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Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 90%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Crafty Screenwriting
by Alex Epstein • 2002
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
3.85
120
Crafty Screenwriting Summary
Crafty Screenwriting 90%
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
by Alex Epstein 2002
3.85
120 ratings
Screenplay
by Syd Field • 1979
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
3.99
9k+
Screenplay Summary
Screenplay 90%
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
by Syd Field 1979
3.99
9k+ ratings
The Art of Character
by David Corbett • 2013
The five things every unforgettable character has, and why questionnaires will never uncover them.
4.25
681
The Art of Character Summary
The Art of Character 89%
The five things every unforgettable character has, and why questionnaires will never uncover them.
by David Corbett 2013
4.25
681 ratings
Making a Good Script Great
by Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1k+
Making a Good Script Great Summary
Making a Good Script Great 89%
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
by Linda Seger 1987
3.88
1k+ ratings
Save the Cat! Writes for TV
by Jamie Nash • 2021
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
4.31
423
Save the Cat! Writes for TV Summary
Save the Cat! Writes for TV 89%
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
by Jamie Nash 2021
4.31
423 ratings
Save the Cat! Strikes Back
by Blake Snyder • 2009
Script problems aren't failure. They're the raw material of every breakthrough draft.
4.17
1k+
Save the Cat! Strikes Back Summary
Save the Cat! Strikes Back 89%
Script problems aren't failure. They're the raw material of every breakthrough draft.
by Blake Snyder 2009
4.17
1k+ ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 89%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
Save the Cat!
by Blake Snyder • 2005
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
4.01
22k+
Save the Cat! Summary
Save the Cat! 89%
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
by Blake Snyder 2005
4.01
22k+ ratings
The Anatomy of Story
by John Truby • 2007
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
4.25
7k+
The Anatomy of Story Summary
The Anatomy of Story 89%
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
by John Truby 2007
4.25
7k+ ratings
Now Write! Screenwriting
by Sherry Ellis • 2010
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
4.09
116
Now Write! Screenwriting Summary
Now Write! Screenwriting 89%
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
by Sherry Ellis 2010
4.09
116 ratings
Save the Cat! Goes to the Movies
by Blake Snyder • 2007
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
4.00
2k+
Save the Cat! Goes to the Movies Summary
Save the Cat! Goes to the Movies 89%
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
by Blake Snyder 2007
4.00
2k+ ratings
Crafting Short Screenplays That Connect
by Claudia Hunter Johnson • 2000
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
3.91
150
Crafting Short Screenplays That Connect Summary
Crafting Short Screenplays That Connect 89%
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
by Claudia Hunter Johnson 2000
3.91
150 ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 89%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
The 101 Habits of Highly Successful Screenwriters
by Karl Iglesias • 2001
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
3.87
479
The 101 Habits of Highly Successful Screenwriters Summary
The 101 Habits of Highly Successful Screenwriters 89%
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
by Karl Iglesias 2001
3.87
479 ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 89%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
The Idea
by Erik Bork • 2018
Your idea is worth more than your prose. The seven-point test that Hollywood readers actually use.
4.24
582
The Idea Summary
The Idea 89%
Your idea is worth more than your prose. The seven-point test that Hollywood readers actually use.
by Erik Bork 2018
4.24
582 ratings
The Story Solution
by Eric Edson • 2012
The 23-step structural blueprint that turns a screenplay into an emotional ride.
4.32
222
The Story Solution Summary
The Story Solution 88%
The 23-step structural blueprint that turns a screenplay into an emotional ride.
by Eric Edson 2012
4.32
222 ratings
Screenwriters Problem Solver How To R
by Syd Field • 1998
Ten ways a screenplay breaks, and the concrete fix for each.
3.82
373
Screenwriters Problem Solver How To R Summary
Screenwriters Problem Solver How To R 88%
Ten ways a screenplay breaks, and the concrete fix for each.
by Syd Field 1998
3.82
373 ratings
Writing Short Films
by Linda J. Cowgill • 1997
Minutes, not hours. The structural rules for short films that features never taught you.
3.70
303
Writing Short Films Summary
Writing Short Films 88%
Minutes, not hours. The structural rules for short films that features never taught you.
by Linda J. Cowgill 1997
3.70
303 ratings
Write It, Pitch It, Sell Your Screenplay
by DMA/Donna Michelle Anderson • 2015
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
4.50
8
Write It, Pitch It, Sell Your Screenplay Summary
Write It, Pitch It, Sell Your Screenplay 88%
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
by DMA/Donna Michelle Anderson 2015
4.50
8 ratings
Story Engineering
by Larry Brooks • 2011
Six storytelling skills and a four-part map that transform an idea into a novel that works.
4.10
3k+
Story Engineering Summary
Story Engineering 88%
Six storytelling skills and a four-part map that transform an idea into a novel that works.
by Larry Brooks 2011
4.10
3k+ ratings
Dialogue
by Robert McKee • 2016
Your dialogue problem is really a scene problem. The fix starts underneath the words.
4.32
2k+
Dialogue Summary
Dialogue 88%
Your dialogue problem is really a scene problem. The fix starts underneath the words.
by Robert McKee 2016
4.32
2k+ ratings
Story
by Robert McKee • 1997
How to design the moments where expectations collide with reality and everything flips.
4.27
18k+
Story Summary
Story 88%
How to design the moments where expectations collide with reality and everything flips.
by Robert McKee 1997
4.27
18k+ ratings
Selling a Screenplay
by Syd Field • 1989
Three acts, two plot points, one rule: decide your ending before you write your opening.
3.70
91
Selling a Screenplay Summary
Selling a Screenplay 88%
Three acts, two plot points, one rule: decide your ending before you write your opening.
by Syd Field 1989
3.70
91 ratings
The Secrets of Character
by Matt Bird • 2022
Plot draws them in. Hero keeps them there. A character-first toolkit for the opening ten.
4.10
278
The Secrets of Character Summary
The Secrets of Character 88%
Plot draws them in. Hero keeps them there. A character-first toolkit for the opening ten.
by Matt Bird 2022
4.10
278 ratings
Character
by Robert McKee • 2021
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
4.29
445
Character Summary
Character 88%
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
by Robert McKee 2021
4.29
445 ratings
Techniques of the Selling Writer
by Dwight V. Swain • 1965
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
4.33
2k+
Techniques of the Selling Writer Summary
Techniques of the Selling Writer 88%
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
by Dwight V. Swain 1965
4.33
2k+ ratings
5,000 Words Per Hour
by Chris Fox • 2015
The average writer produces 500 words an hour. Here's how to hit ten times that.
4.19
3k+
5,000 Words Per Hour Summary
5,000 Words Per Hour 88%
The average writer produces 500 words an hour. Here's how to hit ten times that.
by Chris Fox 2015
4.19
3k+ ratings
The Complete Idiot's Guide to Creative Writing
by Laurie E. Rozakis • 1997
One writing process for fiction, poetry, and screenplays, plus the business half most primers skip.
3.59
159
The Complete Idiot's Guide to Creative Writing Summary
The Complete Idiot's Guide to Creative Writing 88%
One writing process for fiction, poetry, and screenplays, plus the business half most primers skip.
by Laurie E. Rozakis 1997
3.59
159 ratings
Into the Woods
by John Yorke • 2013
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
4.18
5k+
Into the Woods Summary
Into the Woods 88%
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
by John Yorke 2013
4.18
5k+ ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 88%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
The Writer's Idea Thesaurus
by Fred White • 2014
Two thousand story situations, organized and ready: your imagination just needs a starting point.
3.84
116
The Writer's Idea Thesaurus Summary
The Writer's Idea Thesaurus 88%
Two thousand story situations, organized and ready: your imagination just needs a starting point.
by Fred White 2014
3.84
116 ratings
Writing Your Novel from Start to Finish
by Joseph Bates • 2015
Your novel, start to finish: a guide that treats structure as discovery's framework, not a cage.
4.21
184
Writing Your Novel from Start to Finish Summary
Writing Your Novel from Start to Finish 88%
Your novel, start to finish: a guide that treats structure as discovery's framework, not a cage.
by Joseph Bates 2015
4.21
184 ratings
Directors Tell the Story
by Bethany Rooney • 2011
A working director's guide to running a set, shaping performances, and surviving the edit room.
4.47
74
Directors Tell the Story Summary
Directors Tell the Story 88%
A working director's guide to running a set, shaping performances, and surviving the edit room.
by Bethany Rooney 2011
4.47
74 ratings
Writing Movies for Fun and Profit
by Robert Ben Garant • 2011
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
3.95
2k+
Writing Movies for Fun and Profit Summary
Writing Movies for Fun and Profit 88%
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
by Robert Ben Garant 2011
3.95
2k+ ratings
Writing Alone, Writing Together
by Judy Reeves • 2002
How to start a writing group that provides feedback, builds accountability, and keeps you writing.
4.01
78
Writing Alone, Writing Together Summary
Writing Alone, Writing Together 88%
How to start a writing group that provides feedback, builds accountability, and keeps you writing.
by Judy Reeves 2002
4.01
78 ratings
Aristotle's Poetics for Screenwriters
by Michael Tierno • 2002
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
3.84
639
Aristotle's Poetics for Screenwriters Summary
Aristotle's Poetics for Screenwriters 88%
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
by Michael Tierno 2002
3.84
639 ratings
90 Days to Your Novel
by Sarah Domet • 2010
A novel in 90 days: the daily plan that trades inspiration for routine and complete draft.
3.77
391
90 Days to Your Novel Summary
90 Days to Your Novel 88%
A novel in 90 days: the daily plan that trades inspiration for routine and complete draft.
by Sarah Domet 2010
3.77
391 ratings
Immediate Fiction
by Jerry Cleaver • 2002
A no-jargon writing method that centers on conflict and emotion, and how to finish the stuck draft.
4.14
755
Immediate Fiction Summary
Immediate Fiction 88%
A no-jargon writing method that centers on conflict and emotion, and how to finish the stuck draft.
by Jerry Cleaver 2002
4.14
755 ratings
Becoming a Writer, Staying a Writer
by J. Michael Straczynski • 2021
Writer's block is a myth. Revise like a surgeon, diversify across media, and outlast the industry.
4.44
439
Becoming a Writer, Staying a Writer Summary
Becoming a Writer, Staying a Writer 88%
Writer's block is a myth. Revise like a surgeon, diversify across media, and outlast the industry.
by J. Michael Straczynski 2021
4.44
439 ratings
Intent to Live
by Larry Moss • 2004
A master coach on acting: find a script's secret, build the character, make the audience lean in.
4.49
772
Intent to Live Summary
Intent to Live 88%
A master coach on acting: find a script's secret, build the character, make the audience lean in.
by Larry Moss 2004
4.49
772 ratings
How to Write a Damn Good Thriller
by James N. Frey • 2010
From villain to climax, the essential rules for a thriller that readers cannot put down.
3.79
321
How to Write a Damn Good Thriller Summary
How to Write a Damn Good Thriller 88%
From villain to climax, the essential rules for a thriller that readers cannot put down.
by James N. Frey 2010
3.79
321 ratings
Beginnings, Middles & Ends
by Nancy Kress • 1992
Three pages to lose an editor: a framework for beginnings, middles, and endings that deliver.
4.00
3k+
Beginnings, Middles & Ends Summary
Beginnings, Middles & Ends 88%
Three pages to lose an editor: a framework for beginnings, middles, and endings that deliver.
by Nancy Kress 1992
4.00
3k+ ratings
1,000 Awesome Writing Prompts
by Ryan Andrew Kinder • 2014
A thousand prompts, from six-word tales to random-object chaos, each a cure for the blank page.
3.72
415
1,000 Awesome Writing Prompts Summary
1,000 Awesome Writing Prompts 88%
A thousand prompts, from six-word tales to random-object chaos, each a cure for the blank page.
by Ryan Andrew Kinder 2014
3.72
415 ratings
Creating Character Arcs
by K.M. Weiland • 2016
Why your character believes a lie, and how that single flaw designs your entire plot.
4.31
4k+
Creating Character Arcs Summary
Creating Character Arcs 88%
Why your character believes a lie, and how that single flaw designs your entire plot.
by K.M. Weiland 2016
4.31
4k+ ratings
Documentary Storytelling
by Sheila Curran Bernard • 2010
From research to final cut: the craft rules for making nonfiction films that grip like fiction.
4.00
148
Documentary Storytelling Summary
Documentary Storytelling 88%
From research to final cut: the craft rules for making nonfiction films that grip like fiction.
by Sheila Curran Bernard 2010
4.00
148 ratings
How to Write a Damn Good Novel, II
by James N. Frey • 1994
Most novelists fail at the premise, not the prose. The craft rules for getting it right.
4.07
720
How to Write a Damn Good Novel, II Summary
How to Write a Damn Good Novel, II 87%
Most novelists fail at the premise, not the prose. The craft rules for getting it right.
by James N. Frey 1994
4.07
720 ratings
The First Five Pages
by Noah Lukeman • 2000
99% of manuscripts get rejected by page five. Catch the invisible flaws that trigger the no.
3.98
4k+
The First Five Pages Summary
The First Five Pages 87%
99% of manuscripts get rejected by page five. Catch the invisible flaws that trigger the no.
by Noah Lukeman 2000
3.98
4k+ ratings
The Creative Compass
by Dan Millman • 2013
A repeatable path from idea to publication: no muse needed, just five stages you can navigate.
3.97
174
The Creative Compass Summary
The Creative Compass 87%
A repeatable path from idea to publication: no muse needed, just five stages you can navigate.
by Dan Millman 2013
3.97
174 ratings
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