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Anatomy of Genres

Anatomy of Genres

by John Truby 2022 720 pages
4.20
484 ratings
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Key Takeaways

1. Story is the essential human operating system for life.

Everything you need to know about life can be found in stories.

Stories define life. Humans are fundamentally storytelling animals. We use stories to learn, process the world, find our place, and pass down lessons across generations. Story is not just entertainment; it's how we make sense of existence and find meaning.

Beyond entertainment. While stories provide diversion, their deeper function is to encapsulate fundamental principles of the world and guide how we should live. This perspective reverses traditional hierarchies that place subjects like math and science above creative arts.

Universal building blocks. Story transcends specific domains like religion, business, or politics. These are simply different kinds of stories we tell ourselves and others to organize our lives and exercise influence. Understanding story provides a framework for navigating the world.

2. Genres are structured maps, each revealing a unique life philosophy.

Genres are types of stories: Detective, Love, Action, Fantasy, or Science Fiction, for example.

Unique worldviews. Each major genre offers a distinct window onto a particular aspect of the world and how best to confront it. They are philosophical lenses through which we can view life, providing different perspectives on challenges and how to live well.

Philosophical foundations. Genres aren't arbitrary categories; they express unique philosophies. For instance:

  • Action: Success comes from taking action, not necessarily being morally right.
  • Detective: Thinking successfully involves comparing different stories to find truth.
  • Love: Happiness comes from mastering the moral act of loving another.

Deep structures. Beneath the surface elements (tropes), genres possess deep structures or "story systems." These systems, composed of specific plot "beats," express the genre's unique philosophy and resonate with audiences on a fundamental level.

3. Mastering genre beats is crucial for compelling stories and living well.

Each major genre has fifteen to twenty specialized “beats,” or key plot events, that determine that form.

Structural necessity. Genre beats are not optional tropes; they are the essential plot points that define a genre and make a story popular. Missing these core beats will disappoint genre fans who return for the specific emotional and structural payoff these sequences provide.

Story systems. These beats connect to form an entire story system that embodies a unique philosophy of life. The sequence of these beats is carefully crafted to lead the audience through the genre's specific dramatic and thematic journey, creating a powerful impact.

Applying lessons. Understanding genre beats is valuable beyond writing. By recognizing the patterns and philosophies embedded in different genres, we can apply their lessons to our own lives, using them as models for navigating challenges and making choices.

4. Modern storytelling thrives on mixing and transcending genres.

Popular stories from then on were going to be all about mixing genres.

Beyond single forms. While mastering one genre was once sufficient, today's successful stories typically combine two, three, or even four genres. This multi-genre approach offers audiences more complexity and excitement, a trend intensified since films like Star Wars.

Creating novelty. Mixing genres, especially those not typically combined (like Science Fiction and Caper in Inception), creates unique and compelling narratives that stand out. It requires knowing the beats of multiple genres and applying techniques across forms.

Rising above. Transcending a genre means going beyond simply hitting the required beats. It involves:

  • Twisting the beats in unexpected ways ("bending the rules").
  • Expressing the genre's deep life philosophy through theme.
  • Exploring the fundamental "story forms of life" unique to the genre.

5. Genres embody fundamental "story forms of life" like art and philosophy.

The idea that the mind works through story leads to another revolutionary idea about transcending genres: each major human activity is its own story form.

Life as art. Major human activities like morality, culture, business, politics, and love are not separate from story; they are complex works of art expressed through dramatic form. Genres provide X-ray vision into these fundamental story forms of life.

Transcendent exploration. Transcendent stories explore these deeper "art forms of life" embedded within genres. For example:

  • Horror explores Religion.
  • Action explores Success (War, Sports).
  • Crime explores Morality and Justice.
  • Fantasy explores the Art of Living (Aesthetics).

Beyond technique. Understanding these underlying art forms elevates storytelling beyond mere technique. It allows writers to express powerful and complex themes, enriching the reader's life by offering profound models for grappling with philosophical issues.

6. Horror: Confronting death and the story of religion.

Horror is embedded within life itself.

Primal distinction. The Horror genre is founded on the most basic distinction governing human existence: life versus death. It forces us to confront our mortality and the terrifying idea of non-existence.

Psychological depth. While early Horror focused on the supernatural, modern Horror, influenced by Edgar Allan Poe, delves into the psychological. It explores the flaws of the human mind, our fundamental fears, and the "monster within" that leads to self-destruction.

Story of religion. Horror expresses the story of religion, which is humanity's attempt to defeat death and find immortality. It uses fear and punishment (hell) to compel adherence to a moral code, promising rebirth and everlasting life (heaven) as a reward.

7. Action & Myth: The paths of success, destiny, and the self.

Action is about being successful, not morally right.

Doing vs. Becoming. Action highlights the importance of taking action for success, equating becoming with doing. Myth, conversely, focuses on the journey to understand oneself and find one's destiny, equating becoming with self-discovery.

Warrior and Searcher. These genres feature archetypal heroes: the Action hero is the warrior, master of combat and competition; the Myth hero is the searcher, on a journey to uncover truth and identity. Both involve physical journeys that mirror internal growth.

Transcendent forms. Transcendent Action includes the Epic (Art of War) and games (Sports, Caper), abstracting competition. Transcendent Myth includes Creation Myths and the Epic (Art of History), exploring the development of culture and the self over a lifetime.

8. Crime & Comedy: Navigating morality, justice, and social absurdity.

Crime is fictional moral philosophy.

Societal rules. Crime is founded on the laws and moral codes necessary for society to function, exploring the conflict between individual desire and collective well-being. Comedy, conversely, highlights how society doesn't work, focusing on human incompetence and social absurdity.

Moral accounting. Crime is about balancing the moral ledger, ensuring actions are paid for and justice is served, often through the contest between criminal and lawman. Comedy uses everyday immoral actions and social gaffes to expose hypocrisy and the gap between ideal and real.

Transcendent critique. Transcendent Crime (Epic Tragedy, Black Comedy) delves into complex moral accounting over a lifetime and critiques systemic injustice. Transcendent Comedy (Black Comedy, Satire) uses absurdity and ridicule to critique societal values and systems.

9. Western & Gangster: The rise and fall of civilization and its corruption.

The Western is its own religion. It is America’s Creation Myth.

Building and Decay. The Western is a philosophy of history, depicting the rise of civilization from wilderness through the efforts of pioneers and the cowboy hero. The Gangster story, evolving from the Western, shows the corruption of this dream in the city, focusing on the decay of business and politics.

Frontier vs. City. The Western hero moves horizontally across the frontier, seeking freedom and building community (often reluctantly). The Gangster hero moves vertically up the social ladder in the city, seeking money and power through criminal organization.

Cautionary tales. Both genres, especially in their transcendent forms (Anti-Western, Gangster Epic), serve as cautionary tales. They expose the costs of progress, the loss of the natural world, and the inherent corruption that can plague societies built on unchecked ambition and materialism.

10. Science Fiction: Creating society, culture, and the future.

Science Fiction is concerned with how to create society, and in particular, how to create a better society.

Social engineering. More than any other genre, Science Fiction focuses on the relationship between the individual and society, exploring how social structures, culture, and technology shape human life and the potential for creating better worlds.

Beyond gods. Science Fiction often presents a worldview without divine intervention, using scientific theories and technological advancements to explore the laws and possibilities of the universe and human evolution. It asks how we can make the right choices now for a better future.

World-building. This genre excels at creating vast, detailed story worlds, often depicting dystopian futures as warnings or utopian visions as ideals. It highlights how technology is not separate from humanity but an extension of it, constantly reshaping who we are.

11. Detective & Thriller: The mind's search for truth and responsibility.

Detective fiction shows us how to think successfully by comparing different stories to learn what is true.

Epistemology in action. Detective stories are fundamentally about how we know the truth, dramatizing the process of investigation, observation, questioning, and logical deduction. They highlight the mind's brilliance in solving puzzles and uncovering hidden realities.

Truth and danger. Thrillers add the element of mortal danger to the search for truth, making the investigation a matter of life and death. They explore the fear inherent in uncovering secrets, especially when the opponent is intimate or the system is corrupt.

Transcendent mind. Transcendent forms (Cosmic Detective, Story of the Mind) delve deeper into the nature of truth, the mind itself, and human responsibility. They show how the search for external truth often leads to discovering internal flaws and the complex, subjective nature of reality.

12. Love: The art of happiness and intimate connection.

Love stories reveal that happiness comes from mastering the moral act of loving another person.

Community of two. The Love story focuses on the most intimate human society: the relationship between two people. It explores how individuals grow and find happiness by forming a deep connection and learning to balance personal needs with the needs of the other.

Art of connection. Love is presented as both a feeling and a skill that can be learned and mastered. It's the art of creating a shared life, requiring sacrifice, vulnerability, and a willingness to grow together through mutual support and understanding.

Highest capacity. While love in its basic form is essential for procreation, the genre explores its highest expression as the source of profound happiness and self-realization. Transcendent Love stories delve into the complexities of marriage and the lifelong process of becoming a true lover.

Last updated:

Review Summary

4.20 out of 5
Average of 484 ratings from Goodreads and Amazon.

The Anatomy of Genres receives mixed reviews. Many praise its depth and insights into storytelling, finding it useful for writers and filmmakers. Critics appreciate Truby's passion and the book's ambitious scope. However, some find it overly long, poorly organized, and difficult to navigate. The writing style is criticized as arrogant and repetitive. Readers note the book's focus on movies rather than literature. While some consider it a valuable resource, others find it less practical than Truby's previous work, The Anatomy of Story.

Your rating:
4.6
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About the Author

John Truby is an American screenwriter, director, screenwriting teacher, and author born in 1952. He has extensive experience in the film industry, having consulted on over 1,000 film scripts throughout his career. Truby is known for developing the screenwriting software program Blockbuster (originally called Storyline Pro). He gained recognition for his book "Anatomy of Story: 22 Steps to Becoming a Master Storyteller," which focuses on screenwriting techniques. Truby runs Truby's Writers Studio, where he works with students creating shows, movies, and novel series. His expertise in storytelling and genre techniques has led to consulting work with major studios in Hollywood.

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