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SoBrief
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Damn Fine Story
by Chuck Wendig • 2017
Storytelling starts when a character's world breaks. The tools for what comes next.
4.36
1k+
Damn Fine Story Summary
Damn Fine Story 91%
Storytelling starts when a character's world breaks. The tools for what comes next.
by Chuck Wendig 2017
4.36
1k+ ratings
The Anatomy of Story
by John Truby • 2007
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
4.25
7k+
The Anatomy of Story Summary
The Anatomy of Story 91%
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
by John Truby 2007
4.25
7k+ ratings
The Story Grid
by Shawn Coyne • 2015
Why stories fail, scene by scene: an editor's diagnostic that finds the break and the fix.
4.30
2k+
The Story Grid Summary
The Story Grid 91%
Why stories fail, scene by scene: an editor's diagnostic that finds the break and the fix.
by Shawn Coyne 2015
4.30
2k+ ratings
Story Engineering
by Larry Brooks • 2011
Six storytelling skills and a four-part map that transform an idea into a novel that works.
4.10
3k+
Story Engineering Summary
Story Engineering 91%
Six storytelling skills and a four-part map that transform an idea into a novel that works.
by Larry Brooks 2011
4.10
3k+ ratings
Description
by Monica Wood • 1995
Description isn't decoration: the craft of building a world readers can see, hear, and feel.
4.06
610
Description Summary
Description 91%
Description isn't decoration: the craft of building a world readers can see, hear, and feel.
by Monica Wood 1995
4.06
610 ratings
Beginnings, Middles & Ends
by Nancy Kress • 1992
Three pages to lose an editor: a framework for beginnings, middles, and endings that deliver.
4.00
3k+
Beginnings, Middles & Ends Summary
Beginnings, Middles & Ends 90%
Three pages to lose an editor: a framework for beginnings, middles, and endings that deliver.
by Nancy Kress 1992
4.00
3k+ ratings
The Art and Craft of Storytelling
by Nancy Lamb • 2008
Fiction's core toolkit: structure that moves, characters who breathe, and revision that polishes.
4.06
204
The Art and Craft of Storytelling Summary
The Art and Craft of Storytelling 90%
Fiction's core toolkit: structure that moves, characters who breathe, and revision that polishes.
by Nancy Lamb 2008
4.06
204 ratings
Crafting Novels & Short Stories
by The Writer's Digest • 2011
Character, plot, prose, and revision: the craft kit every fiction writer returns to.
3.89
373
Crafting Novels & Short Stories Summary
Crafting Novels & Short Stories 90%
Character, plot, prose, and revision: the craft kit every fiction writer returns to.
by The Writer's Digest 2011
3.89
373 ratings
Plot Perfect
by Paula Munier • 2014
Build novels scene by scene, using theme as your compass and emotional rhythm as your engine.
4.25
461
Plot Perfect Summary
Plot Perfect 90%
Build novels scene by scene, using theme as your compass and emotional rhythm as your engine.
by Paula Munier 2014
4.25
461 ratings
Make a Scene
by Jordan Rosenfeld • 2007
A novel lives or dies scene by scene. A blueprint for making every moment count.
4.07
1k+
Make a Scene Summary
Make a Scene 90%
A novel lives or dies scene by scene. A blueprint for making every moment count.
by Jordan Rosenfeld 2007
4.07
1k+ ratings
Writing the Breakout Novel
by Donald Maass • 2001
An agent's craft manual for fiction that breaks out: not talent, but specific, learnable choices.
4.08
4k+
Writing the Breakout Novel Summary
Writing the Breakout Novel 90%
An agent's craft manual for fiction that breaks out: not talent, but specific, learnable choices.
by Donald Maass 2001
4.08
4k+ ratings
Storyworthy
by Matthew Dicks • 2018
Find the hidden moments in your life and a structure to turn them into unforgettable stories.
4.26
8k+
Storyworthy Summary
Storyworthy 90%
Find the hidden moments in your life and a structure to turn them into unforgettable stories.
by Matthew Dicks 2018
4.26
8k+ ratings
The Storytelling Code
by Dana Norris • 2020
The craft rules for finding, shaping, and delivering a story that holds any audience, any setting.
4.01
163
The Storytelling Code Summary
The Storytelling Code 90%
The craft rules for finding, shaping, and delivering a story that holds any audience, any setting.
by Dana Norris 2020
4.01
163 ratings
The Anatomy of Genres
by John Truby • 2022
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
4.21
607
The Anatomy of Genres Summary
The Anatomy of Genres 90%
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
by John Truby 2022
4.21
607 ratings
About Writing
by Samuel R. Delany • 2006
The sentence, not the world, is science fiction's true unit of meaning. A master explains why.
4.26
459
About Writing Summary
About Writing 90%
The sentence, not the world, is science fiction's true unit of meaning. A master explains why.
by Samuel R. Delany 2006
4.26
459 ratings
Elements of Fiction Writing - Scene & Structure
by Jack M. Bickham • 1993
Your novel drags because your scenes end well. End them badly and the pages turn themselves.
4.11
2k+
Elements of Fiction Writing - Scene & Structure Summary
Elements of Fiction Writing - Scene & Structure 90%
Your novel drags because your scenes end well. End them badly and the pages turn themselves.
by Jack M. Bickham 1993
4.11
2k+ ratings
Wired for Story
by Lisa Cron • 2012
Your reader's brain evolved to crave story. Neuroscience now knows what it expects from yours.
4.20
6k+
Wired for Story Summary
Wired for Story 90%
Your reader's brain evolved to crave story. Neuroscience now knows what it expects from yours.
by Lisa Cron 2012
4.20
6k+ ratings
Immediate Fiction
by Jerry Cleaver • 2002
A no-jargon writing method that centers on conflict and emotion, and how to finish the stuck draft.
4.14
755
Immediate Fiction Summary
Immediate Fiction 90%
A no-jargon writing method that centers on conflict and emotion, and how to finish the stuck draft.
by Jerry Cleaver 2002
4.14
755 ratings
Dialogue
by Robert McKee • 2016
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
4.32
2k+
Dialogue Summary
Dialogue 90%
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
by Robert McKee 2016
4.32
2k+ ratings
Characters, Emotion & Viewpoint
by Nancy Kress • 2005
Viewpoint controls what your readers know, who they root for, and what the story finally means.
4.05
2k+
Characters, Emotion & Viewpoint Summary
Characters, Emotion & Viewpoint 90%
Viewpoint controls what your readers know, who they root for, and what the story finally means.
by Nancy Kress 2005
4.05
2k+ ratings
Ursula K. Le Guin
by Ursula K. Le Guin • 2018
Ursula K. Le Guin shares the philosophy behind her worlds, her craft, and the power of stories.
4.28
2k+
Ursula K. Le Guin Summary
Ursula K. Le Guin 90%
Ursula K. Le Guin shares the philosophy behind her worlds, her craft, and the power of stories.
by Ursula K. Le Guin 2018
4.28
2k+ ratings
The Art of Fiction
by John Gardner • 1984
Master the craft that makes readers forget the page and live inside your story.
3.99
6k+
The Art of Fiction Summary
The Art of Fiction 90%
Master the craft that makes readers forget the page and live inside your story.
by John Gardner 1984
3.99
6k+ ratings
The Writer's Guide to Beginnings
by Paula Munier • 2016
Agents stop reading on page one. The craft decisions that make them turn to page two.
4.31
190
The Writer's Guide to Beginnings Summary
The Writer's Guide to Beginnings 90%
Agents stop reading on page one. The craft decisions that make them turn to page two.
by Paula Munier 2016
4.31
190 ratings
Outlining Your Novel
by K.M. Weiland • 2011
Stop staring at the empty page: a pre-writing method that builds your novel before chapter one.
4.11
5k+
Outlining Your Novel Summary
Outlining Your Novel 90%
Stop staring at the empty page: a pre-writing method that builds your novel before chapter one.
by K.M. Weiland 2011
4.11
5k+ ratings
Write Your Novel From The Middle
by James Scott Bell • 2014
Forget outlining and pantsing. The one scene every novel needs sits exactly in the middle.
4.20
3k+
Write Your Novel From The Middle Summary
Write Your Novel From The Middle 90%
Forget outlining and pantsing. The one scene every novel needs sits exactly in the middle.
by James Scott Bell 2014
4.20
3k+ ratings
Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 90%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 90%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
The Art of Subtext
by Charles Baxter • 2007
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
4.02
1k+
The Art of Subtext Summary
The Art of Subtext 90%
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
by Charles Baxter 2007
4.02
1k+ ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 90%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
Super Structure
by James Scott Bell • 2015
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
4.40
942
Super Structure Summary
Super Structure 90%
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
by James Scott Bell 2015
4.40
942 ratings
Hooked
by Les Edgerton • 2007
The inciting incident is page one. Cut the backstory and open with trouble: here is how.
4.02
2k+
Hooked Summary
Hooked 90%
The inciting incident is page one. Cut the backstory and open with trouble: here is how.
by Les Edgerton 2007
4.02
2k+ ratings
Techniques of the Selling Writer
by Dwight V. Swain • 1965
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
4.33
2k+
Techniques of the Selling Writer Summary
Techniques of the Selling Writer 90%
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
by Dwight V. Swain 1965
4.33
2k+ ratings
How to Grow a Novel
by Sol Stein • 1999
The editor's craft playbook: what makes readers abandon a novel, and how to keep them turning pages.
4.06
845
How to Grow a Novel Summary
How to Grow a Novel 90%
The editor's craft playbook: what makes readers abandon a novel, and how to keep them turning pages.
by Sol Stein 1999
4.06
845 ratings
Consider This
by Chuck Palahniuk • 2020
Most writing advice avoids the craft that actually builds authority, tension, and voice.
4.37
6k+
Consider This Summary
Consider This 90%
Most writing advice avoids the craft that actually builds authority, tension, and voice.
by Chuck Palahniuk 2020
4.37
6k+ ratings
Writing With Emotion, Tension, and Conflict
by Cheryl St. John • 2013
For novelists: how to build stories on emotion, tension, and conflict so readers cannot look away.
4.06
372
Writing With Emotion, Tension, and Conflict Summary
Writing With Emotion, Tension, and Conflict 90%
For novelists: how to build stories on emotion, tension, and conflict so readers cannot look away.
by Cheryl St. John 2013
4.06
372 ratings
The 38 Most Common Fiction Writing Mistakes
by Jack M. Bickham • 1992
Thirty-eight mistakes that mark your fiction as amateur, and how to fix every single one.
3.78
1k+
The 38 Most Common Fiction Writing Mistakes Summary
The 38 Most Common Fiction Writing Mistakes 90%
Thirty-eight mistakes that mark your fiction as amateur, and how to fix every single one.
by Jack M. Bickham 1992
3.78
1k+ ratings
Plot
by Ansen Dibell • 1988
Plot isn't what happens; it's why it matters. A practical guide to structuring fiction that grips.
3.88
890
Plot Summary
Plot 90%
Plot isn't what happens; it's why it matters. A practical guide to structuring fiction that grips.
by Ansen Dibell 1988
3.88
890 ratings
How to Write a Dynamite Scene Using the Snowflake Method
by Randy Ingermanson • 2018
Two scene patterns drive every novel: one forces a setback, the other forces a hard choice.
4.33
634
How to Write a Dynamite Scene Using the Snowflake Method Summary
How to Write a Dynamite Scene Using the Snowflake Method 90%
Two scene patterns drive every novel: one forces a setback, the other forces a hard choice.
by Randy Ingermanson 2018
4.33
634 ratings
Wordcraft
by Jack R. Hart • 2021
Writing isn't magic. A step-by-step method for clear, powerful prose, from idea to final polish.
4.13
107
Wordcraft Summary
Wordcraft 90%
Writing isn't magic. A step-by-step method for clear, powerful prose, from idea to final polish.
by Jack R. Hart 2021
4.13
107 ratings
Long Story Short
by Margot Leitman • 2015
Your life is a goldmine of stories. The practical guide to mining it and captivating any audience.
3.80
1k+
Long Story Short Summary
Long Story Short 90%
Your life is a goldmine of stories. The practical guide to mining it and captivating any audience.
by Margot Leitman 2015
3.80
1k+ ratings
The Art and Craft of Writing
by L. Jagi Lamplighter • 2021
Scenes that land: emotional reversals, dual threads, and characters who want two things at once.
4.33
9
The Art and Craft of Writing Summary
The Art and Craft of Writing 90%
Scenes that land: emotional reversals, dual threads, and characters who want two things at once.
by L. Jagi Lamplighter 2021
4.33
9 ratings
The Science of Storytelling
by Will Storr • 2019
Why a hallucinating brain is the secret to unforgettable characters and plots.
4.05
8k+
The Science of Storytelling Summary
The Science of Storytelling 90%
Why a hallucinating brain is the secret to unforgettable characters and plots.
by Will Storr 2019
4.05
8k+ ratings
Making a Good Script Great
by Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1k+
Making a Good Script Great Summary
Making a Good Script Great 90%
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
by Linda Seger 1987
3.88
1k+ ratings
The Creative Writing Coursebook
by Julia Bell • 2001
Forty authors teach the exercises and craft tools that turn rough drafts into publishable work.
3.95
363
The Creative Writing Coursebook Summary
The Creative Writing Coursebook 90%
Forty authors teach the exercises and craft tools that turn rough drafts into publishable work.
by Julia Bell 2001
3.95
363 ratings
Screenwriters Problem Solver How To R
by Syd Field • 1998
Ten ways a screenplay breaks, and the concrete fix for each.
3.82
373
Screenwriters Problem Solver How To R Summary
Screenwriters Problem Solver How To R 90%
Ten ways a screenplay breaks, and the concrete fix for each.
by Syd Field 1998
3.82
373 ratings
Structuring Your Novel
by K.M. Weiland • 2013
How to structure your novel's scenes, acts, and plot points to keep readers turning pages.
4.33
3k+
Structuring Your Novel Summary
Structuring Your Novel 90%
How to structure your novel's scenes, acts, and plot points to keep readers turning pages.
by K.M. Weiland 2013
4.33
3k+ ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 90%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
The Art of X-Ray Reading
by Roy Peter Clark • 2016
How to read a novel and come away with a toolbox, not just a story.
4.04
1k+
The Art of X-Ray Reading Summary
The Art of X-Ray Reading 90%
How to read a novel and come away with a toolbox, not just a story.
by Roy Peter Clark 2016
4.04
1k+ ratings
A Swim in a Pond in the Rain
by George Saunders • 2021
Seven Russian classics, read one line at a time, reveal the hidden machinery of great fiction.
4.53
26k+
A Swim in a Pond in the Rain Summary
A Swim in a Pond in the Rain 90%
Seven Russian classics, read one line at a time, reveal the hidden machinery of great fiction.
by George Saunders 2021
4.53
26k+ ratings
Million Dollar Outlines
by David Farland • 2013
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
4.16
844
Million Dollar Outlines Summary
Million Dollar Outlines 90%
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
by David Farland 2013
4.16
844 ratings
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