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The Dictionary of Obscure Sorrows

The Dictionary of Obscure Sorrows

by John Koenig 2021 272 pages
4.46
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Key Takeaways

1. Naming Obscure Emotions Helps Us Feel Less Alone

It’s a calming thing, to learn there’s a word for something you’ve felt all your life but didn’t know was shared by anyone else.

Shared human experience. The book posits that many feelings we perceive as unique or strange are actually universal, just unnamed. Giving these obscure sorrows and joys a name validates the experience and reminds us we are not isolated in our internal worlds. This act of naming transforms a private ache into a shared human condition.

Expanding emotional vocabulary. Just as languages have words for specific cultural concepts (like hygge or saudade), we can create new words to articulate the subtle nuances of feeling. This expanded lexicon allows for a richer understanding and communication of our inner lives, filling the "huge blind spot in the language of emotion."

Examples of named feelings:

  • Kenopsia: the eeriness of an empty place that is usually busy.
  • Sonder: realizing every passerby has a life as complex as your own.
  • Énouement: the bittersweetness of knowing the future but unable to tell your past self.
  • Onism: frustration of being stuck in one body, one place.

2. Language Limits Our Perception of Reality

As Wittgenstein wrote, “The limits of my language are the limits of my world.”

Language shapes thought. The words we inherit and use act as a form of psychological programming, shaping how we perceive relationships, memory, and reality itself. If our vocabulary is outdated or incomplete, we may feel a "strange hollowness in our conversations," unable to fully grasp or convey our experience.

Blind spots in lexicon. Current language is biased towards naming simple, tangible, and communal concepts, leaving a deficit in articulating complex, internal, and subtle emotions. We have extensive vocabularies for the external world but lack the words for the "delectable subtleties of the human experience."

The need for new words. To truly understand ourselves and the world, we must actively expand our linguistic framework. By stitching together fragments of languages or inventing new terms, we can attempt to capture the "faintest quirks of the human condition," believing that no sorrow is too obscure to define.

3. We Are Often Blind to the Fullness of Others' Lives

Each living a life as vivid and complex as your own.

Sonder's revelation. The core idea of sonder highlights our tendency to see others as mere extras in our own story. This realization is a powerful shift in perspective, acknowledging that every random person carries the same weight of ambitions, mistakes, and relationships as we do.

Hidden inner worlds. People present only a sample of who they are, tailored to specific contexts. We rarely see the "raw feed of another human existence," with all its messiness, solitude, and internal contradictions. This leads to feelings like gnossienne, the awareness that even those we know well have mysterious inner lives we can never fully access.

Limited perspective:

  • We see others from the side they choose to show.
  • We are unaware of their backstories, secrets, and parallel relationships (amicy).
  • Our mental images of others can become wildly outdated (lookaback).
  • We struggle to understand another's pain (dolorblindness).

4. The Inner Self is a Complex and Mysterious Landscape

You alone manage this particular storehouse of memories, being the only one to remember certain things, or the only one to forget.

Internal wilderness. Our soul is described as a "dark forest," with our known self being just a small clearing. This suggests that much of who we are remains hidden, even from ourselves, comprising secret flaws, hidden talents, traumas, and unmentioned dreams (keep).

Self-perception challenges. We often don't know how we truly feel about something (agnosthesia), forcing us to analyze our own behavior as if we were a stranger. We may feel like a caricature of ourselves (typifice) or fear that we are merely products of our circumstances (vaucasy).

The struggle for identity:

  • Anxiety of not knowing the "real you" (anoscetia).
  • Feeling trapped inside subjective tastes (aesthosis).
  • Questioning if we are able to change (alazia).
  • The desire to care less about things (liberosis).

5. Time Moves Unevenly and Shapes Our Experience

Even though it feels like you’re holding still, time is sweeping past you, right where you sit.

Zenosyne's acceleration. The feeling that time is speeding up is a common human experience, particularly as we age. Childhood summers felt eternal, but years now seem to pass in a blur, as if each year is "worth a little less than the last."

Memory's fluidity. Memories are not fixed but change meaning over time (klexos). What felt like a failure can become a shrewd investment, a villain relatable, or a golden age darker. Yet, we also struggle to remember sense memories of the departed (amentalio) or convey powerful memories to others (aulasy).

Temporal disorientation:

  • Echthesia: internal sense of time doesn't match the calendar.
  • Dès vu: awareness that the present moment is becoming a memory.
  • Keyframe: innocuous moments that mark major life shifts.
  • Anemoia: nostalgia for a time you never experienced.

6. We Long for Connection While Grappling with Individuality

Strange how strange it is that you’re born alone and die alone.

The anxiety of the individual. Being an individual feels like being "tossed overboard," adrift in a sea of billions. We are the sole carriers of our bodies, names, and unique storehouses of memories (ioche), creating a perpetual tension between following the crowd and breaking out on our own.

Seeking shelter in others. Despite our individuality, we crave connection. This can manifest as the tranquil pleasure of being near a gathering without being fully in it (midding), finding resonant connection with distant artists (moledro), or the atmosphere of camaraderie when stuck together (lockheartedness).

Navigating relationships:

  • The ambiguous intensity of eye contact (opia).
  • Fear that a partner is changing (feresy).
  • The mystery of what goes on behind the scenes of social life (amicy).
  • The quiet poignance of responsibility for someone (hubilance).

7. Ordinary Moments Hold Hidden Significance

So much of it is barely worth noting.

Maru Mori's lesson. The heartbreaking simplicity of ordinary things is often overlooked in the pursuit of grand struggles or epiphanies. Yet, these mundane details—the rattle of a fan, toothbrushes by the sink, the smell of dishes—are the true fabric of life, the artifacts future generations will seek to understand us.

Hidden brilliance. Artistry and meaning are often hiding in plain sight (silience), waiting to be noticed. From background music to architectural details, the world is filled with brilliance that goes unseen because we are too busy or indifferent to look up.

Finding meaning in the mundane:

  • Chrysalism: tranquility indoors during a thunderstorm.
  • Plata rasa: peace from the sound of a running dishwasher.
  • Merrenness: lulling isolation of driving late at night.
  • Lisolia: satisfaction of things worn down by time.

8. The World is Full of Unknowable Mysteries

There’s something unsettling about the idea of a black hole.

Event horizons. We are surrounded by thresholds beyond which knowledge is inaccessible, from the bottom of the ocean to the vastness of the cosmos (galagog). This inherent unknowability (chthosis) can be unsettling, reminding us how little we truly understand about the universe and our place in it.

Uncertainty and vulnerability. The awareness of unknown unknowns extends to our daily lives. People vanish without a trace, systems can be hacked, and the integrity of structures we rely on is often assumed. This leaves us feeling vulnerable to forces we cannot control, like "treading water in the deep end" (nilous).

Longing for clarity vs. mystery:

  • Lachesism: longing for disaster to bring clarity.
  • Yráth: hunger for mystery in a time of easy answers.
  • Achenia: maddening sense that the world is too complex to understand.
  • Aimonomia: fear that naming something will ruin its mystery.

9. We Are Constantly Navigating the Tension Between What Is and What Could Be

Life as it is or life as it could be?

Oz vs. Kansas. This central metaphor describes the feeling of being torn between the life you have (Kansas, ordinary, black and white) and the life you want (Oz, vibrant, full of potential). This tension creates a "maddening state," where we feel caught between accepting humble beauty and chasing a Technicolor riot.

The Til's burden. We carry a reservoir of all possible opportunities (the Til), which feels overwhelming when young but diminishes with age. This awareness of paths not taken fuels feelings like onism (frustration of limited experience) and astrophe (feeling stuck on Earth).

Desire for escape or change:

  • Trumspringa: longing for a simple life away from career track.
  • Slipfast: longing to disappear and observe without participating.
  • Mahpiohanzia: frustration of being unable to fly.
  • Alazia: fear of being unable to change.

10. Endings Are Inevitable, Yet We Still Seek to Capture Moments

Even right at the start of things, you can feel the sense of an ending.

Tiris' bittersweetness. The awareness that all things are transient is a fundamental aspect of life. From relationships to objects to entire civilizations, everything is perishable. This knowledge infuses experiences with a bittersweet quality, making us appreciate them more intensely while also feeling the pang of their eventual loss.

Morii's impulse. The desire to capture fleeting experiences with a camera or other means is a powerful instinct. We try to lend credibility to moments, prove "I was here," and convert transient flashes into something that will last. This is an attempt to "press Pause on your life," even knowing that moments will eventually get away.

Facing conclusions:

  • Énouement: bittersweetness of knowing how things turn out in the future.
  • Epistrix: disconcerting cluster of endings happening at once.
  • Solla, solla, solla: incantation to celebrate loss and relinquish the past.
  • Olēka: awareness of how few days are truly memorable.

11. We Are Haunted by the Past and Anxious About the Future

You can see where you’ve been, but not where you’re going.

Rowing backward. Life feels like rowing a boat: we face the past, seeing where we've been, while a younger self steers us blindly into the future (avenoir). This perspective leaves us haunted by memories and uncertain about what lies ahead.

Past intrusions. Embarrassing memories from adolescence can rush back (thwit), or long-forgotten mistakes can reappear (fellchaser). We may also feel archimony, anger about injustices discovered long after they occurred and everyone else has moved on.

Future anxieties. We sense the judgment of our future selves (future-tense) and fear major life changes (elosy). There's also the dread of finally pursuing a dream (zielschmerz), putting our abilities to the test after years of hopeful delusion.

12. Finding Meaning in a World Both Mundane and Epic

What, what am I to do with all of this life?

The sketch of life. Life is like a sketch for nothing, an outline without a picture (Milan Kundera quote). We live everything without rehearsal, unsure of its worth or where it's going (nodus tollens). This lack of inherent plot or clear mission can lead to feelings of irrelevance (dystoria).

Contradictory existence. We exist in a world that is simultaneously vast and complex (latigo) yet filled with mundane absurdity (wytai). Our deepest concerns feel both laughably quaint and vanishingly rare (galagog). This tension between the epic and the ordinary is a constant source of contemplation.

Seeking purpose:

  • Lachesism: longing for disaster to reveal what's truly important.
  • Yráth: hunger for mystery in a world of easy answers.
  • Moriturism: jolt of awareness of mortality, prompting reflection on life's value.
  • Suerza: quiet amazement and gratitude for simply existing.

Last updated:

FAQ

1. What is "The Dictionary of Obscure Sorrows" by John Koenig about?

  • Invented Words for Emotions: The book is a compendium of newly coined words that describe complex, often overlooked emotions and experiences.
  • Exploring Human Experience: Its mission is to shine a light on the strangeness and depth of being human, capturing feelings that are universal yet hard to articulate.
  • Blending Dictionary and Poetry: The structure is part dictionary, part poetic meditation, with each entry offering both a definition and a short essay or reflection.
  • Themes of Connection and Solitude: The book explores themes like longing, nostalgia, connection, alienation, and the passage of time, aiming to make readers feel seen and less alone.

2. Why should I read "The Dictionary of Obscure Sorrows" by John Koenig?

  • Validation of Feelings: It provides words for emotions you may have felt but never knew how to express, offering comfort and validation.
  • Expands Emotional Vocabulary: By naming obscure feelings, it helps readers better understand themselves and others.
  • Beautiful, Thoughtful Prose: Koenig’s writing is lyrical and insightful, blending philosophy, psychology, and etymology in a unique way.
  • Universal Relevance: The book resonates with anyone interested in language, self-reflection, or the shared human condition.

3. What is the main purpose or message of "The Dictionary of Obscure Sorrows"?

  • Naming the Nameless: The book’s core purpose is to fill gaps in the language of emotion, giving names to feelings that are real but previously undefined.
  • Shared Humanity: It emphasizes that no one is truly alone in their feelings; many emotions are more universal than we realize.
  • Language Shapes Reality: Koenig argues that the words we use shape our perception of the world and ourselves, and that inventing new words can expand our understanding.
  • Embracing Complexity: The book encourages readers to embrace the complexity and ambiguity of life, rather than oversimplifying or ignoring it.

4. How is "The Dictionary of Obscure Sorrows" by John Koenig structured?

  • Six Thematic Chapters: The book is divided into six chapters, each focusing on a different aspect of human experience: the outer world, the inner self, relationships, strangers, time, and meaning.
  • Nonlinear Arrangement: Definitions are grouped by theme but not in strict alphabetical or logical order, reflecting the unpredictable flow of emotions.
  • Word Entries with Essays: Each invented word is accompanied by a definition and often a short essay or vignette that explores its meaning in depth.
  • Collages and Visuals: The book includes artistic collages that complement the text and evoke the mood of the entries.

5. What are some of the most important invented words and concepts in "The Dictionary of Obscure Sorrows"?

  • Sonder: The realization that every passerby has a life as vivid and complex as your own.
  • Kenopsia: The eerie, forlorn atmosphere of a place that is usually bustling with people but is now abandoned and quiet.
  • Onism: The frustration of being stuck in just one body, inhabiting only one place at a time.
  • Vemödalen: The fear that everything has already been done, that originality is no longer possible.
  • Énouement: The bittersweetness of having arrived in the future, knowing how things turned out, but unable to tell your past self.

6. How does John Koenig create the words in "The Dictionary of Obscure Sorrows"?

  • Etymological Blending: Many words are constructed by combining roots from various languages (Latin, Greek, German, etc.) to evoke the intended meaning.
  • Inventive Wordplay: Some terms are entirely invented or are playful twists on existing words, often with a poetic or metaphorical slant.
  • Cultural References: Koenig draws on mythology, literature, psychology, and pop culture to inform the creation and explanation of each word.
  • Purposeful Ambiguity: The words are designed to be evocative rather than strictly prescriptive, allowing readers to find their own resonance.

7. What are the key takeaways from "The Dictionary of Obscure Sorrows" by John Koenig?

  • Language is Empowering: Naming emotions can help us process and share our experiences, making us feel less isolated.
  • Universality of Experience: Many feelings we consider private or strange are actually widely shared.
  • Embrace Ambiguity: Life is complex and ambiguous, and that’s not only normal but beautiful.
  • Words Evolve: Language is not fixed; we have the power to invent new words to better capture our reality.

8. How does "The Dictionary of Obscure Sorrows" by John Koenig explore the relationship between language and emotion?

  • Limits of Language: The book discusses how existing language often fails to capture the full range of human emotion.
  • Language Shapes Perception: Koenig references Wittgenstein’s idea that “the limits of my language are the limits of my world,” suggesting that expanding vocabulary expands our reality.
  • Naming as Healing: By giving names to obscure feelings, the book offers a form of emotional recognition and healing.
  • Encourages Linguistic Creativity: It invites readers to participate in the ongoing evolution of language, making it more inclusive of human experience.

9. What are some of the most memorable quotes from "The Dictionary of Obscure Sorrows" and what do they mean?

  • “Sonder: the realization that each random passerby is the main character of their own story, in which you are just an extra in the background.”
    • This quote encapsulates the humbling awareness of other people’s inner lives.
  • “Words will never do us justice. But we have to try anyway.”
    • A reminder that language is imperfect, but striving to express ourselves is still worthwhile.
  • “This is not a book about sadness—at least, not in the modern sense of the word.”
    • Koenig redefines sadness as fullness, not just despair, encouraging a richer understanding of emotion.
  • “In language, all things are possible. Which means that no emotion is untranslatable. No sorrow is too obscure to define.”
    • This quote highlights the book’s central optimism about the power of words.

10. How can readers use or apply the concepts from "The Dictionary of Obscure Sorrows" in their own lives?

  • Self-Reflection: Use the words to better understand and articulate your own feelings and experiences.
  • Empathy for Others: Recognize that others may be experiencing complex emotions that lack easy labels, fostering compassion.
  • Creative Expression: Be inspired to invent your own words or metaphors for feelings that are hard to describe.
  • Emotional Validation: Find comfort in knowing that your obscure feelings are shared and worthy of acknowledgment.

11. What advice does John Koenig give about language and inventing new words in "The Dictionary of Obscure Sorrows"?

  • Make Words Real: Koenig encourages readers to make up words as needed, asserting that all words are invented and can be made real through use.
  • Challenge Definitions: He warns against “hyperdefinition,” or letting dictionary definitions limit our understanding of reality.
  • Embrace Nonsense: Sometimes nonsense words can be valuable, reminding us not to take language too seriously.
  • Language as Ownership: Inventing words can give you a sense of ownership over your experiences and the stories you tell yourself.

12. What is the overall tone and style of "The Dictionary of Obscure Sorrows" by John Koenig?

  • Poetic and Reflective: The prose is lyrical, meditative, and often philosophical, blending dictionary definitions with personal essays.
  • Empathetic and Inclusive: The tone is warm, validating, and inclusive, inviting readers to see themselves in the words.
  • Playful Yet Profound: There’s a sense of playfulness in the word creation, balanced by deep insights into the human condition.
  • Visually Engaging: The book includes artistic collages that enhance the mood and meaning of the text, making it both a literary and visual experience.

Review Summary

4.46 out of 5
Average of 5.4K ratings from Goodreads and Amazon.

The Dictionary of Obscure Sorrows is a unique collection of invented words describing complex emotions and experiences. Readers praise Koenig's creative definitions, poetic prose, and ability to capture nuanced feelings. Many find the book thought-provoking and emotionally resonant, appreciating how it gives language to previously unnamed sensations. Some note it's best read in small doses rather than straight through. While a few critics found certain entries less relatable, most reviewers were captivated by the book's exploration of human emotions and experiences.

Your rating:
4.6
104 ratings

About the Author

John Koenig is the creator of The Dictionary of Obscure Sorrows, which began as a website in 2009 before becoming a YouTube series and eventually a book. Koenig spent over a decade developing his unique lexicon of emotions, drawing inspiration from etymology and various languages to craft new words. His work aims to fill gaps in language by naming subtle, complex feelings that previously lacked concise descriptors. Koenig's background includes studying linguistics and anthropology, which informs his approach to word creation. His writing style is often described as poetic and introspective, resonating with readers who find his definitions both relatable and thought-provoking.

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