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SoBrief
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Crafty Screenwriting
by Alex Epstein • 2002
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
3.85
120
Crafty Screenwriting Summary
Crafty Screenwriting 88%
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
by Alex Epstein 2002
3.85
120 ratings
Writing Movies for Fun and Profit
by Robert Ben Garant • 2011
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
3.95
2k+
Writing Movies for Fun and Profit Summary
Writing Movies for Fun and Profit 88%
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
by Robert Ben Garant 2011
3.95
2k+ ratings
Save the Cat!
by Blake Snyder • 2005
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
4.01
22k+
Save the Cat! Summary
Save the Cat! 88%
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
by Blake Snyder 2005
4.01
22k+ ratings
Write It, Pitch It, Sell Your Screenplay
by DMA/Donna Michelle Anderson • 2015
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
4.50
8
Write It, Pitch It, Sell Your Screenplay Summary
Write It, Pitch It, Sell Your Screenplay 87%
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
by DMA/Donna Michelle Anderson 2015
4.50
8 ratings
Save the Cat! Strikes Back
by Blake Snyder • 2009
Script problems aren't failure. They're the raw material of every breakthrough draft.
4.17
1k+
Save the Cat! Strikes Back Summary
Save the Cat! Strikes Back 87%
Script problems aren't failure. They're the raw material of every breakthrough draft.
by Blake Snyder 2009
4.17
1k+ ratings
The 3-Minute Rule
by Brant Pinvidic • 2019
The sequence that leads audiences to sell themselves in under three minutes.
4.17
609
The 3-Minute Rule Summary
The 3-Minute Rule 87%
The sequence that leads audiences to sell themselves in under three minutes.
by Brant Pinvidic 2019
4.17
609 ratings
Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 87%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Small Message, Big Impact
by Terri L. Sjodin • 2011
Thirty seconds is all you get. Make it open a door instead of close a deal.
3.49
275
Small Message, Big Impact Summary
Small Message, Big Impact 86%
Thirty seconds is all you get. Make it open a door instead of close a deal.
by Terri L. Sjodin 2011
3.49
275 ratings
Save the Cat! Writes for TV
by Jamie Nash • 2021
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
4.31
423
Save the Cat! Writes for TV Summary
Save the Cat! Writes for TV 86%
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
by Jamie Nash 2021
4.31
423 ratings
The 101 Habits of Highly Successful Screenwriters
by Karl Iglesias • 2001
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
3.87
479
The 101 Habits of Highly Successful Screenwriters Summary
The 101 Habits of Highly Successful Screenwriters 86%
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
by Karl Iglesias 2001
3.87
479 ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 86%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
The Idea
by Erik Bork • 2018
Your idea is worth more than your prose. The seven-point test that Hollywood readers actually use.
4.24
582
The Idea Summary
The Idea 86%
Your idea is worth more than your prose. The seven-point test that Hollywood readers actually use.
by Erik Bork 2018
4.24
582 ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 86%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
The Story Solution
by Eric Edson • 2012
The 23-step structural blueprint that turns a screenplay into an emotional ride.
4.32
222
The Story Solution Summary
The Story Solution 86%
The 23-step structural blueprint that turns a screenplay into an emotional ride.
by Eric Edson 2012
4.32
222 ratings
Screenplay
by Syd Field • 1979
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
3.99
9k+
Screenplay Summary
Screenplay 86%
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
by Syd Field 1979
3.99
9k+ ratings
Making a Good Script Great
by Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1k+
Making a Good Script Great Summary
Making a Good Script Great 86%
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
by Linda Seger 1987
3.88
1k+ ratings
The Anatomy of Story
by John Truby • 2007
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
4.25
7k+
The Anatomy of Story Summary
The Anatomy of Story 86%
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
by John Truby 2007
4.25
7k+ ratings
Pixar Storytelling
by Dean Movshovitz • 2017
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
3.95
903
Pixar Storytelling Summary
Pixar Storytelling 86%
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
by Dean Movshovitz 2017
3.95
903 ratings
Crafting Short Screenplays That Connect
by Claudia Hunter Johnson • 2000
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
3.91
150
Crafting Short Screenplays That Connect Summary
Crafting Short Screenplays That Connect 86%
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
by Claudia Hunter Johnson 2000
3.91
150 ratings
Save the Cat! Goes to the Movies
by Blake Snyder • 2007
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
4.00
2k+
Save the Cat! Goes to the Movies Summary
Save the Cat! Goes to the Movies 86%
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
by Blake Snyder 2007
4.00
2k+ ratings
Writing Short Films
by Linda J. Cowgill • 1997
Minutes, not hours. The structural rules for short films that features never taught you.
3.70
303
Writing Short Films Summary
Writing Short Films 86%
Minutes, not hours. The structural rules for short films that features never taught you.
by Linda J. Cowgill 1997
3.70
303 ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 86%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
Screenwriters Problem Solver How To R
by Syd Field • 1998
Ten ways a screenplay breaks, and the concrete fix for each.
3.82
373
Screenwriters Problem Solver How To R Summary
Screenwriters Problem Solver How To R 85%
Ten ways a screenplay breaks, and the concrete fix for each.
by Syd Field 1998
3.82
373 ratings
The Art of Character
by David Corbett • 2013
The five things every unforgettable character has, and why questionnaires will never uncover them.
4.25
681
The Art of Character Summary
The Art of Character 85%
The five things every unforgettable character has, and why questionnaires will never uncover them.
by David Corbett 2013
4.25
681 ratings
POP!
by Sam Horn • 2006
How to craft a tagline or elevator pitch that stops the scroll and starts the conversation.
3.84
345
POP! Summary
POP! 85%
How to craft a tagline or elevator pitch that stops the scroll and starts the conversation.
by Sam Horn 2006
3.84
345 ratings
Five Stars
by Carmine Gallo • 2018
Robots cannot move a room. The storytelling and persuasion playbook for an automated century.
3.93
1k+
Five Stars Summary
Five Stars 85%
Robots cannot move a room. The storytelling and persuasion playbook for an automated century.
by Carmine Gallo 2018
3.93
1k+ ratings
The 3-Minute Rule
by Brant Pinvidic • 2019
A three-minute pitch formula that earns the yes before you ever ask for it.
4.15
39
The 3-Minute Rule Summary
The 3-Minute Rule 85%
A three-minute pitch formula that earns the yes before you ever ask for it.
by Brant Pinvidic 2019
4.15
39 ratings
The One-Page Proposal
by Patrick G. Riley • 2002
One page. Six sections. All the facts, numbers, and persuasion a decision-maker needs.
3.87
164
The One-Page Proposal Summary
The One-Page Proposal 85%
One page. Six sections. All the facts, numbers, and persuasion a decision-maker needs.
by Patrick G. Riley 2002
3.87
164 ratings
Story
by Robert McKee • 1997
How to design the moments where expectations collide with reality and everything flips.
4.27
18k+
Story Summary
Story 85%
How to design the moments where expectations collide with reality and everything flips.
by Robert McKee 1997
4.27
18k+ ratings
Dialogue
by Robert McKee • 2016
Your dialogue problem is really a scene problem. The fix starts underneath the words.
4.32
2k+
Dialogue Summary
Dialogue 85%
Your dialogue problem is really a scene problem. The fix starts underneath the words.
by Robert McKee 2016
4.32
2k+ ratings
Now Write! Screenwriting
by Sherry Ellis • 2010
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
4.09
116
Now Write! Screenwriting Summary
Now Write! Screenwriting 85%
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
by Sherry Ellis 2010
4.09
116 ratings
Selling a Screenplay
by Syd Field • 1989
Three acts, two plot points, one rule: decide your ending before you write your opening.
3.70
91
Selling a Screenplay Summary
Selling a Screenplay 85%
Three acts, two plot points, one rule: decide your ending before you write your opening.
by Syd Field 1989
3.70
91 ratings
Speak, Memorably
by Bill McGowan • 2025
Being on-message gets you ignored. Seven principles for making your ideas impossible to forget.
3.69
254
Speak, Memorably Summary
Speak, Memorably 85%
Being on-message gets you ignored. Seven principles for making your ideas impossible to forget.
by Bill McGowan 2025
3.69
254 ratings
The Best Story Wins
by Matthew Luhn • 2018
Pixar story secrets for the boardroom: why the best pitch doesn't feel like a pitch.
4.09
391
The Best Story Wins Summary
The Best Story Wins 85%
Pixar story secrets for the boardroom: why the best pitch doesn't feel like a pitch.
by Matthew Luhn 2018
4.09
391 ratings
Pitch Anything
by Oren Klaff • 2011
Logic doesn't close deals. Your audience's oldest brain does. Here is how to address it directly.
4.05
12k+
Pitch Anything Summary
Pitch Anything 85%
Logic doesn't close deals. Your audience's oldest brain does. Here is how to address it directly.
by Oren Klaff 2011
4.05
12k+ ratings
Into the Woods
by John Yorke • 2013
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
4.18
5k+
Into the Woods Summary
Into the Woods 85%
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
by John Yorke 2013
4.18
5k+ ratings
Everyday Business Storytelling
by Janine Kurnoff • 2021
Business presentations fail because they lack story. A simple framework that fixes this.
4.31
268
Everyday Business Storytelling Summary
Everyday Business Storytelling 85%
Business presentations fail because they lack story. A simple framework that fixes this.
by Janine Kurnoff 2021
4.31
268 ratings
Directors Tell the Story
by Bethany Rooney • 2011
A working director's guide to running a set, shaping performances, and surviving the edit room.
4.47
74
Directors Tell the Story Summary
Directors Tell the Story 85%
A working director's guide to running a set, shaping performances, and surviving the edit room.
by Bethany Rooney 2011
4.47
74 ratings
The First Five Pages
by Noah Lukeman • 2000
99% of manuscripts get rejected by page five. Catch the invisible flaws that trigger the no.
3.98
4k+
The First Five Pages Summary
The First Five Pages 85%
99% of manuscripts get rejected by page five. Catch the invisible flaws that trigger the no.
by Noah Lukeman 2000
3.98
4k+ ratings
Million Dollar Outlines
by David Farland • 2013
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
4.16
844
Million Dollar Outlines Summary
Million Dollar Outlines 85%
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
by David Farland 2013
4.16
844 ratings
How to Write a Damn Good Thriller
by James N. Frey • 2010
From villain to climax, the essential rules for a thriller that readers cannot put down.
3.79
321
How to Write a Damn Good Thriller Summary
How to Write a Damn Good Thriller 85%
From villain to climax, the essential rules for a thriller that readers cannot put down.
by James N. Frey 2010
3.79
321 ratings
Aristotle's Poetics for Screenwriters
by Michael Tierno • 2002
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
3.84
639
Aristotle's Poetics for Screenwriters Summary
Aristotle's Poetics for Screenwriters 85%
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
by Michael Tierno 2002
3.84
639 ratings
The Kickstarter Handbook
by Don Steinberg • 2012
Your Kickstarter succeeds on 30 days, a video, and the crowd you build beforehand. The playbook.
3.74
133
The Kickstarter Handbook Summary
The Kickstarter Handbook 85%
Your Kickstarter succeeds on 30 days, a video, and the crowd you build beforehand. The playbook.
by Don Steinberg 2012
3.74
133 ratings
Resonate
by Nancy Duarte • 2010
Make your audience the hero of a mythic journey, and a talk becomes a movement.
4.11
6k+
Resonate Summary
Resonate 85%
Make your audience the hero of a mythic journey, and a talk becomes a movement.
by Nancy Duarte 2010
4.11
6k+ ratings
5,000 Words Per Hour
by Chris Fox • 2015
The average writer produces 500 words an hour. Here's how to hit ten times that.
4.19
3k+
5,000 Words Per Hour Summary
5,000 Words Per Hour 85%
The average writer produces 500 words an hour. Here's how to hit ten times that.
by Chris Fox 2015
4.19
3k+ ratings
Persuasive Business Proposals
by Tom Sant • 1992
Most proposals lead with credentials; the ones that win lead with the client's problem.
3.80
191
Persuasive Business Proposals Summary
Persuasive Business Proposals 85%
Most proposals lead with credentials; the ones that win lead with the client's problem.
by Tom Sant 1992
3.80
191 ratings
You Are a Writer
by Jeff Goins • 2012
Before craft comes identity: a playbook for platform, audience, and the persistence to get read.
3.80
4k+
You Are a Writer Summary
You Are a Writer 84%
Before craft comes identity: a playbook for platform, audience, and the persistence to get read.
by Jeff Goins 2012
3.80
4k+ ratings
Creating Character Arcs
by K.M. Weiland • 2016
Why your character believes a lie, and how that single flaw designs your entire plot.
4.31
4k+
Creating Character Arcs Summary
Creating Character Arcs 84%
Why your character believes a lie, and how that single flaw designs your entire plot.
by K.M. Weiland 2016
4.31
4k+ ratings
Show and Tell
by Dan Roam • 2014
Six drawings, four story shapes, one rule for truth. A system for presentations that actually land.
4.15
766
Show and Tell Summary
Show and Tell 84%
Six drawings, four story shapes, one rule for truth. A system for presentations that actually land.
by Dan Roam 2014
4.15
766 ratings
Key Person of Influence
by Daniel Priestley • 2010
Your expertise isn't enough. Five deliberate moves make you the person your industry calls first.
4.02
2k+
Key Person of Influence Summary
Key Person of Influence 84%
Your expertise isn't enough. Five deliberate moves make you the person your industry calls first.
by Daniel Priestley 2010
4.02
2k+ ratings
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