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The Emotional Craft of Fiction

The Emotional Craft of Fiction

How to Write the Story Beneath the Surface
avtor: Donald Maass 2016 224 strani
4.27
2.7K ocene
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Ključne točke

1. Čustveno jedro fikcije: Gre za potovanje bralca, ne le lika

Boljše vprašanje je, kako lahko bralce spodbudim k njihovemu lastnemu čustvenemu potovanju?

Več kot le prikazovanje in pripovedovanje. Najbolj učinkovita fikcija ne opisuje zgolj občutkov likov, temveč vzbuja edinstveno čustveno izkušnjo pri vsakem bralcu. Gre za spodbujanje osebne poti, ne za vsiljevanje skupnega občutka.

Edinstvena izkušnja bralca. Noben bralec ne doživlja romana enako, saj so njegovi odzivi oblikovani z lastnim značajem, preteklostjo in predsodki. Naloga pisatelja je vzbuditi občutke, ne pa jih narediti.

Čustveni vpliv kot temelj. Čustveni učinek ni zgolj dodatek, temveč osrednji del namena in strukture romana, ki podpira razvoj likov, zaplete in pripovedni glas. To je tisto, kar bralci dolgo pomnijo, ko se zgodba že pozabi.

2. Notranji, zunanji in drugi način: trije pristopi za vzbujanje čustev bralcev

Prvi način je tako učinkovito poročati o občutkih likov, da jih bralci začutijo tudi sami... Drugi način je vzbuditi v bralcih tisto, kar liki morda čutijo, z namigi o njihovem notranjem stanju skozi zunanje dejanje... Tretji način pa je povzročiti, da bralci začutijo nekaj, česar liki sami ne čutijo.

Notranji način (pripovedovanje). Gre za neposredno izražanje čustev lika, s ciljem vzpostaviti empatijo in skupno doživljanje z bralcem. Najbolj učinkuje, kadar so občutki sveži, nepričakovani in večplastni.

Zunanji način (prikazovanje). Temelji na zunanjih dejanjih in dialogu, ki nakazujeta notranje stanje lika, kar bralcem omogoča, da čustva sklepajo sami in jih doživljajo neposredno. Podtekst je ključ do učinkovitega prikazovanja, saj razkriva neizrečene čustvene resnice.

Drugi način (potovanje bralca). Osredotoča se na vzbujanje občutkov, ki so neodvisni od čustev likov, s čimer ustvarja čustveni dialog med avtorjem in bralcem. Vključuje izzivanje prepričanj, spodbujanje razmišljanja in samorefleksijo.

3. Oblikovanje čustvenega sveta: pripovedovanje iz osebne perspektive in moralne stiske

Odprtje čustvenega sveta zgodbe je prav tako pomembno, vendar zahteva poglobitev ne le v doživljanje sveta likov, temveč tudi v njihovo doživljanje samih sebe.

Pripovedovanje iz osebne perspektive. Liki morajo odkrito deliti svoje notranje misli in občutke, s čimer se vzpostavi intimnost z bralcem. To vključuje raziskovanje njihove samopodobe in dojemanja sveta, ter postavljanje vprašanj, ki bralce nagovarjajo.

Čustvena lestvica. Učinkovito pripovedovanje uporablja drobne podrobnosti za vzbujanje velikih čustev in povečuje manjša čustva, da dosežejo močan učinek. To zahteva občutljivo razumevanje sprožilcev čustev in moči namigovanja.

Moralne stiske. Moralne bitke in odločitve likov so močno čustveno orodje. Bralce pritegnejo liki, ki si prizadevajo za krepost, tudi v težkih okoliščinah. Moralna vzvišenost navdihuje bralce, da postanejo boljši.

4. Čustva, pomen in razvoj: povezovanje notranjih in zunanjih poti

Zaplet se dogaja zunaj, a zgodba se odvija znotraj.

Pomen onkraj dogodkov. Resnična zgodba ni v samih dogodkih, temveč v njihovem pomenu za like. Osvetljevanje pomena dogodkov, velikih in majhnih, pripomore k globini in odmevnosti pripovedi.

Povezovanje dolgih časovnih obdobij. Romani, ki zajemajo dolga obdobja, se povežejo z osredotočanjem na stalno spremembo in razvoj likove samopodobe ter dojemanja sveta. Ponavljajoča se vprašanja o identiteti in namenu ustvarjajo kohezivno pripovedno nit.

Povezovanje notranjega in zunanjega. Notranje in zunanje poti lika so medsebojno povezane. Zunanji dogodki sprožijo notranjo refleksijo, notranji boji pa se odražajo v zunanjih dejanjih. Tako nastane dinamična in čustveno privlačna zgodba.

5. Čustveni zaplet: mejniki, ki odmevajo

Čustveni udarec zgodbe nastane iz njene celovitosti.

Čustveni začetki. Učinkoviti začetki združujejo skrivnostnost z čustveno vključenostjo, da bralcem že na prvi strani ponudijo razlog za skrb za like. To vključuje vzpostavitev srčnih vrednot in takojšnje pozitivne moralne sodbe.

Zaljubljenost v protagonista. Bralci se zaljubijo v like, ki niso le privlačni, temveč tudi razumljivi. To pomeni ustvarjanje likov s srcem, hrepenenjem in sposobnostjo spremembe.

Čustveni sredinski trenutek. Sredina zgodbe je prelomnica krize in preobrazbe, kjer se liki soočijo s svojimi najglobljimi strahovi in sprejmejo ključne odločitve, ki oblikujejo njihovo usodo. To je trenutek zrcala, točka brez vrnitve.

6. Čustveno potovanje bralca: vrhunci in trajni učinek

Višja čustva nas spodbudijo k razmišljanju. Spremenijo nas. Naredijo nas boljše ljudi.

Vrhunci. Nekateri dogodki v zgodbi, kot so odpuščanje, žrtvovanje, izdaja, moralne dileme in smrt, imajo močan čustveni vpliv na bralce. Ti trenutki morajo biti skrbno oblikovani, da dosežejo največji čustveni odmev.

Simboli. Simboli lahko poglobijo čustveni pomen zgodbe. Ponavljajoči se predmeti, gibi ali besede lahko pridobijo simbolni pomen, dodajajo plasti pomena in čustvene resonančnosti.

Zgodbeni svetovi, ki jih ne želimo zapustiti. Ustvarjanje privlačnega zgodbenega sveta presega zgolj čutne podrobnosti. Zahteva ustvarjanje prostora, kjer se bralci čustveno povežejo, kjer prevladujejo dobrota, upanje in ljubezen.

7. Čustveno potovanje pisatelja: pozitiven duh in čustveno zrcalo

Duh, ki ga prinesete k pisalni mizi, ali okuži vaše strani ali jih oživi.

Pozitiven duh. Čustveno stanje in pogled pisatelja močno vplivata na zgodbo. Pozitiven duh, zaznamovan s sočutjem, radodarnostjo in vero v človeštvo, lahko dvigne bralce in ustvari bolj smiselno izkušnjo.

Čustveno zrcalo. Liki lahko služijo kot čustvena zrcala, ki odražajo notranje boje in rast pisatelja. Z iskrenostjo do svojih likov pisatelji pridobijo globlje samorazumevanje in ustvarijo pristnejše ter močnejše zgodbe.

Dostojanstvo in dobrota. Vnašanje dostojanstva in dobrote v zgodbeni svet lahko bralcem vzbudi upanje in občutek povezanosti. To vključuje prikaz likov, ki so prijazni, sočutni in zavezani k izboljšanju sveta.

Zadnja posodobitev:

FAQ

1. What is "The Emotional Craft of Fiction" by Donald Maass about?

  • Focus on Emotional Impact: The book explores how fiction writers can create a powerful emotional experience for readers, going beyond just showing or telling character emotions.
  • Reader’s Emotional Journey: Maass argues that the true goal is to take readers on their own emotional journeys, not just to convey what characters feel.
  • Practical Techniques: The book provides actionable methods and exercises (Emotional Mastery) to help writers evoke authentic, memorable emotions in their stories.
  • Comprehensive Approach: It covers everything from character arcs and plot to language, symbolism, and the writer’s own emotional engagement with their work.

2. Why should I read "The Emotional Craft of Fiction" by Donald Maass?

  • Unique Perspective: Maass challenges conventional writing advice, focusing on the reader’s emotional experience rather than just craft mechanics.
  • Actionable Advice: The book is filled with practical exercises and examples from contemporary and classic fiction to help writers apply the concepts immediately.
  • Deepens Storytelling: It teaches writers how to make their stories resonate on a deeper, more universal level, increasing the impact and memorability of their work.
  • Suitable for All Writers: Whether you write commercial, literary, genre, or experimental fiction, the techniques are adaptable and widely applicable.

3. What are the key takeaways from "The Emotional Craft of Fiction"?

  • Emotional Experience is Central: The most memorable fiction is that which makes readers feel deeply, not just follow a plot.
  • Showing vs. Telling is Insufficient: Both are tools, but neither guarantees emotional impact; the real craft is in provoking readers’ own feelings.
  • Emotional Mastery Methods: The book offers 34 specific exercises to help writers create emotional resonance, from using subtext to crafting high moments.
  • Writer’s Emotional Journey: The author emphasizes that the writer’s own emotional engagement and positive spirit are essential to creating powerful fiction.

4. How does Donald Maass define and differentiate "showing," "telling," and "other mode" in fiction?

  • Showing (Outer Mode): Involves implying character emotions through action, dialogue, and subtext, allowing readers to interpret and feel for themselves.
  • Telling (Inner Mode): Directly states what characters feel, but risks falling flat unless it goes beyond surface emotions to deeper, more nuanced layers.
  • Other Mode: Provokes emotions in readers that characters themselves may not feel, using story elements like plot, setting, and theme to create a unique reader experience.
  • Integration is Key: Maass argues that effective fiction blends all three, but always with the goal of eliciting a strong emotional response in the reader.

5. What are "third-level emotions" and how does "The Emotional Craft of Fiction" suggest writers use them?

  • Beyond Surface Feelings: Third-level emotions are deeper, less obvious feelings that lie beneath primary and secondary emotions.
  • Four-Step Method: Maass recommends using analogy, moral judgment, alternatives, and justification to explore and express these deeper emotions.
  • Creates Emotional Surprise: By digging past the expected, writers can catch readers off guard and provoke genuine emotional reactions.
  • Practical Exercise: The book provides step-by-step guidance for identifying and writing third-level emotions in scenes.

6. How does "The Emotional Craft of Fiction" by Donald Maass recommend connecting a character’s inner and outer journey?

  • Pin Connection Metaphor: Maass likens the connection to a structural pin in architecture, joining the plot (outer journey) and character arc (inner journey).
  • Meaningful Events: Writers should ensure that plot events have personal significance for the protagonist, and that inner changes are reflected in outward actions.
  • Fastening Techniques: The book suggests using thoughts, feelings, and symbolic actions to link internal transformation with external story developments.
  • Ongoing Struggle: The connection should be present throughout the novel, not just at key turning points.

7. What is the "Emotional Mastery" checklist in "The Emotional Craft of Fiction" and how should writers use it?

  • 34 Practical Exercises: The checklist consists of 34 targeted methods, each designed to help writers evoke specific emotional effects in their fiction.
  • Covers All Aspects: Exercises address showing, telling, subtext, high moments, symbols, language, character change, hope, and more.
  • Step-by-Step Guidance: Each method includes prompts and questions to apply directly to your manuscript.
  • Iterative Use: Writers are encouraged to revisit these exercises throughout drafting and revision to deepen emotional impact.

8. How does Donald Maass suggest writers create "high moments" and emotional peaks in their stories?

  • Focus on Universal Experiences: High moments often involve forgiveness, sacrifice, betrayal, moral dilemmas, and death.
  • Build Up and Release: Emotional peaks are most effective when tension and hope are built up before the moment of release or revelation.
  • Use of Symbolism: Recurring objects, gestures, or words can be set up early and used for maximum emotional effect at key moments.
  • Personal Stakes: The more personal and specific the stakes for the protagonist, the more powerful the high moment for the reader.

9. What role does the writer’s own emotional journey and mindset play, according to "The Emotional Craft of Fiction"?

  • Writer’s Spirit is Contagious: The emotional tone and outlook of the writer infuse the story, affecting how readers feel.
  • Positive Spirit Encouraged: Maass advocates for compassion, hope, and magnanimity in both the writer and their characters.
  • Emotional Mirror: Writers are urged to confront their own truths and vulnerabilities, as authentic self-exploration leads to more authentic characters.
  • Ongoing Practice: Cultivating a generous, hopeful, and open mindset is a daily practice that benefits both the writing process and the finished work.

10. How does "The Emotional Craft of Fiction" by Donald Maass address the challenge of writing emotionally engaging scenes where "nothing happens"?

  • Underlying Need: Even in low-action scenes, the protagonist’s unmet emotional need should be present and subtly felt.
  • Subtext and Obsession: Writers can use a character’s focus on small details or obsessions to hint at deeper emotional currents.
  • Emotional Tension: The absence of overt conflict can be compensated by internal conflict, longing, or unresolved issues.
  • Revision Technique: Maass suggests rewriting such scenes with the underlying need in mind, then removing explicit statements to let the emotion emerge naturally.

11. What are some of the most memorable quotes from "The Emotional Craft of Fiction" by Donald Maass, and what do they mean?

  • "You are not the author of what readers feel, just the provocateur of those feelings." — Writers can’t control readers’ emotions, but can create conditions that provoke strong responses.
  • "Plot happens outside but story happens inside." — The true story is the internal transformation and meaning-making of the characters.
  • "When you illuminate the meaning of everything, you can do anything." — Assigning personal significance to events empowers writers to make any moment matter.
  • "Heart is a quality inherent not in a manuscript but in its author." — The writer’s own emotional engagement and generosity are what give fiction its power.

12. What are the most advanced or nuanced techniques in "The Emotional Craft of Fiction" for creating lasting emotional impact?

  • Cascading Change: Ensuring that character change ripples outward, affecting other characters and the story world, for a sense of realism and depth.
  • Feelings Without Names: Using specific, concrete details and indirect description to evoke complex, unnamed emotions in readers.
  • Infusing Hope: Even in dark stories, Maass recommends finding ways to instill hope, anticipation, or longing for something better.
  • Emotional Language Patterns: Beyond word choice, arranging language in rhythmic, poetic, or patterned ways to enhance emotional resonance and memorability.

Ocene

4.27 od 5
Povprečje 2.7K ocene iz Goodreads in Amazon.

Knjiga The Emotional Craft of Fiction prejema mešane ocene. Mnogi pohvalijo njene vpoglede v vzbujanje čustev v pisanju, saj jih smatrajo za koristne in navdihujoče. Po drugi strani pa nekateri kritizirajo Maassove zastarele reference, seksistično rabo jezika in primerke, ki lahko sprožijo neprijetne občutke. Bralci cenijo praktične vaje in edinstven pogled na čustva bralcev. Kritiki menijo, da so nasveti subjektivni in včasih površinski. Nekateri zaznavajo knjigo kot ponavljajočo se ali slabo napisano. Na splošno so mnenja razdeljena, pri čemer izkušeni pisci v njej najdejo manj vrednosti kot začetniki. Osredotočenost knjige na čustveni vpliv v pripovedovanju zgodb je sicer večinoma dobro sprejeta.

Your rating:
4.6
47 ocene

O avtorju

Donald Maass je literarni agent in avtor z bogatimi izkušnjami v založniški industriji. Napisal je več kot 16 romanov in danes zastopa številne pisatelje različnih žanrov, med njimi znanstveno fantastiko, fantazijo, kriminalke, skrivnostne zgodbe, romantične in trilerje. Maass je priznan strokovnjak za pisateljsko obrt in pogosto nastopa na konferencah za pisce po vsej ZDA. Njegovo delo kot avtorja in agenta mu je omogočilo edinstven vpogled v proces pisanja in založništvo. S sedežem v New Yorku ostaja vplivna osebnost v literarnem svetu, kjer nudi podporo tako začetnikom kot uveljavljenim pisateljem.

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