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Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 91%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Making a Good Script Great
by Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1k+
Making a Good Script Great Summary
Making a Good Script Great 91%
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
by Linda Seger 1987
3.88
1k+ ratings
Aristotle's Poetics for Screenwriters
by Michael Tierno • 2002
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
3.84
639
Aristotle's Poetics for Screenwriters Summary
Aristotle's Poetics for Screenwriters 91%
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
by Michael Tierno 2002
3.84
639 ratings
Screenplay
by Syd Field • 1979
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
3.99
9k+
Screenplay Summary
Screenplay 90%
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
by Syd Field 1979
3.99
9k+ ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 90%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
Crafty Screenwriting
by Alex Epstein • 2002
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
3.85
120
Crafty Screenwriting Summary
Crafty Screenwriting 89%
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
by Alex Epstein 2002
3.85
120 ratings
Save the Cat! Goes to the Movies
by Blake Snyder • 2007
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
4.00
2k+
Save the Cat! Goes to the Movies Summary
Save the Cat! Goes to the Movies 89%
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
by Blake Snyder 2007
4.00
2k+ ratings
The 101 Habits of Highly Successful Screenwriters
by Karl Iglesias • 2001
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
3.87
479
The 101 Habits of Highly Successful Screenwriters Summary
The 101 Habits of Highly Successful Screenwriters 89%
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
by Karl Iglesias 2001
3.87
479 ratings
The Art of Character
by David Corbett • 2013
The five things every unforgettable character has, and why questionnaires will never uncover them.
4.25
681
The Art of Character Summary
The Art of Character 89%
The five things every unforgettable character has, and why questionnaires will never uncover them.
by David Corbett 2013
4.25
681 ratings
The Anatomy of Story
by John Truby • 2007
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
4.25
7k+
The Anatomy of Story Summary
The Anatomy of Story 89%
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
by John Truby 2007
4.25
7k+ ratings
Writing Short Films
by Linda J. Cowgill • 1997
Minutes, not hours. The structural rules for short films that features never taught you.
3.70
303
Writing Short Films Summary
Writing Short Films 89%
Minutes, not hours. The structural rules for short films that features never taught you.
by Linda J. Cowgill 1997
3.70
303 ratings
The Story Solution
by Eric Edson • 2012
The 23-step structural blueprint that turns a screenplay into an emotional ride.
4.32
222
The Story Solution Summary
The Story Solution 89%
The 23-step structural blueprint that turns a screenplay into an emotional ride.
by Eric Edson 2012
4.32
222 ratings
Write It, Pitch It, Sell Your Screenplay
by DMA/Donna Michelle Anderson • 2015
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
4.50
8
Write It, Pitch It, Sell Your Screenplay Summary
Write It, Pitch It, Sell Your Screenplay 89%
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
by DMA/Donna Michelle Anderson 2015
4.50
8 ratings
Screenwriters Problem Solver How To R
by Syd Field • 1998
Ten ways a screenplay breaks, and the concrete fix for each.
3.82
373
Screenwriters Problem Solver How To R Summary
Screenwriters Problem Solver How To R 89%
Ten ways a screenplay breaks, and the concrete fix for each.
by Syd Field 1998
3.82
373 ratings
Into the Woods
by John Yorke • 2013
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
4.18
5k+
Into the Woods Summary
Into the Woods 89%
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
by John Yorke 2013
4.18
5k+ ratings
Story
by Robert McKee • 1997
How to design the moments where expectations collide with reality and everything flips.
4.27
18k+
Story Summary
Story 89%
How to design the moments where expectations collide with reality and everything flips.
by Robert McKee 1997
4.27
18k+ ratings
Save the Cat! Strikes Back
by Blake Snyder • 2009
Script problems aren't failure. They're the raw material of every breakthrough draft.
4.17
1k+
Save the Cat! Strikes Back Summary
Save the Cat! Strikes Back 89%
Script problems aren't failure. They're the raw material of every breakthrough draft.
by Blake Snyder 2009
4.17
1k+ ratings
Save the Cat!
by Blake Snyder • 2005
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
4.01
22k+
Save the Cat! Summary
Save the Cat! 89%
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
by Blake Snyder 2005
4.01
22k+ ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 89%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 89%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
The Anatomy of Genres
by John Truby • 2022
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
4.21
607
The Anatomy of Genres Summary
The Anatomy of Genres 88%
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
by John Truby 2022
4.21
607 ratings
The Writer's Journey - 25th Anniversary Edition
by Christopher Vogler • 1992
A Hollywood analyst unpacks the monomyth: a story blueprint that works from Homer to Star Wars.
4.10
10k+
The Writer's Journey - 25th Anniversary Edition Summary
The Writer's Journey - 25th Anniversary Edition 88%
A Hollywood analyst unpacks the monomyth: a story blueprint that works from Homer to Star Wars.
by Christopher Vogler 1992
4.10
10k+ ratings
Poetics
by Aristotle
Plot is everything. Character is secondary. The ancient blueprint for a tragedy that devastates.
3.83
30k+
Poetics Summary
Poetics 88%
Plot is everything. Character is secondary. The ancient blueprint for a tragedy that devastates.
by Aristotle
3.83
30k+ ratings
Dialogue
by Robert McKee • 2016
Your dialogue problem is really a scene problem. The fix starts underneath the words.
4.32
2k+
Dialogue Summary
Dialogue 88%
Your dialogue problem is really a scene problem. The fix starts underneath the words.
by Robert McKee 2016
4.32
2k+ ratings
Selling a Screenplay
by Syd Field • 1989
Three acts, two plot points, one rule: decide your ending before you write your opening.
3.70
91
Selling a Screenplay Summary
Selling a Screenplay 88%
Three acts, two plot points, one rule: decide your ending before you write your opening.
by Syd Field 1989
3.70
91 ratings
The Thirty Six Dramatic Situations
by Georges Polti • 1921
Every story fits into 36 conflicts. The art is in how you combine them.
3.45
222
The Thirty Six Dramatic Situations Summary
The Thirty Six Dramatic Situations 88%
Every story fits into 36 conflicts. The art is in how you combine them.
by Georges Polti 1921
3.45
222 ratings
Crafting Short Screenplays That Connect
by Claudia Hunter Johnson • 2000
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
3.91
150
Crafting Short Screenplays That Connect Summary
Crafting Short Screenplays That Connect 88%
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
by Claudia Hunter Johnson 2000
3.91
150 ratings
Hitchcock/Truffaut
by François Truffaut • 1985
A bomb under the table, a document nobody cares about: Hitchcock decodes suspense for Truffaut.
4.47
10k+
Hitchcock/Truffaut Summary
Hitchcock/Truffaut 88%
A bomb under the table, a document nobody cares about: Hitchcock decodes suspense for Truffaut.
by François Truffaut 1985
4.47
10k+ ratings
Pixar Storytelling
by Dean Movshovitz • 2017
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
3.95
903
Pixar Storytelling Summary
Pixar Storytelling 88%
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
by Dean Movshovitz 2017
3.95
903 ratings
Now Write! Screenwriting
by Sherry Ellis • 2010
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
4.09
116
Now Write! Screenwriting Summary
Now Write! Screenwriting 88%
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
by Sherry Ellis 2010
4.09
116 ratings
Psychology for Screenwriters
by William Indick • 2004
Hidden wounds, not goals, drive the best characters. The psychological frameworks that build them.
3.93
432
Psychology for Screenwriters Summary
Psychology for Screenwriters 88%
Hidden wounds, not goals, drive the best characters. The psychological frameworks that build them.
by William Indick 2004
3.93
432 ratings
The Ultimate Hero's Journey
by Neal Soloponte • 2017
195 steps, four acts: the master structure hidden in every bestseller, and how to use it.
4.11
131
The Ultimate Hero's Journey Summary
The Ultimate Hero's Journey 88%
195 steps, four acts: the master structure hidden in every bestseller, and how to use it.
by Neal Soloponte 2017
4.11
131 ratings
The Idea
by Erik Bork • 2018
Your idea is worth more than your prose. The seven-point test that Hollywood readers actually use.
4.24
582
The Idea Summary
The Idea 88%
Your idea is worth more than your prose. The seven-point test that Hollywood readers actually use.
by Erik Bork 2018
4.24
582 ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 88%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
Film Directing Shot by Shot
by Steven D. Katz • 1991
Storyboards, staging patterns, and the cut: a director's visual grammar from script to screen.
4.00
2k+
Film Directing Shot by Shot Summary
Film Directing Shot by Shot 88%
Storyboards, staging patterns, and the cut: a director's visual grammar from script to screen.
by Steven D. Katz 1991
4.00
2k+ ratings
Documentary Storytelling
by Sheila Curran Bernard • 2010
From research to final cut: the craft rules for making nonfiction films that grip like fiction.
4.00
148
Documentary Storytelling Summary
Documentary Storytelling 87%
From research to final cut: the craft rules for making nonfiction films that grip like fiction.
by Sheila Curran Bernard 2010
4.00
148 ratings
Directors Tell the Story
by Bethany Rooney • 2011
A working director's guide to running a set, shaping performances, and surviving the edit room.
4.47
74
Directors Tell the Story Summary
Directors Tell the Story 87%
A working director's guide to running a set, shaping performances, and surviving the edit room.
by Bethany Rooney 2011
4.47
74 ratings
Writing Movies for Fun and Profit
by Robert Ben Garant • 2011
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
3.95
2k+
Writing Movies for Fun and Profit Summary
Writing Movies for Fun and Profit 87%
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
by Robert Ben Garant 2011
3.95
2k+ ratings
Creating Character Arcs
by K.M. Weiland • 2016
Why your character believes a lie, and how that single flaw designs your entire plot.
4.31
4k+
Creating Character Arcs Summary
Creating Character Arcs 87%
Why your character believes a lie, and how that single flaw designs your entire plot.
by K.M. Weiland 2016
4.31
4k+ ratings
Making Movies
by Sidney Lumet • 1995
How a director keeps a movie from dying the death of a thousand compromises.
4.29
10k+
Making Movies Summary
Making Movies 87%
How a director keeps a movie from dying the death of a thousand compromises.
by Sidney Lumet 1995
4.29
10k+ ratings
Save the Cat! Writes for TV
by Jamie Nash • 2021
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
4.31
423
Save the Cat! Writes for TV Summary
Save the Cat! Writes for TV 87%
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
by Jamie Nash 2021
4.31
423 ratings
Story Structure Architect
by Victoria Lynn Schmidt • 2005
55 plot scenarios, 11 narrative blueprints, and the character types that populate them.
3.83
890
Story Structure Architect Summary
Story Structure Architect 87%
55 plot scenarios, 11 narrative blueprints, and the character types that populate them.
by Victoria Lynn Schmidt 2005
3.83
890 ratings
Story Engineering
by Larry Brooks • 2011
Six storytelling skills and a four-part map that transform an idea into a novel that works.
4.10
3k+
Story Engineering Summary
Story Engineering 87%
Six storytelling skills and a four-part map that transform an idea into a novel that works.
by Larry Brooks 2011
4.10
3k+ ratings
Cinema Speculation
by Quentin Tarantino • 2022
How a child snuck into adult movies in 1970s Los Angeles and came out a filmmaker.
4.04
15k+
Cinema Speculation Summary
Cinema Speculation 87%
How a child snuck into adult movies in 1970s Los Angeles and came out a filmmaker.
by Quentin Tarantino 2022
4.04
15k+ ratings
Aspects of the Novel
by E.M. Forster • 1927
A novelist dismantles fiction into its working parts: story, plot, and the characters who breathe.
3.80
5k+
Aspects of the Novel Summary
Aspects of the Novel 87%
A novelist dismantles fiction into its working parts: story, plot, and the characters who breathe.
by E.M. Forster 1927
3.80
5k+ ratings
Character
by Robert McKee • 2021
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
4.29
445
Character Summary
Character 87%
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
by Robert McKee 2021
4.29
445 ratings
The Visual Story
by Bruce Block • 2021
How to align visual structure with story: seven components, one law, and a shot-by-shot system.
4.67
3
The Visual Story Summary
The Visual Story 87%
How to align visual structure with story: seven components, one law, and a shot-by-shot system.
by Bruce Block 2021
4.67
3 ratings
The Hidden Tools of Comedy
by Steve Kaplan • 2013
Comedy runs on one rule: an underdog with no skills, impossible odds, and relentless hope.
4.24
895
The Hidden Tools of Comedy Summary
The Hidden Tools of Comedy 87%
Comedy runs on one rule: an underdog with no skills, impossible odds, and relentless hope.
by Steve Kaplan 2013
4.24
895 ratings
Directing Actors
by Judith Weston • 1996
Most directors give actors adjectives. The ones who get great performances give them verbs.
4.36
2k+
Directing Actors Summary
Directing Actors 87%
Most directors give actors adjectives. The ones who get great performances give them verbs.
by Judith Weston 1996
4.36
2k+ ratings
Cinematic Storytelling
by Jennifer Van Sijll • 2005
The hundred visual decisions that tell your story before anyone opens their mouth.
4.01
878
Cinematic Storytelling Summary
Cinematic Storytelling 87%
The hundred visual decisions that tell your story before anyone opens their mouth.
by Jennifer Van Sijll 2005
4.01
878 ratings
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