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Pink Floyd and Philosophy

Pink Floyd and Philosophy

Careful with that Axiom, Eugene!
by George A. Reisch 2010 288 pages
3.81
100+ ratings
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Key Takeaways

1. Pink as Existential Malaise: The Human Orifice

Being has a hole in it.

The Void Within. The human condition is marked by a fundamental sense of lack, a feeling of incompleteness that can lead to a vague, pervasive sense of unease. This "hole" in being is not necessarily negative, but it can be a source of madness and despair if not understood and embraced.

Personal Connection. The author's experience with Pink Floyd's music, particularly "Brain Damage," at a young age, illustrates this confrontation with the void. The repetitive listening and dim lighting created an environment for exploring the outskirts of consciousness, leading to a profound realization of personal insignificance.

Beyond the Mundane. This experience highlights the power of art to open doors to deeper existential questions, challenging conventional notions of sanity and acceptability. It's a journey into the darkness, but also a potential path to self-discovery and understanding.

2. The Band as a Mirror: Seeing Yourself in the Music

Pink Floyd was the musical mirror I stood before in the dark and said “bloody Mary” forty times, until she finally showed up.

Musical Reflection. Pink Floyd's music acts as a mirror, reflecting the listener's own internal state and experiences. The band's ability to evoke specific emotions and moods allows individuals to project their own feelings and anxieties onto the music.

Personal Interpretation. The meaning and impact of Pink Floyd's music are highly subjective, varying depending on the listener's individual history, experiences, and emotional state. The music serves as a catalyst for self-reflection and personal understanding.

Beyond the Surface. The band's music is not merely entertainment, but a tool for exploring the depths of the human psyche. It challenges listeners to confront their own fears, anxieties, and existential questions.

3. The Four Alienations: A Modern Malady

The lunatic is on the grass . . . the lunatic is in the hall . . . the lunatic is in my head . . .

Marxist Alienation. Karl Marx identified four types of alienation that plague modern society: alienation from labor, from the products of labor, from other people, and from one's own humanity. These forms of alienation are prevalent in Pink Floyd's music, reflecting the band's critique of capitalist society.

Alienation in Floyd's Music:

  • Self-Alienation: Loss of identity and sense of self, as depicted in "Brain Damage."
  • Alienation of the Thing: Obsession with material possessions, as critiqued in "Welcome to the Machine."
  • Alienation from Others: Breakdown of human connection and empathy, as explored in "Us and Them."
  • Alienation from Species Being: Reduction of human beings to mere laborers, as portrayed in "Animals."

The Human Cost. These forms of alienation contribute to a sense of meaninglessness and despair, trapping individuals in a cycle of dissatisfaction and isolation. Pink Floyd's music serves as a warning against the dehumanizing effects of modern society.

4. The Lure of the Machine: Trading Soul for Success

Pop stardom, the album would have us believe, is something like a very nasty trick.

The Music Industry's Beast. Pink Floyd's music often critiques the music industry, portraying it as a "machine" that exploits and commodifies artists. The pursuit of fame and fortune can lead to a loss of artistic integrity and personal freedom.

The Price of Fame:

  • Artists are lured into the industry with promises of success and recognition.
  • They are then caged, controlled, and manipulated by executives.
  • The pursuit of commercial success can lead to a loss of artistic authenticity.

The Illusion of Control. The music industry's machine offers the illusion of control and success, but ultimately traps artists in a cycle of exploitation and alienation. Pink Floyd's music serves as a cautionary tale about the dangers of selling out.

5. The Wall as Self-Imposed Asylum: Internalizing Control

I’m waiting in this cell because I have to know: have I been guilty all this time?

Internalized Guilt. The Wall tells the story of Pink, a rock star who builds a metaphorical wall around himself to cope with the pressures and traumas of his life. This wall represents a self-imposed prison, isolating Pink from the world and driving him further into madness.

The Trial Within:

  • Pink's trial is not a legal proceeding, but an internal struggle with his own guilt and self-doubt.
  • He is judged by the voices of his past, including his mother, wife, and teacher.
  • The verdict is a condemnation to isolation and self-destruction.

The Cycle of Isolation. The Wall illustrates the cyclical nature of madness and isolation. Pink's attempt to escape the world ultimately leads him back to the same place, trapped behind his own self-constructed prison.

6. The Worms Within: Madness and Fascism Intertwined

There must have been a door there in the wall when I came in.

The Rise of the Worms. The Wall connects Pink's personal madness to the rise of fascism, suggesting that both are rooted in a desire for control, uniformity, and the suppression of individuality. The "worms" represent the destructive forces of conformity and oppression.

Fascism as Internal Struggle:

  • Pink's internal struggle with his own demons mirrors the social and political forces of fascism.
  • The skinheads and animated hammers represent the violent and destructive consequences of unchecked power.
  • The Wall suggests that madness and fascism are different versions of the same underlying impulse.

The Dangers of Uniformity. The Wall warns against the dangers of suppressing individuality and promoting conformity. The pursuit of a perfect, homogenous society can lead to violence, oppression, and the destruction of human connection.

7. Art as Resistance: Finding Hope in the Eclipse

The bleeding hearts and artists make their stand.

The Power of Art. Despite the bleakness of The Wall, the album offers a glimmer of hope in the form of art and empathy. The "bleeding hearts and artists" represent those who resist the forces of conformity and oppression.

Unreason as a Force for Change:

  • Art can challenge societal norms and force us to question our assumptions.
  • It can provide a space for unreason and dissent, disrupting the status quo.
  • Art can inspire empathy and compassion, fostering connection and understanding.

The Importance of Individuality. The Wall ultimately celebrates the power of individuality and the importance of resisting the forces that seek to suppress it. By embracing our unique qualities and challenging the status quo, we can create a more just and compassionate world.

8. The Absurd Artist: Waters's Existential Stance

Creation is the great mime.

Camus and Waters. Roger Waters's artistic vision aligns with the existentialist philosophy of Albert Camus, particularly the concept of the absurd. Both artists recognize the inherent meaninglessness of existence and the human desire for unity and connection.

The Artist's Role:

  • Art is not meant to provide solace or escape, but to intensify our awareness of the absurd.
  • The artist must confront the world with honesty and authenticity, even in the face of despair.
  • The artist's task is to create meaning in a meaningless world.

The Sun and the Moon. Waters, like Camus, uses the symbols of the sun and the moon to represent the duality of existence. The sun represents life, unity, and connection, while the moon represents death, darkness, and alienation.

9. Rasta Time: Universal Matters in Reggae

These universal matters suffer little in our translation; reggae has long tackled humanist themes, especially those that document daily suffering and endless hope.

Dub Side of the Moon. The reggae re-imagining of Dark Side of the Moon highlights the universal themes of the original album, such as materialism, time, and madness. Reggae music, with its emphasis on social justice and spiritual awareness, provides a new lens through which to explore these themes.

Rasta Philosophy:

  • Rastafarianism emphasizes a connection to nature, respect for all living things, and a rejection of Babylon (white imperialist power structures).
  • Dub music, with its emphasis on bass and drums, creates a meditative and trance-like state.
  • Dub Side of the Moon infuses Pink Floyd's music with Rasta reasoning, offering a message of hope and resilience.

Time and Money. The reggae version of "Time" emphasizes the urgency of changing modern society's focus from materialistic values to peace and brotherhood. The use of Jamaican patois and Rasta imagery adds a new layer of meaning to the original lyrics.

10. The Prism of Perception: Reality's Shifting Hues

No one is sure who discovered it or when.

The Dark Side of the Rainbow. The synchronization of Dark Side of the Moon with The Wizard of Oz, known as The Dark Side of the Rainbow, is a cultural phenomenon that has fascinated fans for decades. The coincidences between the music and the film raise questions about meaning, chance, and the nature of perception.

Synchronicity and Apophenia:

  • Carl Jung's concept of synchronicity suggests that meaningful coincidences can occur without a causal connection.
  • Apophenia is the human tendency to find patterns and connections in unrelated phenomena.
  • The Dark Side of the Rainbow may be an example of both synchronicity and apophenia.

Thematic Resonance. The Dark Side of the Rainbow may resonate with audiences because both works explore similar themes, such as the desire for transcendence and the search for meaning in a mundane world. The perceived synchronization may be subjective, but it is nonetheless real and meaningful for those who experience it.

11. The Ship of Theseus: Band Roster Identity

The prism stamped the popular culture of the Seventies much as the cover of the Beatles’ Sergeant Pepper stamped the 1960s.

The Band's Evolution. Pink Floyd underwent numerous changes in membership, musical style, and legal status throughout its history. These changes raise questions about the band's identity and what it means for a group to remain the "same" over time.

The Ship of Theseus Paradox:

  • The Ship of Theseus thought experiment asks whether an object remains the same if all of its parts are gradually replaced.
  • This paradox applies to Pink Floyd, as the band's lineup and musical style changed significantly over the years.
  • The question is whether the "Pink Floyd" that recorded Dark Side of the Moon is the same "Pink Floyd" that recorded A Momentary Lapse of Reason.

The Officeholder View. The band's identity is best understood as a collection of offices, each filled or not by different people and their songs. To the die-hard fan of one sort, The Pink Floyd Sound is the same band that recorded all the other albums in the Pink Floyd discography.

12. Wandering and Dreaming: The Tragic Life of Syd Barrett

The lunatic is on the grass . . .

Syd Barrett's Influence. Syd Barrett, the original leader of Pink Floyd, played a crucial role in shaping the band's early sound and vision. His lyrical artistry, experimental approach to music, and charismatic personality left a lasting impact on the band and its fans.

The Birth of Tragedy:

  • Friedrich Nietzsche's The Birth of Tragedy provides a framework for understanding Barrett's artistic downfall.
  • Nietzsche's concepts of Apollo and Dionysus represent opposing forces of order and chaos, reason and intuition.
  • Barrett's embrace of Dionysian intoxication led to a loss of individuality and a descent into madness.

The Madcap's Legacy. Despite his tragic end, Barrett's influence on Pink Floyd and popular music remains significant. His story serves as a reminder of the fragility of genius and the dangers of unchecked artistic expression.

Last updated:

Review Summary

3.81 out of 5
Average of 100+ ratings from Goodreads and Amazon.

Pink Floyd and Philosophy receives mixed reviews, with an average rating of 3.81/5. Many readers appreciate the philosophical analysis of Pink Floyd's music and lyrics, finding it insightful and thought-provoking. Some highlight the book's exploration of themes like madness, alienation, and existentialism in Floyd's work. However, critics argue that some essays are dry, repetitive, or forced in their philosophical connections. The book is generally recommended for hardcore Pink Floyd fans and those interested in philosophy, though some found it challenging without prior philosophical knowledge.

About the Author

George A. Reisch is the author of "Pink Floyd and Philosophy," a book that explores the philosophical themes and concepts present in Pink Floyd's music. As an editor and writer, Reisch has contributed to the Popular Culture and Philosophy series, which examines philosophical ideas through the lens of popular media. His work on Pink Floyd demonstrates his ability to bridge academic philosophy with accessible cultural analysis. Reisch's approach in this book involves compiling essays from various philosophers and scholars, each offering unique perspectives on Pink Floyd's music and its philosophical implications. His editorial work ensures a cohesive exploration of the band's artistic and intellectual contributions.

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