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SoBrief
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Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 98%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
The Story Solution
by Eric Edson • 2012
The 23-step structural blueprint that turns a screenplay into an emotional ride.
4.32
222
The Story Solution Summary
The Story Solution 97%
The 23-step structural blueprint that turns a screenplay into an emotional ride.
by Eric Edson 2012
4.32
222 ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 97%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
Write It, Pitch It, Sell Your Screenplay
by DMA/Donna Michelle Anderson • 2015
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
4.50
8
Write It, Pitch It, Sell Your Screenplay Summary
Write It, Pitch It, Sell Your Screenplay 97%
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
by DMA/Donna Michelle Anderson 2015
4.50
8 ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 97%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
The 101 Habits of Highly Successful Screenwriters
by Karl Iglesias • 2001
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
3.87
479
The 101 Habits of Highly Successful Screenwriters Summary
The 101 Habits of Highly Successful Screenwriters 97%
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
by Karl Iglesias 2001
3.87
479 ratings
Save the Cat! Strikes Back
by Blake Snyder • 2009
Script problems aren't failure. They're the raw material of every breakthrough draft.
4.17
1k+
Save the Cat! Strikes Back Summary
Save the Cat! Strikes Back 96%
Script problems aren't failure. They're the raw material of every breakthrough draft.
by Blake Snyder 2009
4.17
1k+ ratings
Dialogue
by Robert McKee • 2016
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
4.32
2k+
Dialogue Summary
Dialogue 96%
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
by Robert McKee 2016
4.32
2k+ ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 96%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
Pixar Storytelling
by Dean Movshovitz • 2017
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
3.95
903
Pixar Storytelling Summary
Pixar Storytelling 96%
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
by Dean Movshovitz 2017
3.95
903 ratings
Aristotle's Poetics for Screenwriters
by Michael Tierno • 2002
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
3.84
639
Aristotle's Poetics for Screenwriters Summary
Aristotle's Poetics for Screenwriters 96%
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
by Michael Tierno 2002
3.84
639 ratings
Save the Cat! Writes for TV
by Jamie Nash • 2021
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
4.31
423
Save the Cat! Writes for TV Summary
Save the Cat! Writes for TV 96%
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
by Jamie Nash 2021
4.31
423 ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 96%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
How to Write a Damn Good Thriller
by James N. Frey • 2010
From villain to climax, the essential rules for a thriller that readers cannot put down.
3.79
321
How to Write a Damn Good Thriller Summary
How to Write a Damn Good Thriller 95%
From villain to climax, the essential rules for a thriller that readers cannot put down.
by James N. Frey 2010
3.79
321 ratings
Super Structure
by James Scott Bell • 2015
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
4.40
942
Super Structure Summary
Super Structure 95%
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
by James Scott Bell 2015
4.40
942 ratings
Into the Woods
by John Yorke • 2013
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
4.18
5k+
Into the Woods Summary
Into the Woods 95%
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
by John Yorke 2013
4.18
5k+ ratings
The Secrets of Character
by Matt Bird • 2022
Plot draws them in. Hero keeps them there. A character-first toolkit for the opening ten.
4.10
278
The Secrets of Character Summary
The Secrets of Character 95%
Plot draws them in. Hero keeps them there. A character-first toolkit for the opening ten.
by Matt Bird 2022
4.10
278 ratings
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