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Status and Culture

Status and Culture

How Our Desire for Social Rank Creates Taste, Identity, Art, Fashion, and Constant Change
by W. David Marx 2022 368 pages
3.86
500+ ratings
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Key Takeaways

1. Status drives human behavior and shapes culture

Status enactment is always a plea, a petition, for status is given, never taken.

Status is fundamental. Humans have an innate desire for status, which profoundly influences our behavior, choices, and interactions. Status determines the quality of our daily lives, affecting everything from social approval to access to resources. In modern societies, status is achieved through various forms of capital:

  • Economic capital: wealth, property
  • Social capital: networks, relationships
  • Cultural capital: knowledge, education, taste
  • Occupational capital: prestigious jobs

Status groups form hierarchies. Within these hierarchies, individuals seek to maintain or improve their position. This pursuit of status drives much of human behavior and, consequently, shapes culture. People adopt certain practices, consume specific products, and display particular tastes to signal their status and gain social approval.

2. Conventions and signaling form the building blocks of culture

Conventions explain how status pushes us into following certain arbitrary behaviors.

Conventions are essential. They are the shared, often arbitrary practices that define a culture. Conventions arise as solutions to social coordination problems and become internalized over time. They regulate behavior, form habits, and even shape our perception of the world.

Signaling is crucial. To claim status, individuals must communicate their position through signals. These can be:

  • Signals: intentional displays (e.g., luxury goods)
  • Cues: unintentional indicators (e.g., accent, mannerisms)
  • Significant absences: what is notably missing

The interplay between conventions and signaling creates the complex web of cultural practices and symbols that we navigate daily. Understanding this interplay is key to decoding the mechanisms of culture.

3. Taste and authenticity are critical components of identity

Taste, like style, is the man himself.

Taste reflects status. Our preferences in art, music, food, and fashion are not purely individual choices but are heavily influenced by our social position and desired status. Taste serves as a "match-maker," bringing together people of similar status and creating boundaries between different groups.

Authenticity matters. In a world of strategic signaling, authenticity has become a prized quality. People value consistency between one's taste, background, and behavior. This creates a paradox: we must consciously craft our personas to appear authentically unconscious of status concerns.

  • Taste worlds: distinct sets of preferences associated with different social groups
  • Cultural capital: knowledge of high-status conventions
  • Persona: the public image we construct
  • Identity: how others perceive and classify us
  • Self: our internal sense of who we are

The tension between these elements shapes our cultural identities and social interactions.

4. Class struggles and subcultures fuel cultural innovation

Whatever the ambiguities of the term "status," we can learn its basic principles from a single episode of the classic American television series Lassie.

Class differences drive innovation. Different socioeconomic classes develop distinct tastes and practices to differentiate themselves. This ongoing struggle for distinction fuels cultural creativity:

  • New Money: conspicuous consumption, extravagance
  • Old Money: understated luxury, patina
  • Professional class: sophisticated, information-based taste
  • Those without capital: kitsch and flash

Subcultures create alternatives. Marginalized groups form subcultures as alternative status systems, developing unique styles, music, and practices. These often become sources of cultural innovation, influencing mainstream culture over time.

Examples:

  • Teddy boys in 1950s Britain
  • Hip-hop culture in 1970s New York
  • Punk in 1970s London

These subcultures challenge existing conventions and introduce new forms of expression, driving cultural change.

5. Art and artists play a unique role in cultural creation

Only an artist can so represent an individual thing as to make it appear to us like a work of art.

Artists as innovators. Artists occupy a special position in culture, tasked with creating original works that challenge existing conventions. Their status depends on their ability to propose innovative solutions to the "problems" of their era in art.

Artistic value vs. aesthetic value. While aesthetic value refers to an artwork's ability to provide pleasure or emotional experiences, artistic value lies in its originality and contribution to the ongoing dialogue in the art world.

The acceptance of radical art often follows a pattern:

  1. Initial rejection by the mainstream
  2. Adoption by a small group of supporters
  3. Gradual acceptance and influence on broader culture

This process highlights the role of status in determining what becomes valued as "art" and how new artistic ideas spread through society.

6. Fashion cycles propel cultural change

Fashion is made to be unfashionable.

Fashion as perpetual motion. Fashion cycles drive constant cultural change through a process of "chase and flight." Lower-status groups imitate the practices of higher-status groups, causing elites to abandon those practices and seek new ways to distinguish themselves.

The typical fashion cycle follows these stages:

  1. High-status adoption for distinction
  2. Early adopter emulation
  3. Mass production and simplification
  4. Late majority imitation
  5. Abandonment by high-status groups

This cycle explains why cultural practices and styles are in constant flux, with new trends continually replacing old ones.

7. History and retro revivals shape cultural continuity

The past is a foreign country; they do things differently there.

Historical value provides stability. While fashion cycles drive change, certain cultural elements persist due to their historical value. These include:

  • Customs: internalized, unconscious behaviors
  • Traditions: conscious acts of solidarity with the past
  • Classics: "timeless" choices with strong historical associations
  • Canonized works: artworks and cultural artifacts deemed historically important

Retro revivals refresh old styles. Periodically, forgotten or abandoned cultural elements are revived and reinterpreted, often with an ironic twist. This process allows culture to draw from its own history, creating new meanings from old forms.

Examples:

  • 1950s revival in 1970s music and fashion
  • Vintage clothing trends
  • Sampling in hip-hop music

These revivals demonstrate how culture continually reinterprets its past, creating a dialogue between different eras.

8. The internet age has transformed status dynamics and cultural production

Fifteen years ago, the internet was an escape from the real world. Now, the real world is an escape from the internet.

Digital transformation of status. The internet has fundamentally altered how we signal status and consume culture:

  • 24/7 signaling through social media
  • Democratization of information and access to goods
  • Explosion of content and niche markets
  • Acceleration of fashion cycles

New challenges and sensibilities. These changes have created new cultural dynamics:

  • Difficulty in maintaining exclusivity
  • Rise of global "new nouveau riche" taste
  • Omnivore taste and rejection of snobbery
  • Tension between maximalist and minimalist aesthetics

The internet age has made status competition more intense and visible while simultaneously challenging traditional notions of taste and cultural hierarchy. This has led to a complex cultural landscape where old status markers are devalued, and new forms of distinction are constantly emerging.

Last updated:

Review Summary

3.86 out of 5
Average of 500+ ratings from Goodreads and Amazon.

Status and Culture receives mixed reviews, with praise for its insightful analysis of status-seeking behavior and cultural trends. Readers appreciate Marx's exploration of how status drives cultural change and his examination of internet-age dynamics. Some find the book repetitive or overly academic, while others value its thought-provoking ideas. Critics argue that the theory is sometimes unfalsifiable or circular. The final chapter on contemporary culture garners particular interest, though opinions on its effectiveness vary. Overall, the book is seen as a useful framework for understanding cultural phenomena.

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About the Author

W. David Marx is a Tokyo-based cultural writer known for his insightful analyses of fashion, culture, and societal trends. His work includes the books "Ametora: How Japan Saved American Style" (2015) and "Status and Culture" (2022). Marx's writing often focuses on the intersection of Japanese and American cultural influences, as well as broader examinations of how status and social dynamics shape cultural evolution. He maintains a newsletter where he continues to explore these themes. Marx's expertise in both Eastern and Western cultural contexts allows him to offer unique perspectives on global cultural phenomena and their underlying social mechanisms.

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