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Dialogue
by Gloria Kempton • 2004
Stilted dialogue comes from writing it, not channeling it. Make characters speak for themselves.
3.97
1k+
Dialogue Summary
Dialogue 90%
Stilted dialogue comes from writing it, not channeling it. Make characters speak for themselves.
by Gloria Kempton 2004
3.97
1k+ ratings
Writing Alone, Writing Together
by Judy Reeves • 2002
How to start a writing group that provides feedback, builds accountability, and keeps you writing.
4.01
78
Writing Alone, Writing Together Summary
Writing Alone, Writing Together 90%
How to start a writing group that provides feedback, builds accountability, and keeps you writing.
by Judy Reeves 2002
4.01
78 ratings
The Writer's Idea Thesaurus
by Fred White • 2014
Two thousand story situations, organized and ready: your imagination just needs a starting point.
3.84
116
The Writer's Idea Thesaurus Summary
The Writer's Idea Thesaurus 90%
Two thousand story situations, organized and ready: your imagination just needs a starting point.
by Fred White 2014
3.84
116 ratings
1,000 Awesome Writing Prompts
by Ryan Andrew Kinder • 2014
A thousand prompts, from six-word tales to random-object chaos, each a cure for the blank page.
3.72
415
1,000 Awesome Writing Prompts Summary
1,000 Awesome Writing Prompts 90%
A thousand prompts, from six-word tales to random-object chaos, each a cure for the blank page.
by Ryan Andrew Kinder 2014
3.72
415 ratings
How to Write Short
by Roy Peter Clark • 2013
Tiny texts, big impact: the craft moves that make short sentences stick harder than long ones.
3.77
1k+
How to Write Short Summary
How to Write Short 90%
Tiny texts, big impact: the craft moves that make short sentences stick harder than long ones.
by Roy Peter Clark 2013
3.77
1k+ ratings
A Writer's Notebook
by Ralph Fletcher • 1996
A notebook habit turns raw noticing into finished writing. Everything starts with what you catch.
4.06
1k+
A Writer's Notebook Summary
A Writer's Notebook 90%
A notebook habit turns raw noticing into finished writing. Everything starts with what you catch.
by Ralph Fletcher 1996
4.06
1k+ ratings
The Writer's Idea Book
by Jack Heffron • 2000
Never run out of material: habits and prompts to keep you writing through every block.
3.88
1k+
The Writer's Idea Book Summary
The Writer's Idea Book 90%
Never run out of material: habits and prompts to keep you writing through every block.
by Jack Heffron 2000
3.88
1k+ ratings
Techniques of the Selling Writer
by Dwight V. Swain • 1965
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
4.33
2k+
Techniques of the Selling Writer Summary
Techniques of the Selling Writer 90%
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
by Dwight V. Swain 1965
4.33
2k+ ratings
Immediate Fiction
by Jerry Cleaver • 2002
A no-jargon writing method that centers on conflict and emotion, and how to finish the stuck draft.
4.14
755
Immediate Fiction Summary
Immediate Fiction 90%
A no-jargon writing method that centers on conflict and emotion, and how to finish the stuck draft.
by Jerry Cleaver 2002
4.14
755 ratings
Story Engineering
by Larry Brooks • 2011
Six storytelling skills and a four-part map that transform an idea into a novel that works.
4.10
3k+
Story Engineering Summary
Story Engineering 90%
Six storytelling skills and a four-part map that transform an idea into a novel that works.
by Larry Brooks 2011
4.10
3k+ ratings
The Creative Writing Coursebook
by Julia Bell • 2001
Forty authors teach the exercises and craft tools that turn rough drafts into publishable work.
3.95
363
The Creative Writing Coursebook Summary
The Creative Writing Coursebook 90%
Forty authors teach the exercises and craft tools that turn rough drafts into publishable work.
by Julia Bell 2001
3.95
363 ratings
5,000 Words Per Hour
by Chris Fox • 2015
The average writer produces 500 words an hour. Here's how to hit ten times that.
4.19
3k+
5,000 Words Per Hour Summary
5,000 Words Per Hour 90%
The average writer produces 500 words an hour. Here's how to hit ten times that.
by Chris Fox 2015
4.19
3k+ ratings
Help! for Writers
by Roy Peter Clark • 2011
210 targeted fixes for the predictable problems of writing, from idea drought to the final edit.
3.92
443
Help! for Writers Summary
Help! for Writers 90%
210 targeted fixes for the predictable problems of writing, from idea drought to the final edit.
by Roy Peter Clark 2011
3.92
443 ratings
Crafting Novels & Short Stories
by The Writer's Digest • 2011
Character, plot, prose, and revision: the craft kit every fiction writer returns to.
3.89
373
Crafting Novels & Short Stories Summary
Crafting Novels & Short Stories 90%
Character, plot, prose, and revision: the craft kit every fiction writer returns to.
by The Writer's Digest 2011
3.89
373 ratings
Writing Prompts For Creative Writers
by Levon Sparks Salone • 2014
Pick a prompt. Use the words. Hit the word count. Fifty setups that turn resistance into pages.
Writing Prompts For Creative Writers Summary
Writing Prompts For Creative Writers 90%
Pick a prompt. Use the words. Hit the word count. Fifty setups that turn resistance into pages.
by Levon Sparks Salone 2014
100 Ways to Improve Your Writing
by Gary Provost • 1985
Concrete techniques that turn stiff sentences into music and hesitant writers into confident ones.
4.03
2k+
100 Ways to Improve Your Writing Summary
100 Ways to Improve Your Writing 90%
Concrete techniques that turn stiff sentences into music and hesitant writers into confident ones.
by Gary Provost 1985
4.03
2k+ ratings
Elements of Fiction Writing - Scene & Structure
by Jack M. Bickham • 1993
Your novel drags because your scenes end well. End them badly and the pages turn themselves.
4.11
2k+
Elements of Fiction Writing - Scene & Structure Summary
Elements of Fiction Writing - Scene & Structure 90%
Your novel drags because your scenes end well. End them badly and the pages turn themselves.
by Jack M. Bickham 1993
4.11
2k+ ratings
Word Painting
by Rebecca McClanahan • 2014
Most writing advice says 'show, don't tell.' This one teaches you how, sense by sense.
4.13
816
Word Painting Summary
Word Painting 90%
Most writing advice says 'show, don't tell.' This one teaches you how, sense by sense.
by Rebecca McClanahan 2014
4.13
816 ratings
Write to the Point How to be Clear, Correct and Persuasive on the Page
by Sam Leith • 2017
From Aristotle to email, the sentence craft that makes readers absorb ideas before they can resist.
3.73
195
Write to the Point How to be Clear, Correct and Persuasive on the Page Summary
Write to the Point How to be Clear, Correct and Persuasive on the Page 90%
From Aristotle to email, the sentence craft that makes readers absorb ideas before they can resist.
by Sam Leith 2017
3.73
195 ratings
Description
by Monica Wood • 1995
Description isn't decoration: the craft of building a world readers can see, hear, and feel.
4.06
610
Description Summary
Description 89%
Description isn't decoration: the craft of building a world readers can see, hear, and feel.
by Monica Wood 1995
4.06
610 ratings
Writing Your Novel from Start to Finish
by Joseph Bates • 2015
Your novel, start to finish: a guide that treats structure as discovery's framework, not a cage.
4.21
184
Writing Your Novel from Start to Finish Summary
Writing Your Novel from Start to Finish 89%
Your novel, start to finish: a guide that treats structure as discovery's framework, not a cage.
by Joseph Bates 2015
4.21
184 ratings
Several Short Sentences About Writing
by Verlyn Klinkenborg • 2012
Writing isn't about flow or formulas; it's about one clear sentence, then another.
4.13
4k+
Several Short Sentences About Writing Summary
Several Short Sentences About Writing 89%
Writing isn't about flow or formulas; it's about one clear sentence, then another.
by Verlyn Klinkenborg 2012
4.13
4k+ ratings
How to Write a Dynamite Scene Using the Snowflake Method
by Randy Ingermanson • 2018
Two scene patterns drive every novel: one forces a setback, the other forces a hard choice.
4.33
634
How to Write a Dynamite Scene Using the Snowflake Method Summary
How to Write a Dynamite Scene Using the Snowflake Method 89%
Two scene patterns drive every novel: one forces a setback, the other forces a hard choice.
by Randy Ingermanson 2018
4.33
634 ratings
Writing to Learn
by William Zinsser • 1988
Writing's real job is not transmission; it is discovery. How to think on paper.
3.81
2k+
Writing to Learn Summary
Writing to Learn 89%
Writing's real job is not transmission; it is discovery. How to think on paper.
by William Zinsser 1988
3.81
2k+ ratings
The Art of X-Ray Reading
by Roy Peter Clark • 2016
How to read a novel and come away with a toolbox, not just a story.
4.04
1k+
The Art of X-Ray Reading Summary
The Art of X-Ray Reading 89%
How to read a novel and come away with a toolbox, not just a story.
by Roy Peter Clark 2016
4.04
1k+ ratings
Spellbinding Sentences
by Barbara Baig • 2015
Sentences are buildable, not born. A practice-based method for word choice, imagery, and rhythm.
4.31
231
Spellbinding Sentences Summary
Spellbinding Sentences 89%
Sentences are buildable, not born. A practice-based method for word choice, imagery, and rhythm.
by Barbara Baig 2015
4.31
231 ratings
The Story Grid
by Shawn Coyne • 2015
Why stories fail, scene by scene: an editor's diagnostic that finds the break and the fix.
4.30
2k+
The Story Grid Summary
The Story Grid 89%
Why stories fail, scene by scene: an editor's diagnostic that finds the break and the fix.
by Shawn Coyne 2015
4.30
2k+ ratings
Write Your Novel From The Middle
by James Scott Bell • 2014
Forget outlining and pantsing. The one scene every novel needs sits exactly in the middle.
4.20
3k+
Write Your Novel From The Middle Summary
Write Your Novel From The Middle 89%
Forget outlining and pantsing. The one scene every novel needs sits exactly in the middle.
by James Scott Bell 2014
4.20
3k+ ratings
Characters, Emotion & Viewpoint
by Nancy Kress • 2005
Viewpoint controls what your readers know, who they root for, and what the story finally means.
4.05
2k+
Characters, Emotion & Viewpoint Summary
Characters, Emotion & Viewpoint 89%
Viewpoint controls what your readers know, who they root for, and what the story finally means.
by Nancy Kress 2005
4.05
2k+ ratings
The Complete Idiot's Guide to Creative Writing
by Laurie E. Rozakis • 1997
One writing process for fiction, poetry, and screenplays, plus the business half most primers skip.
3.59
159
The Complete Idiot's Guide to Creative Writing Summary
The Complete Idiot's Guide to Creative Writing 89%
One writing process for fiction, poetry, and screenplays, plus the business half most primers skip.
by Laurie E. Rozakis 1997
3.59
159 ratings
Refuse to Be Done
by Matt Bell • 2022
Finish your novel in three drafts: a rough discovery, a full rewrite, and a layered polish.
4.43
2k+
Refuse to Be Done Summary
Refuse to Be Done 89%
Finish your novel in three drafts: a rough discovery, a full rewrite, and a layered polish.
by Matt Bell 2022
4.43
2k+ ratings
Nicely Said
by Nicole Fenton • 2014
Your website has a voice. The rules for making it helpful, clear, and worth reading.
4.11
554
Nicely Said Summary
Nicely Said 89%
Your website has a voice. The rules for making it helpful, clear, and worth reading.
by Nicole Fenton 2014
4.11
554 ratings
Plot & Structure
by James Scott Bell • 2004
Four pillars of plot that hold readers from opening to climax, whether you outline or not.
4.11
6k+
Plot & Structure Summary
Plot & Structure 89%
Four pillars of plot that hold readers from opening to climax, whether you outline or not.
by James Scott Bell 2004
4.11
6k+ ratings
The Art and Craft of Storytelling
by Nancy Lamb • 2008
Fiction's core toolkit: structure that moves, characters who breathe, and revision that polishes.
4.06
204
The Art and Craft of Storytelling Summary
The Art and Craft of Storytelling 89%
Fiction's core toolkit: structure that moves, characters who breathe, and revision that polishes.
by Nancy Lamb 2008
4.06
204 ratings
The Creative Compass
by Dan Millman • 2013
A repeatable path from idea to publication: no muse needed, just five stages you can navigate.
3.97
174
The Creative Compass Summary
The Creative Compass 89%
A repeatable path from idea to publication: no muse needed, just five stages you can navigate.
by Dan Millman 2013
3.97
174 ratings
Wordcraft
by Jack R. Hart • 2021
Writing isn't magic. A step-by-step method for clear, powerful prose, from idea to final polish.
4.13
107
Wordcraft Summary
Wordcraft 89%
Writing isn't magic. A step-by-step method for clear, powerful prose, from idea to final polish.
by Jack R. Hart 2021
4.13
107 ratings
Murder Your Darlings
by Roy Peter Clark • 2020
Voice, craft, and discipline: the writer's toolkit, handed down from Aristotle to Zinsser.
4.02
644
Murder Your Darlings Summary
Murder Your Darlings 89%
Voice, craft, and discipline: the writer's toolkit, handed down from Aristotle to Zinsser.
by Roy Peter Clark 2020
4.02
644 ratings
Making a Good Script Great
by Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1k+
Making a Good Script Great Summary
Making a Good Script Great 89%
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
by Linda Seger 1987
3.88
1k+ ratings
Monkeys with Typewriters
by Scarlett Thomas • 2012
Fiction is craft, not chance: the rules for plot, character, and sentences that grip readers.
4.17
534
Monkeys with Typewriters Summary
Monkeys with Typewriters 89%
Fiction is craft, not chance: the rules for plot, character, and sentences that grip readers.
by Scarlett Thomas 2012
4.17
534 ratings
Creating Characters
by Dwight V. Swain • 1990
Characters are built, not found. The nuts-and-bolts system for creating people readers believe in.
3.92
240
Creating Characters Summary
Creating Characters 89%
Characters are built, not found. The nuts-and-bolts system for creating people readers believe in.
by Dwight V. Swain 1990
3.92
240 ratings
Chat GPT For Fiction Writing
by Nova Leigh • 2023
How to make ChatGPT your fiction collaborator: from plot twists to final drafts.
4.40
116
Chat GPT For Fiction Writing Summary
Chat GPT For Fiction Writing 89%
How to make ChatGPT your fiction collaborator: from plot twists to final drafts.
by Nova Leigh 2023
4.40
116 ratings
Beginnings, Middles & Ends
by Nancy Kress • 1992
Three pages to lose an editor: a framework for beginnings, middles, and endings that deliver.
4.00
3k+
Beginnings, Middles & Ends Summary
Beginnings, Middles & Ends 89%
Three pages to lose an editor: a framework for beginnings, middles, and endings that deliver.
by Nancy Kress 1992
4.00
3k+ ratings
Becoming a Writer, Staying a Writer
by J. Michael Straczynski • 2021
Writer's block is a myth. Revise like a surgeon, diversify across media, and outlast the industry.
4.44
439
Becoming a Writer, Staying a Writer Summary
Becoming a Writer, Staying a Writer 89%
Writer's block is a myth. Revise like a surgeon, diversify across media, and outlast the industry.
by J. Michael Straczynski 2021
4.44
439 ratings
The Writer's Guide to Crafting Stories for Children
by Nancy Lamb • 2001
Kids spot sermons from page one. Craft rules for stories they actually want to read.
4.16
307
The Writer's Guide to Crafting Stories for Children Summary
The Writer's Guide to Crafting Stories for Children 89%
Kids spot sermons from page one. Craft rules for stories they actually want to read.
by Nancy Lamb 2001
4.16
307 ratings
The Emotion Thesaurus
by Angela Ackerman • 2012
Emotion drives story. This reference replaces clichéd sighs and shrugs with hundreds of body cues.
4.53
6k+
The Emotion Thesaurus Summary
The Emotion Thesaurus 89%
Emotion drives story. This reference replaces clichéd sighs and shrugs with hundreds of body cues.
by Angela Ackerman 2012
4.53
6k+ ratings
Outlining Your Novel
by K.M. Weiland • 2011
Stop staring at the empty page: a pre-writing method that builds your novel before chapter one.
4.11
5k+
Outlining Your Novel Summary
Outlining Your Novel 89%
Stop staring at the empty page: a pre-writing method that builds your novel before chapter one.
by K.M. Weiland 2011
4.11
5k+ ratings
How to Write a Damn Good Novel, II
by James N. Frey • 1994
Most novelists fail at the premise, not the prose. The craft rules for getting it right.
4.07
720
How to Write a Damn Good Novel, II Summary
How to Write a Damn Good Novel, II 89%
Most novelists fail at the premise, not the prose. The craft rules for getting it right.
by James N. Frey 1994
4.07
720 ratings
Save the Cat! Goes to the Movies
by Blake Snyder • 2007
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
4.00
2k+
Save the Cat! Goes to the Movies Summary
Save the Cat! Goes to the Movies 89%
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
by Blake Snyder 2007
4.00
2k+ ratings
On Writing Well
by William Zinsser • 1976
Your personality is the only writing tool: how to strip away everything that buries it.
4.23
31k+
On Writing Well Summary
On Writing Well 89%
Your personality is the only writing tool: how to strip away everything that buries it.
by William Zinsser 1976
4.23
31k+ ratings
The Marshall Plan For Novel Writing
by Evan Marshall • 1998
Turn one crisis into a full novel: three acts, three shocks, a synopsis that sells.
3.76
482
The Marshall Plan For Novel Writing Summary
The Marshall Plan For Novel Writing 89%
Turn one crisis into a full novel: three acts, three shocks, a synopsis that sells.
by Evan Marshall 1998
3.76
482 ratings
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