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How Fiction Works
by James Wood • 2008
How do novels create the illusion of a thinking mind? A master critic explains the techniques.
3.99
8k+
How Fiction Works Summary
How Fiction Works 89%
How do novels create the illusion of a thinking mind? A master critic explains the techniques.
by James Wood 2008
3.99
8k+ ratings
Aspects of the Novel
by E.M. Forster • 1927
A novelist dismantles fiction into its working parts: story, plot, and the characters who breathe.
3.80
5k+
Aspects of the Novel Summary
Aspects of the Novel 89%
A novelist dismantles fiction into its working parts: story, plot, and the characters who breathe.
by E.M. Forster 1927
3.80
5k+ ratings
Borges on Writing
by Jorge Luis Borges • 1973
Plausibility trumps truth, short stories hinge on a situation, and great poems arrive unbidden.
4.07
1k+
Borges on Writing Summary
Borges on Writing 89%
Plausibility trumps truth, short stories hinge on a situation, and great poems arrive unbidden.
by Jorge Luis Borges 1973
4.07
1k+ ratings
The Art of Intimacy
by Stacey D'Erasmo • 2013
Fiction's real intimacy lives in the subjunctive, the white space, and the shared glance.
3.93
248
The Art of Intimacy Summary
The Art of Intimacy 88%
Fiction's real intimacy lives in the subjunctive, the white space, and the shared glance.
by Stacey D'Erasmo 2013
3.93
248 ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 88%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
The Naive and the Sentimental Novelist
by Orhan Pamuk • 2010
Why great novels put you in a trance even as you know every word is invented.
3.95
3k+
The Naive and the Sentimental Novelist Summary
The Naive and the Sentimental Novelist 88%
Why great novels put you in a trance even as you know every word is invented.
by Orhan Pamuk 2010
3.95
3k+ ratings
The Art of Fiction
by John Gardner • 1984
Master the craft that makes readers forget the page and live inside your story.
3.99
6k+
The Art of Fiction Summary
The Art of Fiction 88%
Master the craft that makes readers forget the page and live inside your story.
by John Gardner 1984
3.99
6k+ ratings
The Lonely Voice
by Frank O'Connor • 1961
The short story speaks for the outsider the novel was never built to see.
3.89
246
The Lonely Voice Summary
The Lonely Voice 88%
The short story speaks for the outsider the novel was never built to see.
by Frank O'Connor 1961
3.89
246 ratings
Description
by Monica Wood • 1995
Description isn't decoration: the craft of building a world readers can see, hear, and feel.
4.06
610
Description Summary
Description 88%
Description isn't decoration: the craft of building a world readers can see, hear, and feel.
by Monica Wood 1995
4.06
610 ratings
Gabriel García Márquez
by Michael Wood • 1990
The craft behind the curse: how magical realism, circular time, and prophecy hold Macondo together.
4.54
6k+
Gabriel García Márquez Summary
Gabriel García Márquez 88%
The craft behind the curse: how magical realism, circular time, and prophecy hold Macondo together.
by Michael Wood 1990
4.54
6k+ ratings
The Art of X-Ray Reading
by Roy Peter Clark • 2016
How to read a novel and come away with a toolbox, not just a story.
4.04
1k+
The Art of X-Ray Reading Summary
The Art of X-Ray Reading 88%
How to read a novel and come away with a toolbox, not just a story.
by Roy Peter Clark 2016
4.04
1k+ ratings
The Sense of Style
by Steven Pinker • 2014
Why can't smart people write clearly? A cognitive scientist blames one mental blind spot.
4.04
9k+
The Sense of Style Summary
The Sense of Style 88%
Why can't smart people write clearly? A cognitive scientist blames one mental blind spot.
by Steven Pinker 2014
4.04
9k+ ratings
Word Painting
by Rebecca McClanahan • 2014
Most writing advice says 'show, don't tell.' This one teaches you how, sense by sense.
4.13
816
Word Painting Summary
Word Painting 88%
Most writing advice says 'show, don't tell.' This one teaches you how, sense by sense.
by Rebecca McClanahan 2014
4.13
816 ratings
Wordcraft
by Jack R. Hart • 2021
Writing isn't magic. A step-by-step method for clear, powerful prose, from idea to final polish.
4.13
107
Wordcraft Summary
Wordcraft 88%
Writing isn't magic. A step-by-step method for clear, powerful prose, from idea to final polish.
by Jack R. Hart 2021
4.13
107 ratings
About Writing
by Samuel R. Delany • 2006
The sentence, not the world, is science fiction's true unit of meaning. A master explains why.
4.26
459
About Writing Summary
About Writing 88%
The sentence, not the world, is science fiction's true unit of meaning. A master explains why.
by Samuel R. Delany 2006
4.26
459 ratings
Techniques of the Selling Writer
by Dwight V. Swain • 1965
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
4.33
2k+
Techniques of the Selling Writer Summary
Techniques of the Selling Writer 88%
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
by Dwight V. Swain 1965
4.33
2k+ ratings
Kurt Vonnegut's Slaughterhouse-Five
by Curtis Smith • 2016
A writer unpacks the alien logic and buried grief inside Vonnegut's time-jumping anti-war classic.
4.27
41
Kurt Vonnegut's Slaughterhouse-Five Summary
Kurt Vonnegut's Slaughterhouse-Five 88%
A writer unpacks the alien logic and buried grief inside Vonnegut's time-jumping anti-war classic.
by Curtis Smith 2016
4.27
41 ratings
Farnsworth's Classical English Rhetoric
by Ward Farnsworth • 2010
Why great prose works: the ancient rhetorical devices that power it, catalogued and made visible.
4.16
488
Farnsworth's Classical English Rhetoric Summary
Farnsworth's Classical English Rhetoric 88%
Why great prose works: the ancient rhetorical devices that power it, catalogued and made visible.
by Ward Farnsworth 2010
4.16
488 ratings
Word Hero
by Jay Heinrichs • 2011
How to write lines that people repeat, share, and remember: the forgotten art of rhetorical figures.
3.73
280
Word Hero Summary
Word Hero 88%
How to write lines that people repeat, share, and remember: the forgotten art of rhetorical figures.
by Jay Heinrichs 2011
3.73
280 ratings
A Swim in a Pond in the Rain
by George Saunders • 2021
Seven Russian classics, read one line at a time, reveal the hidden machinery of great fiction.
4.53
26k+
A Swim in a Pond in the Rain Summary
A Swim in a Pond in the Rain 88%
Seven Russian classics, read one line at a time, reveal the hidden machinery of great fiction.
by George Saunders 2021
4.53
26k+ ratings
Style
by Joseph M. Williams • 1981
Clarity is structural, not mysterious. The diagnostic principles that tell you exactly what to fix.
4.21
2k+
Style Summary
Style 88%
Clarity is structural, not mysterious. The diagnostic principles that tell you exactly what to fix.
by Joseph M. Williams 1981
4.21
2k+ ratings
Dialogism
by Michael Holquist • 1990
All speech answers prior speech, all selves depend on others: the dialogic philosophy of Bakhtin.
4.09
88
Dialogism Summary
Dialogism 88%
All speech answers prior speech, all selves depend on others: the dialogic philosophy of Bakhtin.
by Michael Holquist 1990
4.09
88 ratings
The Art of the Poetic Line
by James Longenbach • 2007
The 'line break' is a misnomer. A poet-critic reveals what actually happens where lines end.
4.03
694
The Art of the Poetic Line Summary
The Art of the Poetic Line 88%
The 'line break' is a misnomer. A poet-critic reveals what actually happens where lines end.
by James Longenbach 2007
4.03
694 ratings
The Art of Subtext
by Charles Baxter • 2007
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
4.02
1k+
The Art of Subtext Summary
The Art of Subtext 88%
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
by Charles Baxter 2007
4.02
1k+ ratings
How to Write Short
by Roy Peter Clark • 2013
Tiny texts, big impact: the craft moves that make short sentences stick harder than long ones.
3.77
1k+
How to Write Short Summary
How to Write Short 88%
Tiny texts, big impact: the craft moves that make short sentences stick harder than long ones.
by Roy Peter Clark 2013
3.77
1k+ ratings
Linguistic Fingerprints
by Roger J. Kreuz • 2023
The hidden patterns in your words identify you better than fingerprints: stylometry reads them.
3.50
20
Linguistic Fingerprints Summary
Linguistic Fingerprints 88%
The hidden patterns in your words identify you better than fingerprints: stylometry reads them.
by Roger J. Kreuz 2023
3.50
20 ratings
The Anatomy of Influence
by Harold Bloom • 2011
Literary influence is love with its guard up, and Shakespeare is still winning.
3.93
477
The Anatomy of Influence Summary
The Anatomy of Influence 88%
Literary influence is love with its guard up, and Shakespeare is still winning.
by Harold Bloom 2011
3.93
477 ratings
How to Write a Sentence
by Stanley Fish • 2011
A few logical forms generate all possible sentences. Master them, and content follows.
3.48
3k+
How to Write a Sentence Summary
How to Write a Sentence 88%
A few logical forms generate all possible sentences. Master them, and content follows.
by Stanley Fish 2011
3.48
3k+ ratings
Make a Scene
by Jordan Rosenfeld • 2007
A novel lives or dies scene by scene. A blueprint for making every moment count.
4.07
1k+
Make a Scene Summary
Make a Scene 88%
A novel lives or dies scene by scene. A blueprint for making every moment count.
by Jordan Rosenfeld 2007
4.07
1k+ ratings
Description & Setting
by Ron Rozelle • 2005
Harvest details. Deploy the senses. Make setting an engine for character, mood, and plot.
4.02
954
Description & Setting Summary
Description & Setting 88%
Harvest details. Deploy the senses. Make setting an engine for character, mood, and plot.
by Ron Rozelle 2005
4.02
954 ratings
Building Great Sentences
by Brooks Landon • 2013
Grammar explains the parts. Here is the construction kit for sentences that move, linger, and land.
4.05
788
Building Great Sentences Summary
Building Great Sentences 88%
Grammar explains the parts. Here is the construction kit for sentences that move, linger, and land.
by Brooks Landon 2013
4.05
788 ratings
How to Read Literature Like a Professor
by Thomas C. Foster • 2003
Reading shortcuts that turn road trips into quests, weather into meaning, and meals into symbols.
3.58
34k+
How to Read Literature Like a Professor Summary
How to Read Literature Like a Professor 88%
Reading shortcuts that turn road trips into quests, weather into meaning, and meals into symbols.
by Thomas C. Foster 2003
3.58
34k+ ratings
Shakespeare's Freedom
by Stephen Greenblatt • 2010
Shakespeare dreamed of absolute freedom; his entire career became a record of its limits.
3.83
175
Shakespeare's Freedom Summary
Shakespeare's Freedom 88%
Shakespeare dreamed of absolute freedom; his entire career became a record of its limits.
by Stephen Greenblatt 2010
3.83
175 ratings
A Little History of Literature
by John Sutherland • 2013
Myths, money, and modernism: how literature got from campfire tales to your e-reader.
3.82
2k+
A Little History of Literature Summary
A Little History of Literature 88%
Myths, money, and modernism: how literature got from campfire tales to your e-reader.
by John Sutherland 2013
3.82
2k+ ratings
100 Ways to Improve Your Writing
by Gary Provost • 1985
Concrete techniques that turn stiff sentences into music and hesitant writers into confident ones.
4.03
2k+
100 Ways to Improve Your Writing Summary
100 Ways to Improve Your Writing 88%
Concrete techniques that turn stiff sentences into music and hesitant writers into confident ones.
by Gary Provost 1985
4.03
2k+ ratings
Characters, Emotion & Viewpoint
by Nancy Kress • 2005
Viewpoint controls what your readers know, who they root for, and what the story finally means.
4.05
2k+
Characters, Emotion & Viewpoint Summary
Characters, Emotion & Viewpoint 88%
Viewpoint controls what your readers know, who they root for, and what the story finally means.
by Nancy Kress 2005
4.05
2k+ ratings
Crafting Novels & Short Stories
by The Writer's Digest • 2011
Character, plot, prose, and revision: the craft kit every fiction writer returns to.
3.89
373
Crafting Novels & Short Stories Summary
Crafting Novels & Short Stories 88%
Character, plot, prose, and revision: the craft kit every fiction writer returns to.
by The Writer's Digest 2011
3.89
373 ratings
Dialogue
by Gloria Kempton • 2004
Stilted dialogue comes from writing it, not channeling it. Make characters speak for themselves.
3.97
1k+
Dialogue Summary
Dialogue 88%
Stilted dialogue comes from writing it, not channeling it. Make characters speak for themselves.
by Gloria Kempton 2004
3.97
1k+ ratings
Self-Editing for Fiction Writers
by Renni Browne • 1993
The self-editing techniques that find and fix the flaws keeping your novel from publication.
4.25
7k+
Self-Editing for Fiction Writers Summary
Self-Editing for Fiction Writers 88%
The self-editing techniques that find and fix the flaws keeping your novel from publication.
by Renni Browne 1993
4.25
7k+ ratings
Characters & Viewpoint
by Orson Scott Card • 1988
Shape characters your readers will follow anywhere: the techniques that turn ink into people.
4.04
5k+
Characters & Viewpoint Summary
Characters & Viewpoint 88%
Shape characters your readers will follow anywhere: the techniques that turn ink into people.
by Orson Scott Card 1988
4.04
5k+ ratings
The Seven Basic Plots
by Christopher Booker • 2004
All stories are one of seven shapes. And they all solve the same psychological problem.
3.76
2k+
The Seven Basic Plots Summary
The Seven Basic Plots 88%
All stories are one of seven shapes. And they all solve the same psychological problem.
by Christopher Booker 2004
3.76
2k+ ratings
Barbara Kingsolver's The Poisonwood Bible
by Linda Wagner-Martin • 2001
Nathan Price never narrates: inside the five-woman chorus that indicts a missionary's arrogance.
4.31
308
Barbara Kingsolver's The Poisonwood Bible Summary
Barbara Kingsolver's The Poisonwood Bible 88%
Nathan Price never narrates: inside the five-woman chorus that indicts a missionary's arrogance.
by Linda Wagner-Martin 2001
4.31
308 ratings
Writing Better Lyrics
by Pat Pattison • 1995
Seven senses, zero clichés, and the structural secret that makes a chorus land harder each time.
4.22
1k+
Writing Better Lyrics Summary
Writing Better Lyrics 88%
Seven senses, zero clichés, and the structural secret that makes a chorus land harder each time.
by Pat Pattison 1995
4.22
1k+ ratings
Poetics
by Aristotle
Plot is everything. Character is secondary. The ancient blueprint for a tragedy that devastates.
3.83
30k+
Poetics Summary
Poetics 88%
Plot is everything. Character is secondary. The ancient blueprint for a tragedy that devastates.
by Aristotle
3.83
30k+ ratings
Lezioni di letteratura russa. Gogol', Turgenev, Dostoevskij, Tolstoj, Čechov e Gor'kij nelle lezioni di un grande maestro
by Vladimir Nabokov • 1981
Nabokov on Russian masters: art alone matters, not message. Dostoevsky fails, Gogol soars.
4.26
2k+
Lezioni di letteratura russa. Gogol', Turgenev, Dostoevskij, Tolstoj, Čechov e Gor'kij nelle lezioni di un grande maestro Summary
Lezioni di letteratura russa. Gogol', Turgenev, Dostoevskij, Tolstoj, Čechov e Gor'kij nelle lezioni di un grande maestro 88%
Nabokov on Russian masters: art alone matters, not message. Dostoevsky fails, Gogol soars.
by Vladimir Nabokov 1981
4.26
2k+ ratings
The Elements of Eloquence
by Mark Forsyth • 2013
Shakespeare didn't wait for inspiration. He studied the tricks that make phrases stick.
4.35
7k+
The Elements of Eloquence Summary
The Elements of Eloquence 88%
Shakespeare didn't wait for inspiration. He studied the tricks that make phrases stick.
by Mark Forsyth 2013
4.35
7k+ ratings
Reading Like a Writer
by Francine Prose • 2006
Workshops preach rules. Real craft is learned one Chekhov sentence at a time.
3.77
12k+
Reading Like a Writer Summary
Reading Like a Writer 87%
Workshops preach rules. Real craft is learned one Chekhov sentence at a time.
by Francine Prose 2006
3.77
12k+ ratings
Story Engineering
by Larry Brooks • 2011
Six storytelling skills and a four-part map that transform an idea into a novel that works.
4.10
3k+
Story Engineering Summary
Story Engineering 87%
Six storytelling skills and a four-part map that transform an idea into a novel that works.
by Larry Brooks 2011
4.10
3k+ ratings
Several Short Sentences About Writing
by Verlyn Klinkenborg • 2012
Writing isn't about flow or formulas; it's about one clear sentence, then another.
4.13
4k+
Several Short Sentences About Writing Summary
Several Short Sentences About Writing 87%
Writing isn't about flow or formulas; it's about one clear sentence, then another.
by Verlyn Klinkenborg 2012
4.13
4k+ ratings
The Strength to Dream
by Colin Wilson • 1962
The crisis of modern literature is a failure of imagination, and the cost is human freedom.
3.93
123
The Strength to Dream Summary
The Strength to Dream 87%
The crisis of modern literature is a failure of imagination, and the cost is human freedom.
by Colin Wilson 1962
3.93
123 ratings
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