceived as genuine
  • Presley's ability to embody different musical personas challenged the idea of a fixed, authentic self

Cultural impact. Elvis's approach to authenticity had lasting effects on popular music:

  • It paved the way for more theatrical and performative styles in rock music
  • It challenged racial and cultural boundaries in American popular culture
  • It demonstrated that authenticity could be created through skillful performance rather than adherence to tradition

4. Disco and the challenge to rock's authenticity paradigm

"Disco was in this respect a subversive style, using simple dance music as a vessel for complex messages about identity and automation."

Disco's revolution. Disco music in the 1970s presented a significant challenge to rock's dominance and its claims to authenticity:

  • It prioritized rhythm and dance over lyrics and personal expression
  • It embraced artificiality and glamour rather than gritty realism
  • It provided a space for marginalized communities, particularly LGBTQ+ and people of color

Backlash and legacy. The disco era highlighted tensions in popular music culture:

  • Rock fans and critics often dismissed disco as inauthentic and commercialized
  • The "Disco Demolition Night" of 1979 symbolized the intensity of anti-disco sentiment
  • Despite the backlash, disco's influence continued in dance music and pop production techniques

5. Punk's paradoxical relationship with authenticity

"Call us synthetic because, dammit, we are!"

Punk's authenticity paradox. The punk movement of the late 1970s had a complex relationship with authenticity:

  • It claimed to reject artifice and embrace raw, unfiltered expression
  • Many punk performers adopted theatrical personas and stage names
  • Punk's DIY ethic promoted authenticity through amateurism and immediacy

Evolution and impact. Punk's approach to authenticity had lasting effects on popular music:

  • It influenced the development of alternative and indie rock scenes
  • It challenged the music industry's control over production and distribution
  • It inspired new forms of political and social engagement through music

6. World music and the commodification of cultural authenticity

"Rather than importing the music that Cubans were listening to at the time (most Cubans have never heard the record, and would probably not care for it if they did), Cooder attempted to re-create something that sounds (but isn't) more authentic, less 'commodified.'"

The world music phenomenon. The rise of world music in the 1980s and 90s raised new questions about cultural authenticity:

  • Western musicians and producers sought to package "authentic" non-Western music for global audiences
  • Projects like Ry Cooder's Buena Vista Social Club created idealized versions of traditional music
  • The world music industry often prioritized "exotic" sounds over contemporary global pop

Critiques and complexities. The world music trend highlighted issues of cultural appropriation and representation:

  • Some argued that world music projects exploited non-Western musicians
  • Others saw world music as a way to preserve and promote endangered musical traditions
  • The line between cultural exchange and exploitation remained contentious

7. The ongoing relevance of authenticity in modern music

"Even at its most superficial, contemporary pop music embraces the idea of confession and therapy through music."

Persistent quest. Despite challenges to traditional notions of authenticity, it remains a significant concern in popular music:

  • Hip-hop culture places a strong emphasis on "keeping it real"
  • indie and alternative scenes continue to value DIY ethics and personal expression
  • Even mainstream pop stars like Taylor Swift and Beyoncé emphasize authenticity in their public personas

New frontiers. The digital age has introduced new dimensions to the authenticity debate:

  • Social media has created new ways for artists to connect directly with fans
  • Sampling and remixing technology has blurred lines between creation and appropriation
  • The rise of AI-generated music raises questions about the role of human creativity in authentic expression

Evolving perspectives. As music continues to change, so do ideas about what constitutes authentic expression:

  • Some artists embrace artificiality and constructed personas as forms of authenticity
  • Others seek to transcend traditional categories altogether
  • The ongoing debate about authenticity reflects broader cultural conversations about identity, technology, and globalization

Last updated:

Review Summary

3.66 out of 5
Average of 100+ ratings from Goodreads and Amazon.

Faking It: The Quest for Authenticity in Popular Music explores the concept of authenticity in music, challenging preconceptions about what makes music "real." Reviewers found it thought-provoking, praising its examination of various artists and genres. Some criticized its structure and occasional bias, while others appreciated its historical insights. The book discusses how authenticity is often manufactured or misunderstood, covering topics like blues, folk, punk, and world music. Readers generally found it engaging, though some felt certain areas could have been explored more thoroughly.

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About the Author

Hugh Barker and Yuval Taylor co-authored "Faking It: The Quest for Authenticity in Popular Music." Barker is a writer and former music industry professional, while Taylor is an editor and writer specializing in music and cultural history. They collaborated on this book to examine the complex relationship between authenticity and popular music. Their work draws on extensive research and analysis of various musical genres and artists throughout the 20th century. The authors' backgrounds in the music industry and cultural studies provide them with unique insights into the topic, allowing them to critically examine the concept of authenticity from multiple perspectives.

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